.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}@media all and (max-width:500px){.mw-parser-output .hidden-begin{width:auto!important;clear:none!important;float:none!important))You can help expand this article with text translated from the corresponding article in Italian. (May 2023) Click [show] for important translation instructions.
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De Sica was born on 7 July 1901 in Sora, Lazio, the son of Neapolitan parents.[5] His father was an officer of the Bank of Italy, and was transferred from Naples to Sora, Italy.[6] De Sica began his career as a theatreactor in the early 1920s and joined Tatiana Pavlova's theatre company in 1923. In 1933 he founded his own company with the actress, Giuditta Rissone, who later became his wife, and Sergio Tofano. The company performed mostly light comedies, but they also staged plays by Beaumarchais and worked with famous directors like Luchino Visconti.[7]
His meeting with the screenwriter Cesare Zavattini was a very important event: together they created some of the most celebrated films of the neorealistic age, like Sciuscià (Shoeshine) and Bicycle Thieves (released as The Bicycle Thief in America), both of which De Sica directed.[8]
His passion for gambling was well known and because of it, he often lost large sums of money and accepted work that might not otherwise have interested him. He never kept his gambling a secret from anyone; in fact, he projected it on characters in his own movies, like Count Max (which he acted in but did not direct) and The Gold of Naples,[9] as well as in General Della Rovere, a film directed by Rossellini in which De Sica played the title role.[10]
In 1937 Vittorio De Sica married the actress Giuditta Rissone, who gave birth to their daughter, Emilia (Emi). In 1942, on the set of Un garibaldino al convento, he met Spanish actress María Mercader (cousin of Ramon Mercader, Leon Trotsky's assassin), with whom he started a relationship. After divorcing Rissone in France in 1954, he married Mercader in 1959 in Mexico, but this union was not considered valid under Italian law. In 1968 he obtained French citizenship and married Mercader in Paris. Meanwhile, he had already had two sons with her: Manuel, in 1949, a musician, and Christian, in 1951, who would follow his father's path as an actor and director.[11]
He was a Roman Catholic[12] and a communist.[13][14] Although divorced, De Sica never parted from his first family. He led a double family life, with double celebrations on holidays. It is said that, at Christmas and on New Year's Eve, he used to put back the clocks by two hours in Mercader's house so that he could make a toast at midnight with both families. His first wife agreed to keep up the facade of a marriage so as not to leave her daughter without a father.
L'eroe (1976, TV Movie, by Manuel De Sica) (final film role)
Note: on many sources, Fontana di Trevi by Carlo Campogalliani (1960) and La bonne soupe by Robert Thomas (1964) are included but de Sica does not appear in those films.
^"Famous Catholics". www.adherents.com. Archived from the original on 14 February 2012. Retrieved 21 February 2012.((cite web)): CS1 maint: unfit URL (link)
^Ariela Bankier (22 April 2010). "All About My Father". Haaretz. Haaretz Daily Newspaper Ltd. Retrieved 26 June 2021. "They were both communists, both Cesare and De Sica," his son says.
^Gino Moliterno (2000). Encyclopedia of Contemporary Italian Culture. Routledge. p. 409. ISBN9780415145848.
