| Volume 2 | |
|---|---|
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| Compilation album by | |
| Released | 1995 |
| Genre | Rock and roll |
| Label | Impact Records |
Volume 2 is a vinyl anthology LP audio record of hit Chuck Berry recordings, made and printed in France on the "impact" Records label. In the 1970s, it was available for purchase in U.S. music stores, with a small adhesive sticker on the reverse of the album jacket stating, "Imported/Distributed" by Peters International, New York, N.Y.
The recordings of the major hits "Johnny B. Goode" and "Rock and Roll Music" are monaural and the obverse face of the jacket bears the message "MONO STEREO" along the top edge, along with the catalog number 6886 407. A color photograph by Claude Delorme of Berry (judging by his appearance perhaps circa 1970 Berry), performing on guitar in a green and turquoise floral pattern jacket, takes up about half the area of the cover, which otherwise is in shades of red and pink. The Chuck Berry name in large block capital letters in black ink dominates the title area of the cover, with "Volume 2" in a significantly smaller font centered on the line beneath it.
The album jacket bears the names of ten of the twelve songs included on the LP printed above the Berry photograph, followed by "Etc."
Messages printed on the cover assure the owner of original recordings, presented with the permission of Mercury Records, "Enregistrements Originaux" on the obverse and "Avec l'Aimable Autorisation Des Disques Mercury" on the reverse. The album jacket design employs the English language for song titles, in accordance with the original Mercury releases (except that the "School" in "School Days" is misspelled "Scholl"), and for such phrases as "Produced by Roy Dea and Boo Frazer"; but most of the printed material appears in French, such as a message about a ring of graphics that appears on the record labels of side 1 and side 2 that serve as a visual aid to whether the phonograph platter is actually rotating at 33.33 RPM.
The product gives the listener recordings that indeed are familiar to former listeners of 1970s U.S. AM radio "oldies" shows as hit songs from the 1950s/1960s charts.
