The album sold around 175,000 copies, and peaked at No. 138 on the US Billboard 200 but like his debut studio album it failed to chart in his home country.
The album was initially remastered and re-issued in 1996 by Repertoire Records, featuring no bonus content. The album was later remastered and re-issued again in 2005 by Sanctuary Records but this time featuring rare bonus content; the bonus content consists of two unreleased demos of songs that didn't make it onto the album (one of which is "Back on the Road" which would later be recorded by the John Entwistle Band for their sole studio album, Music from Van-Pires, which would also be the last studio album released during Entwistle's lifetime). This version of the album also has two demos of songs featured on the original album. However, all versions of the album remain out of print, and CD copies are especially hard to find.
Background
The album's title pokes fun at a common misspelling of Entwistle's surname. Several of the tracks give a humorous look on domestic life, following the birth of Entwistle's son, Christopher, earlier that year.[2]
"Ten Little Friends" was written on piano at Entwistle's Ealing home studio at the time and sprang from a bout of writer's block. The title comes from a set of troll figures given to him by the Who's drummer Keith Moon. The track features a guitar solo from Peter Frampton, who also played on other songs on the album. As well as his usual bass guitar, Entwistle also plays bass synthesizer.
Packaging
Then Surrey-based artist Graham Lethbridge designed the album's gatefold cover artwork (at the suggestion of producer John Alcock). A watercolor painting, it depicts little scenes that were taken from themes expressed within the songs on the album. With a day and night theme, the front cover depicts nightime scenes, and the back is of daylight scenes. The time that it took to paint the artwork delayed the album's release.[3]
Release
The original 1972 UK release of this album was on Track Records and distributed by Polydor. The first US issue of this album was by the silver Track/Decca label. A year later it was reissued in the US by MCA.
Critical reception
In a retrospective review for AllMusic, critic Donald A. Guarisco wrote that the album combines "catchy, straightforward, pop-tinged rock with dark, often bitingly sarcastic lyrics."[4]
