Wendy Mulford (born 1941)[1] is a Welsh-born poet, associated with the contemporary avant garde scene, with the British Poetry Revival, and with the development of feminist poetry in the 1970s. Her poetry has been viewed as "difficult to categorise"[2] and as "multi- and non-linear".[3] Her early poetry had particularly strong feminist and Marxist elements,[4] but latterly she has moved towards more personal themes.

Mulford's prose works include a combined biography of Sylvia Townsend Warner and Valentine Ackland, a book about female saints, and essays about poetry.

Writing and teaching

She wrote a biography of Sylvia Townsend Warner and Valentine Ackland (besides providing an introduction to a 1989 reprint of Townsend Warner's 1938 novel After The Death of Don Juan) and co-wrote with Sara Maitland a book on the subject of female saints. Mulford also has used her experience teaching in Cambridge to write a number of critical essays about poetry, saying that women poets are still "too tied to the familiar".[5]

Publishing

Mulford also has been active in the publishing business, founding Street Editions in 1972 and running the company until it was merged with Ken Edwards' Reality Studios to form Reality Street Editions in 1993. During this period, Street Editions published such poets as John James, Sarah Kirsch, Tom Raworth, John Wilkinson, Stephen Rodefer and Rod Mengham, and was at its peak regarded as a leading outlet for experimental literature that could not be published by mainstream presses. Mulford left the company in 1998,[6] but her 2009 poetry collection The Land Between was published by the company.

Personal life

Mulford grew up in Wales but moved to Cambridge University in the 1960s[7] to study English. She remained at Cambridge throughout the 1970s before moving to Thames Polytechnic in the early 1980s[8] and then returning to Cambridge. In the 1990s and 2000s she lived in Norfolk and Suffolk, which inspired her 1998 collection The East Anglia Sequence.

She married fellow poet John James in the 1970s and they have one daughter. More recently, her partner was the composer Gordon Crosse, with whom she bought a cottage on Papa Westray, the northern-most of the Orkney Islands.[9] Crosse made a choral setting of her poem song for a cold easter in 2021.[10] Since 2007, Mulford has been training herself to be a Jungian analyst.[11]

Works

Poetry

Non-fiction

As editor

As translator

References

  1. ^ Caddel, Richard and Quartermain, Peter; Other: British and Irish Poetry since 1970; p. 274. ISBN 0-8195-2258-9
  2. ^ Dowson, Jane and Entwistle, Alice; A History of Twentieth-Century British Women's Poetry; p. 153; published 2005 by Cambridge University Press. ISBN 0-521-81946-6
  3. ^ AFTER FREE VERSE: THE NEW NON-LINEAR POETRIES
  4. ^ Jarvis, Matthew; "Saving the Earth: Wendy Mulford's Salthouse"; in Interdisciplinary Studies in Literature and Environment, 28 July 2009.
  5. ^ See Stevenson, Randall; The Oxford English Literary History: Volume 12: 1960-2000: The Last of England?; p. 226; published 2004 by Oxford University Press. ISBN 0-19-818423-9
  6. ^ History of Reality Street Editions
  7. ^ Dowson and Entwistle; A History of Twentieth-Century British Women's Poetry; p. 160
  8. ^ Widdowson, Peter; Re-Reading English; p. ix; published May 1982 by Routledge Kegan and Paul. ISBN 0-416-31150-4
  9. ^ Obituary, Gordon Crosse, British Music Society
  10. ^ Gordon Crosse, song for a cold easter, Composer Edition
  11. ^ Poetry reading
  12. ^ The lowercase in the title is an affectation

External links

Authority control databases
Categories