Although activity is slower than it once was, anyone is welcome to participate in the project.
Remove the |Semi-active parameter from this template if activity resumes or if this tag was changed in error. If almost no activity occurs in this WikiProject, consider replacing this tag with ((WikiProject status|Inactive)).
Welcome to the Professional sound production WikiProject! If you would like to contribute to this project, please take a look at the Open tasks to see specific needs. Don't forget to add your name to the members list!
Goals
To clearly organize the articles within the 3 sub-topics of professional sound production (See Scope).
To improve the quality of articles related with professional sound production
Hopefully this project will improve the organization or these articles to the point of creating navigation templates, or even a series, with a few WP:FACs and WP:FARs to top it off.
Scope
This project covers all articles which cover the technology, equipment or professions relating to
Recorded Media (audio & film)
Sound Reinforcement (events such as concerts & theatre) and
Broadcast (live television & radio).
This project is not as broad as the Entertainment Technology WikiProject. For example, this project is not concerned with Stage Lighting and DJ-related articles. Perhaps this project can be seen as a child of the Entertainment Technology WikiProject.
BenFranske (talk·contribs) (I am a semi-professional audio engineer, lighting designer and entertainment technology system designer/engineer. Activity will be on a limited basis as time allows.)
GreyCat (talk·contribs) (musician, guitarist, audio engineer; interested in sound recording / processing technologies, effects units articles, etc.)
DSatz (talk·contribs) (semi-retired classical recording engineer, many live recordings, translator from German to English)
Ab2kgj (talk·contribs) (5-year Amateur with too much superfluous knowledge and a certain knack for noticing grammatical errors--will work on occasion as time allows)
binksternet (talk·contribs) (freelance live audio mixer, digital audio editor, vintage audio restorer)
eb.eric (talk·contribs) (graduate of audio production college, runs small studio, musician)
Doktor Who (talk·contribs) (professional freelance computing-tech, also experienced in audio engineering)
Izhaki (talk·contribs) (A mixing engineer, also a recording engineer and a music producer; the author of Mixing Audio; an audio-engineering/recording-arts lecturer at SAE institute, London; BA Recording Arts)
Mozillaman (talk·contribs) (Sound engineer with experience in CD mastering and Radio production)
HLFuller (talk·contribs) (I am an erstwhile radio producer interested in the interplay between technological advance, art and journalism -- how the tools at our disposal shape and are shaped by the voices and stories that find expression.)
Smilewithani (talk·contribs) (Audio/Video software engineer with experience in designing, porting and optimizing audio/video algorithms, codecs etc. on DSPs and RISCs)
synthfiend (talk·contribs) (musician/teacher/writer interested in documenting connections between the inventors/manufacturers of music instruments and pro audio equipment, the people who use those products, where and how they were used, and the art created.)
Greenshinobi (talk·contribs) (music technician, musician, music journalist with over 250 publications)
Fu Manchuchu (talk·contribs) (Music Recording engineer / TV & Radio Location Sound Recordist / Ex-BBC TV Dubbing Mixer, currently running ProTools studio)
David.J.Greaves (talk·contribs) (Electronics Engineer and DSP Expert with 35+ years audio design experience.)
Lyrelyrebird (talk·contribs) (Audio engineer in video and music, with an electronics and sound design background. focusing on women in audio)
Actaudio (talk·contribs) Re-recording mixer/sound editor in LA with experience in Foley, ADR, sound design, music editing, score mixing. Interests in early audio engineers (pre-1960) and women in audio
Come up and implement a better way of keeping track of tasks than the list of specific needs above. That is just a temporary means to list stuff that needs to get done. If you have ideas for a better way of listing tasks and organizing articles within this projects scope, please type them up on the discussion page or even implement it yourself!
Create and contribute to the policy page by engaging in discussions on its talk page.
All the articles which have been declared to be within the scope of this project can be found in this category. Feel free to look through and improve these articles, add articles to this list by adding the project template to the article's discussion page, or contest the inclusion of an article into this projects scope.
This article is within the scope of WikiProject Professional sound production, a collaborative effort to improve the coverage of sound recording and reproduction on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.Professional sound productionWikipedia:WikiProject Professional sound productionTemplate:WikiProject Professional sound productionProfessional sound production articles
Hello there! I've noticed that you've been making some significant contributions to Professional sound production related articles. You might be interested in joining the Professional sound production WikiProject, where you can participate in a collaborative effort to improve Wikipedia's coverage of the technology, equipment, companies and professions related to professional sound production.
Awarded to editors who've made significant contributions to Sound production-related articles.
What to type
What it makes
((subst:The Sound production Barnstar|1=message ~~~~))
When it comes to phenomena within Professional sound production, it has been hard to decide whether or not the article is within this project's scope, especially when it seems like the Physics WikiProject already has it covered. Since some phenomena, though a topic within physics, are exclusive and specific within Professional sound production, it is important to include them in this project's scope. For example, the article on Sound need not be included, since most aspects of this generic topic are consistent throughout most fields. However, an article like Audio feedback which is technically under the scope of physics, is a phenomenon exclusive and very important to Professional sound production. This project's goal is to include every article pertinent, yet not cut out too much work for ourselves.That said, if you have any questions regarding scope ambiguity, please discuss it on the project discussion page.