Book by Francesca Lia Block
Weetzie Bat is the debut novel of Francesca Lia Block, published by HarperCollins in 1989. It inaugurated her Dangerous Angels series for young adults.
The narrative follows the adventures of the eponymous character Weetzie and her best friend Dirk, as well as their friends and relations. After being granted three wishes by a genie, Weetzie discovers that there are unexpected ramifications.
The story is set in an almost dream-like, heightened version of Los Angeles, aptly referred to as "Shangri-L.A.", in an indefinite time period evoking both the 1980s punk craze and the sophisticated glamor of 1950s Hollywood. Block describes issues such as blended families, premarital sex, homosexuality, and AIDS.
Reception
Weetzie Bat won the 2009 Phoenix Award from the Children's Literature Association as the best English-language children's book that did not win a major award when it was originally published twenty years earlier. It is named for the mythical bird phoenix, which is reborn from its ashes, to suggest the book's rise from obscurity.[1]
Weetzie Bat has attracted controversy, including efforts to challenge or ban the book. For instance, in Texas, an organization critiqued Block's "ideas and views on a variety of issues surrounding alternative lifestyles" according to the B.G. Censorship Watch of American Libraries.[2][failed verification] Weetzie Bat describes gay marriage, children born out of wedlock, abortion, common-law marriage, and the AIDS epidemic, in language that makes it accessible to the pre-teen and early teen reader.
Critics have countered by arguing that books like Weetzie Bat can provide a vital resource for lesbian, gay, transgender, and HIV-positive teens growing up in what is still largely a homophobic society. Michael Cart states "Francesca Lia Block's Weetzie Bat (HarperCollins) is not only a classic of gay fiction but also one of the most memorable of all young adult novels."[3] Another critic, Rebecca Platzner, noted that while the material is suggestive, the dialogue that it establishes about these depictions is vital to a developing young adult’s perspectives on difficult social issues. Platzer wrote:
"For what age do you think these books are appropriate?" asks our professor. "Thirty two", I whisper to my friend who sits next to me. "Twenty five", she scribbles back on my notebook. We think of these books as "a find" and imagine a time when we will be in a position to pass them on to just-the-right kids. For now though, we'll share them with our friends.
—
Rebecca Platzner, Collage in Francesca Lia Block's Weetzie Bat Books, The ALAN Review[4]
