Roland and Corinne Durand are a bourgeois couple. Each has a secret lover and conspires to murder the other. They drive to Corinne's parents' home in the country to secure her inheritance from her dying father, resolving to resort to murder if necessary. The trip becomes a chaotic journey through a French countryside populated by bizarre characters and punctuated by violent car accidents. After their own Facel-Vega is destroyed in a collision, they wander through a series of vignettes involving class struggle and figures from literature and history, such as Louis Antoine de Saint-Just and Emily Brontë.
When Corinne and Roland eventually arrive at her parents' place, they discover that her father has died and her mother refuses to give them a share of the spoils. They kill her and hit the road again, only to fall into the hands of a group of hippie revolutionaries (calling themselves the Seine and Oise Liberation Front) that support themselves through theft and cannibalism. Killed during an escape attempt, Roland is chopped up and cooked.
László Szabó as an Arab garbage collector and revolutionary
Omar Diop as an African garbage collector and revolutionary
Anne Wiazemsky as an audience member in the piano recital
Michel Cournot as an audience member in the piano recital
Themes and style
Weekend has been compared to Alice in Wonderland, the James Bond series, and the works of Marquis de Sade.[5][6] Tim Brayton described it as a "film that reads itself, tells the viewer what that reading should be, and at the same time tells the viewer that this reading is inaccurate and should be ignored."[7] In one of the early scenes, Corinne tells her lover about a sexual experience she had. Part of the story she tells is based on the Georges Bataille novel Story of the Eye (Histoire de l'œil).[5]
Inspiration
According to a letter from Argentine writer Julio Cortázar to his translator Suzanne Jill Levine, the indirect inspiration for the film was Cortázar's short story "La autopista del Sur" ("The Southern Thruway"). Cortázar explained that while a British producer was considering filming his story, a third party had presented the idea to Godard, who was unaware of its true source.[citation needed]
Reception
On Rotten Tomatoes, the film holds an approval rating of 93%, based on 28 reviews, with an average rating of 8.7/10. The website's critics consensus reads "Jean-Luc Godard fixes his considerable ire against French society and the broader human condition in the morbidly funny Weekend, an abstract road trip to damnation that finds the enfant terrible in peak form."[8]
