.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}You can help expand this article with text translated from the corresponding article in Finnish. (March 2021) Click [show] for important translation instructions. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Finnish Wikipedia article at [[:fi:Vladislav Zolotarjov]]; see its history for attribution. You should also add the template ((Translated|fi|Vladislav Zolotarjov)) to the talk page. For more guidance, see Wikipedia:Translation.

Vladislav Andreyevich Zolotaryov (Russian: Владислав Андреевич Золотарёв, De-Kastri, September 13, 1942 – Moscow, May 13, 1975) was a Soviet composer and bayanist. He is regarded as one of the greatest Soviet composers for bayan.[1]

He graduated from the class of N. A. Lesnoi (bayan) at the Magadan Secondary School of Music in 1968, and studied composition under the guidance of R. K. Shchedrin (by way of consultation, 1968–1969), and with T. N. Khrennikov (at the Moscow Conservatoire, 1971–1972). He composed large-scale and chamber compositions, string quartets and vocal music, but is best known for his works for bayan (button accordion).[2]

Friedrich Lips and A. Surkov wrote in Anthology of Compositions for Button Accordion: "The creative work of Vl. Zolotaryov can be described as a milestone of the utmost importance for the incontestable progress of accordion music. . . . In his Partita (1968), Six Children's Suites (1969/74), his Sonata N° 2 (1971) and Sonata No. 3 (1972), and Five Compositions (1971), the advantages of the new-type [converter free-bass] accordion have, as never before, been wholly revealed. The instrument has become a full and equal participant in the chamber sphere of art music."[3]

Zolotaryov committed suicide at age 32.

References

  1. ^ The Free-Reed Review CD Review: Morten Rossen. Cassa Fisarmonia
  2. ^ M. Imkhanistsky, F. Lips, Anthology of Compositions for Button Accordion vol. VIII (Moscow: Muzyka, 1991), Foreword.
  3. ^ Friedrich Lips and A. Surkov, Anthology of Compositions for Button Accordion vol. I (Moscow: Muzyka, 1984), Foreword.