The result was keep. Ritchie333 (talk) (cont) 10:04, 6 February 2024 (UTC)
[Hide this box] New to Articles for deletion (AfD)? Read these primers!
De-PRODded by IP, who gave no rationale. PROD reason below:
WP:NOTDATABASE. Topic is discussed (briefly, but still in more depth than on this list) at Puddle Lane. No redirect required (unusual search term, no incoming links aside from Puddle Lane and Lists of books). asilvering (talk) 20:19, 29 January 2024 (UTC)
SourcesA book is presumed notable if it verifiably meets, through reliable sources, at least one of the following criteria:
- The book has been the subject of two or more non-trivial published works appearing in sources that are independent of the book itself. This can include published works in all forms, such as newspaper articles, other books, television documentaries, bestseller lists, and reviews. This excludes media re-prints of press releases, flap copy, or other publications where the author, its publisher, agent, or other self-interested parties advertise or speak about the book.
The article notes: "The free guide for parents is very good. The information is given clearly in layman's terms and the advice is sound. It emphasises the importance of story, shared enjoyment and choice. There is also good advice in every book in case parents haven't read the guide ... But what about the books themselves? The stories seem tame and don't stand up to reading aloud. They have been written to teach the children to read, not by an author simply wanting to tell a story. Aesthetically the books don't come up to the standard of picture story books by authors such as Anthony Browne, Pat Hutchins or Maurice Sendak. The Ladybird format kills any possibility of individuality or originality of presentation. Although the subject matter of the books-magic, fantasy, toys coming to life — usually captures children's imagination, these stories are just not up to the standard of Tim and the Hidden People. The language structures are not so artificial as to hinder children's anticipatory skills but some of the text is very stilted."
The article notes: "However, the main market for Puddle Lane is parents with pre-school children. Where parents have bought the books, their children will come into school with Puddle Lane forming a significant part of their literary experience. And there can be no doubt that parents will buy it. A television series is always a high motivator to buy the books, both for children and adults. Books can be bought in a pack with an accompanying tape — always a welcome aid to busy parents and teachers alike. The books are cheap (75p each), durable (hardback) and readily available."
The Puddle Lane stories are grouped in four stages (a fifth is on the way) and the books are colour coded at each stage. The programme is geared to children from three-and-a-half to six-and-a-half, and the early books are laid out so that the story is printed on the left hand page for the adult to read to the child. Illustrations, by a team of five artists brought in for the series are an integral part of the programme. ... The stories are set in the fantasy world of Puddle Lane in Candletown with a magician a family of cats who live in his garden, a strange but Friendly monster, the Griffle, who can vanish leaving only his ears and eyes or his tail showing, and four children — Sarah, Davy, Hari and Gita, who also have adventures in Puddle Lane."
The article notes: "This week they launched the Puddle Lane series — a colourful and imaginative newcomer to the shelves designed to make learning fun. ... So tales from Puddle Lane are simple to follow with colourful illustrations to help youngsters create the imaginary world in their own minds. The programme is designed for children aged between three-and-half and six-and-a-half. It has five stages, each with several books of the same reading level. The story is printed on the left-hand page of each book for the adult to first read to the child. Below illustrations on the right-hand pages are words or simple sentences which the child is encouraged to read itself when the adult goes through the story a second time."
The article notes: "Puddle Lane, as its catchphrase says, is where children learn to read. Twelve titles, some at each of the four levels of the scheme, are out immediately at the standard price of 75p. Already there has been a tie up with Pickwick International, the record company, which has added Puddle Lane to its Tell-a-Tale bookcassette."
The article notes: "The Puddle Lane stories have a mystical setting guaranteed to capture infants' imagination and interest. They have also caught the eye of Yorkshire Television whose new children's series based on the books is due to be screened from October. Animals, a magician and even a strange, vanishing monster feature. And in case anyone tries to accuse Ladybird of being racist, the Puddle Lane children are Sarah and Davy and their ethnic friends, Hari and Gita. ... The first 12 books from Puddle Lane are launched on September 12. It will be two years before the whole series of 54 books is on the shelves."
The article notes: "Publisher Mercury Junior is to bring early readers series Puddle Lane back into print. The publisher has signed a deal with author Sheila McCullagh, whose library of over 300 titles includes the Puddle Lane series, televised during the early 1980s with a series of tie-in titles published by Ladybird. Mercury Junior will target parents who grew up watching the series. The deal was agented by Annie Quigly."
The article notes: "Puddle Lane. This new reading programme written especially for parents to use in the home, has already been reviewed on these pages. Though this review was unfavourable, evidence from a very wide spectrum of parents and children confirm the overwhelming popularity of Puddle Lane. Tim and Tobías have been voted by hundreds of teachers as some of the most popular stories to bo found in any classroom. The same imaginative flair is contained in the new Ladybird series and Puddle Lane is a world children will enjoy reading about."
The book notes: "Puddle Lane. Ladybird 1985. This extensive new reading programme is aimed specifically at the parent market and certainly breaks new ground in many ways. All 55 books have been written by Sheila McCullagh, an established and highly respected children's writer. The books have a variety of support materials, all reasonably priced. Teachers, parents and children will delight in these stories which create, so successfully, an imaginary world yet contain characters both animals and human to whom the young readers can relate. With the provision of context support in the early stages — adults read the long story and children the shorter version — the books will tolerate reading over and over again. Thus building the confidence of children first learning to read. In everyway Puddle Lane has changed the image of Ladybird readers."
Cunard (talk) 09:17, 4 February 2024 (UTC)