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((short description|19th-century English actor))
((for|his father of the same name|William Macready the elder))
((Use dmy dates|date=November 2021))
((Use British English|date=March 2012))
((Infobox person
|name= William Macready
|image= William Charles Macready by John Jackson.jpg
|image_size= 250px
|caption= Macready by [[John Jackson (painter)|John Jackson]], [[National Portrait Gallery, London|National Portrait Gallery]]
|birth_date= ((Birth date|df=yes|1793|03|03))
|birth_place= [[London]], [[England]]
|death_date= ((Death date and age|df=yes|1873|04|27|1793|03|03))
|death_place= [[Cheltenham]], [[Gloucestershire]], England
|occupation= [[Actor]]
|years_active= 1810–1851
|spouse= ((ubl|Catherine Frances Atkins<br />(1823–1852; her death)|Cecile Louise Frederica Spencer<br />(1860–1873; his death)))
))
'''William Charles Macready''' (3 March 1793((snd))27 April 1873) was an English [[stage actor]]. The son of Irish actor-manager [[William Macready the Elder]] he emerged as a leading [[West End theatre|West End]] performer during the [[Regency era]].

==Career==
((More citations needed|section|date=August 2023))
He was born in [[London]] the son of [[William Macready the Elder]], and actress Christina Ann Birch. Educated at [[Rugby School]] where he became headboy, and where now the theatre is named after him, it was his initial intention to go to [[University of Oxford]], but, in 1809, financial problems experienced by his father, the lessee of several provincial theatres, called him to share the responsibilities of theatrical management. On 7 June 1810, he made a successful first appearance as [[Romeo Montague|Romeo]] at [[Birmingham]]. Other [[William Shakespeare|Shakespearian]] parts followed, but a serious rupture between father and son resulted in the young man's departure for [[Bath, Somerset|Bath]] in 1814. Here he remained for two years, with occasional professional visits to other provincial towns.((sfn|Chisholm|1911|p=268))

On 16 September 1816, Macready made his first London appearance at [[Royal Opera House|Covent Garden]] as Orestes in ''The Distressed Mother'', a translation of [[Jean Racine|Racine]]'s ''Andromaque'' by [[Ambrose Philips]]. Macready's choice of characters was at first confined chiefly to the romantic drama. In 1818, he won a permanent success in [[Isaac Pocock]]'s (1782–1835) adaptation of [[Walter Scott|Scott]]'s ''Rob Roy''. He showed his capacity for the highest tragedy when he played ''[[Richard III (play)|Richard III]]'' at Covent Garden on 25 October 1819.((sfn|Chisholm|1911|p=268))

In 1820, he played the title role in the tragedy ''[[Virginius (play)|Virginius]]'' by [[James Sheridan Knowles]]. Transferring his services to [[Theatre Royal, Drury Lane|Drury Lane]], he gradually rose in public favour, his most conspicuous success being in the title role of Sheridan Knowles's ''[[William Tell (1825 play)|William Tell]]'' (11 May 1825). In 1826, he completed a successful engagement in the [[United States]], and, in 1828, his performances met with a very flattering reception in [[Paris]]. In 1829, he appeared as [[Othello]] in [[Warwick]].<ref>A History of Warwick and its People by Thomas Kemp. Published 1905 by Henry T. Cooke & Son, p. 75</ref>

On 15 December 1830 he appeared at Drury Lane as Werner, one of his most powerful impersonations. In 1833, he played in ''[[Antony and Cleopatra]]'', in [[George Gordon Byron, Lord Byron|Byron]]'s ''[[Sardanapalus (play)|Sardanapalus]]'', and in ''[[King Lear]]''.((sfn|Chisholm|1911|p=268)) He was responsible, in 1834, and more fully in 1838, for returning the text of ''King Lear'' to Shakespeare's text (although in a shortened version), after it had been replaced for more than a hundred and fifty years by [[Nahum Tate]]'s happy-ending adaptation, ''[[The History of King Lear]]''.<ref>Grace Ioppolo: ''William Shakespeare's King Lear: A Sourcebook''. London, Routledge, 2003, p. 69.</ref><ref>((cite journal|last=Mullin|first=Emily|title=Macready's Triumph: The Restoration of King Lear to the British Stage|url=http://repository.upenn.edu/phr/vol18/iss1/3/|journal=Penn History Review|date=6 September 2011|volume=18|issue=1|publisher=Berkeley Electronic Press|access-date=1 August 2012))</ref> He performed at the Georgian [[Wisbech]] theatre (now [[Angles Theatre]]) and other theatres of the Lincoln theatre circuit run by [[Fanny Robertson]].((Citation needed|date=May 2020))

Already, Macready had done something to encourage the creation of a modern English drama, and after entering on the management of Covent Garden in 1837 he introduced [[Robert Browning]]'s ''[[Strafford (play)|Strafford]]'', and in the following year [[Edward Bulwer-Lytton|Bulwer-Lytton]]'s ''[[The Lady of Lyons]]'' and ''[[Richelieu (play)|Richelieu]]'', the principal characters in which were among his most effective parts. On 10 June 1838, he gave a memorable performance of ''[[Henry V (play)|Henry V]]'', for which [[William Clarkson Stanfield|Stanfield]] prepared sketches, and the mounting was superintended by Bulwer-Lytton, [[Charles Dickens|Dickens]], [[John Forster (biographer)|Forster]], [[Daniel Maclise|Maclise]], [[William Johnson Fox|W. J. Fox]] and other friends.((sfn|Chisholm|1911|p=268))

Dickens wrote to him in 1847: "The multitude of tokens by which I know you for a great man, the swelling within me of my love for you, the pride I have in you, the majestic reflection I see in you of the passions and affections that make up our mystery, throw me into a strange kind of transport that has no expression but in a mute sense of an attachment which in truth and fervency is worthy of its subject."<ref>((cite book |last1=de la L. Oulton |first1=Carolyn W. |title=Romantic Friendship in Victorian Literature |date=2016 |publisher=Routledge |isbn=978-1317061533))</ref>
[[File:Illustrirte Zeitung (1843) 16 254 2 Macready als Macbeth.PNG|thumb|upright|Macready playing 'Macbeth']]
The first production of Bulwer-Lytton's ''Money'' took place under the artistic direction of Count d'Orsay on 8 December 1840, Macready winning unmistakable success in the character of Alfred Evelyn. Both in his [[Actor-manager|management]] of Covent Garden, which he resigned in 1839, and of Drury Lane, which he held from 1841 to 1843, he found his designs for the elevation of the stage frustrated by the absence of adequate public support.

In 1843, he staged ''[[Cymbeline]]''. In 1843–44, he made a successful tour in the [[United States]], but his last visit to that country, in 1849, was marred by the [[Astor Place Riot]], in which between 22 and 31 rioters were dead, and more than 120 people injured.
((sfn|Chisholm|1911|p=268))

Judge [[Charles Patrick Daly]] later presided at the trial. Both Forrest and Macready were playing Macbeth in concurrent, competing productions at the time of the riot, a fact which added to the ominous reputation of that play. Playwright [[Richard Nelson (playwright)|Richard Nelson]] dramatized the events surrounding the riot in his 1990 play, ''Two Shakespearean Actors''.<ref>((cite web|last=Rich|first=Frank|title=War of Hams Where the Stage Is All|url=http://theater2.nytimes.com/mem/theater/treview.html?res=9E0CEFDA113CF934A25752C0A964958260&_r=1&|work=The New York Times|access-date=28 March 2013|date=17 January 1992))</ref>

Macready took leave of the stage in a farewell performance of [[Macbeth]] at Drury Lane on 26 February 1851. The remainder of his life was spent in happy retirement, and he died at [[Cheltenham]] on 27 April 1873.((citation needed|date=December 2022))

==Personal life==
He married twice, firstly in 1823 to Catherine Frances Atkins (died 1852). Of a numerous family of children only one son and one daughter survived. In 1860, aged 67, he married the 23 year old Cecile Louise Frederica Spencer (1827–1908), by whom he had a son, [[Nevil Macready|Cecil Frederick Nevil Macready, known as "Nevil"]], who would become a General in the British Army, and a baronet. Macready's son from his second marriage was General Sir [[Nevil Macready]], a distinguished [[British Army]] officer as was his brother, Major [[Edward Nevil Macready]], who commanded the Light Company of the 30th Regiment of Foot in the closing stages of the [[Battle of Waterloo]].<ref name=GC1927 />

His daughter, Catherine Frances Macready, was a minor Victorian poet.  Her book, ''Leaves From the Olive Mount'', published by Chapman & Hall in 1860, began with a one-page dedication poem, 'To My Father'. Writer [[Rowena Farre]] (Daphne Lois Macready) was a great-granddaughter of William Macready. ((citation needed|date=December 2022))

Upon his death, William Macready's remains were deposited in the catacomb below the Anglican Chapel at [[Kensal Green Cemetery]].

==Evaluation and legacy==
According to the [[Encyclopædia Britannica Eleventh Edition|''Encyclopædia Britannica'' Eleventh Edition]]:
((blockquote|Macready's performances always displayed fine artistic perceptions developed to a high degree of perfection by very comprehensive culture, and even his least successful personations<!--sic---> had the interest resulting from thorough intellectual study. He belonged to the school of [[Edmund Kean|Kean]] rather than of [[John Philip Kemble|Kemble]]; but, if his tastes were better disciplined and in some respects more refined than those of Kean, his natural temperament did not permit him to give proper effect to the great tragic parts of Shakespeare, ''King Lear'' perhaps excepted, which afforded scope for his pathos and tenderness, the qualities in which he specially excelled. With the exception of a voice of good compass and capable of very varied expression, Macready had no especial physical gifts for acting, but the defects of his face and figure cannot be said to have materially affected his success.((sfn|Chisholm|1911|pp=268–269))))

When Macready retired, [[Alfred Tennyson]] dedicated the following verse to him:
{|align="center"
|-
 |"Farewell, Macready, since to-night we part:<br>&nbsp;&nbsp;Full-handed thunders often have confessed<br>&nbsp;&nbsp;Thy power, well used to move the public breast.<br>We thank thee with one voice, and from the heart.<br>Farewell, Macready, since this night we part.<br>&nbsp;&nbsp;Go take thine honours home; rank with the best;<br>&nbsp;&nbsp;Garrick, and statelier Kemble, and the rest,<br>Who made a nation purer through their art.<br>Thine is it that the drama did not die.<br>&nbsp;&nbsp;Nor flicker down to brainless pantomime.<br>&nbsp;&nbsp;And those gilt gauds men-children swarm to see.<br>Farewell, Macready; moral, grave, sublime,<br>Our Shakespeare's bland and universal eye<br>&nbsp;&nbsp;Dwells pleased, through twice a hundred years on thee."
|}

In 1927, the Cheltenham Local Tablets Committee placed a bronze tablet at No. 6 Wellington Square recording Macready's residence there from 1860 to 1873.<ref name=GC1927>((cite news |title=W. C. Macready and Cheltenham: Unveiling of memorial tablet  |work=Gloucester Citizen |date=16 March 1927 |access-date=26 October 2015 |url=http://www.britishnewspaperarchive.co.uk/viewer/bl/0000325/19270316/044/0008| via = [[British Newspaper Archive]]|url-access=subscription ))</ref>

The London County Council affixed a blue plaque to Macready's birthplace, 45 Stanhope Street, Regent's Park on 25 June 1928.<ref name="LCC_Plaque_1928">((cite book |title=Indication of houses of historical interest in London Volume VI |date=1938 |publisher=London County Council |location=County Hall, Spring Gardens S.W.|pages=2–3))</ref> The house was subsequently demolished, the plaque being donated to the [[Theatre Museum]] c1965, the object passing to the V&A in 2007.<ref name="VA_Plaque">((cite web |title=Plaque |url=https://collections.vam.ac.uk/item/O1113062/plaque/ |website=V&A Collections |access-date=4 December 2023))</ref>

Actor [[Frank Barrie]] wrote and performed the one-man play ''Macready!'', which was first performed in 1979 and eventually staged in 65 countries.<ref name="bright-thoughts.co.uk">[https://www.bright-thoughts.co.uk/macready.html] Macready!</ref>  A television adaptation of the play was broadcast on [[Channel 4]] in 1983 as a one-hour special, again starring Frank Barrie.<ref name="bright-thoughts.co.uk"/>

==Selected roles==
((div col|colwidth=30em))
* Emperor of Byzantium in ''[[Adelgitha]]'' by [[Matthew Lewis (writer)|Matthew Lewis]] (1817)
* Valencia in ''[[The Conquest of Taranto]]'' by [[William Dimond]] (1817)
* Pescara in ''[[The Apostate (play)|The Apostate]]'' by [[Richard Sheil]] (1817)
* Chosroo in ''[[Retribution (play)|Retribution]]'' by John Dillon (1818)
* Amurath in ''[[Bellamira (Sheil play)|Bellamira]]'' by [[Richard Sheil]] (1818)
* Winterland in ''[[A Word to the Ladies]]'' by [[James Kenney (dramatist)|James Kenney]] (1818)
* Ludovico in ''[[Evadne (play)|Evadne]]'' by [[Richard Sheil]] (1819)
* Wallenberg in ''[[Fredolfo]]'' by [[Charles Maturin]] (1819)
* Virginius in ''[[Virginius (play)|Virginius]]''  by [[James Sheridan Knowles]] (1820)
* Wallace in ''[[Wallace (play)|Wallace]]'' by Charles Edward Walker (1820)
* Damon in ''[[Damon and Pythias (1821 play)|Damon and Pythias]]'' by [[John Banim]] and [[Richard Sheil]] (1821)
* Duke of Mirandola in ''[[Mirandola: a Tragedy|Mirandola]]'' by [[Bryan Procter|Barry Cornwall]] (1821)
* Caius Gracchus in ''[[Caius Gracchus (play)|Caius Gracchus]]'' by [[James Sheridan Knowles]] (1823)
* Julian in ''[[Julian (play)|Julian]]'' by [[Mary Russell Mitford]] (1823)
* William Tell in ''[[William Tell (1825 play)|William Tell]]'' by [[James Sheridan Knowles]] (1825)
* Henry in ''[[Don Pedro, King of Castile]]'' by [[Henry Herbert, 3rd Earl of Carnarvon|Lord Porchester]] (1828)
* Don Leon in ''[[The Pledge (play)|The Pledge]]'' by [[James Kenney (dramatist)|James Kenney]] (1831)
* Alfred the Great in ''[[Alfred the Great (play)|Alfred the Great]]'' by [[James Sheridan Knowles]] (1831)
* Scroope in ''[[The Merchant of London]]'' by [[Thomas James Serle|Thomas Serle]] (1832)
* Colberg in ''[[The House of Colberg]]'' by [[Thomas James Serle|Thomas Serle]] (1832)
* Sardanapalus in ''[[Sardanapalus (play)|Sardanapalus]]'' by [[Lord Byron]] (1834)
* Ion in ''[[Ion (Talfourd play)|Ion]]'' by [[Thomas Talfourd]]  (1836)
* Bertulphe in ''[[The Provost of Bruges]]'' by [[George William Lovell]] (1836)
* Melantius in ''[[The Bridal]]''  by [[James Sheridan Knowles]] (1837)
* Strafford in ''[[Strafford (play)|Strafford]]'' by [[Robert Browning]] (1837)
* Marquis De Bragelone in ''[[The Duchess de la Vallière]]'' by [[Edward Bulwer-Lytton]] (1837)
* Thoas in ''[[The Athenian Captive]]'' by [[Thomas Talfourd]] (1838)
* Walsingham in ''[[Woman's Wit (Knowles play)|Woman's Wit]]'' by [[James Sheridan Knowles]] (1838)
* Richelieu  in ''[[Richelieu (play)|Richelieu]]'' by [[Edward Bulwer-Lytton]] (1839)
* Richard Cromwell in ''[[Master Clarke]]'' by [[Thomas James Serle|Thomas Serle]] (1840)
* Halbert MacDonald in ''[[Glencoe (play)|Glencoe]]'' by [[Thomas Talfourd]] (1840)
* Earl of Ruthven in ''[[Mary Stuart (Haynes play)|Mary Stuart]]''  by [[James Haynes (writer)|James Haynes]] (1840)
* Gisippus in ''[[Gisippus]]'' by [[Gerald Griffin]] (1842)
* Mordaunt in ''[[The Patrician's Daughter]]'' by [[John Westland Marston]] (1842)
* Colonel Green in ''[[The Secretary (play)|The Secretary]]'' by [[James Sheridan Knowles]] (1843)
((div col end))

==See also==
*[[Macready Theatre]]  – theatre in Rugby named after William Macready

==Notes==
((reflist))

==References==
*((Citation |title=Eminent persons: Biographies reprinted from the Times. Vol. 1–6. D. Vol I, 1870–1875|publisher=Macmillan & Co.|pages=157–159|year=1892|url=https://books.google.com/books?id=0CMYAAAAMAAJ&pg=PA157|ref=none)) 
*((Cite Appletons'|wstitle=Macready, William Charles|year=1900))

'''Attribution:'''
*((EB1911|wstitle=Macready, William Charles|volume=17|pages=268–269)) which in turn cites:
** William Charles Macready, ''Reminiscences, and Selections from his Diaries and Letters'', Sir Frederick Pollock, ed., 2 vols. (London and New York, 1875)
** [[William Archer (critic)|William Archer]], ''William Charles Macready'' (1890).

==Further reading==
((commons category|William Charles Macready))
((Wikisource|Macready, William Charles|William Macready))
* Nigel Cliff, ''The Shakespeare Riots: Revenge, Drama, and Death in Nineteenth-Century America'' (New York, 2007)
* Lady Pollock, ''Macready as I Knew him'' (London, 1884)
* Baker, ''English Actors from Shakespeare to Macready'' (New York, 1879)
* [[George Henry Lewes]], ''On Actors and the Art of Acting'' (London, 1875; New York, 1878)
* Marston, ''Our Recent Actors'' (London, 1890)
* Richard Nelson, ''Two Shakespearean Actors'' (London, 1849)
*[https://web.archive.org/web/20090906233042/http://www.bris.ac.uk/theatrecollection/bristol.html Bristol theatre archives at the University of Bristol Theatre Collection], [[University of Bristol]]
*[http://www.buildinghistory.org.uk/index.php?q=building&p=show&bid=185 Building History: The former theatre in Warwick where Macready played in 1829]
*((cite book |editor-last=Pollock |editor-first = Sir Frederick |year = 1875 |title = Macready's reminiscences  |url = https://archive.org/details/macreadysremini00pollgoog |location = New York |publisher = Harper & Brothers ))
*((cite book |last = Archer |first = William |year = 1890 |title = William Charles Macready|place= New York|publisher= Macmillan & Co|url=https://archive.org/details/bub_gb_JgwOAAAAYAAJ))

==External links==
*[https://doi.org/10.1093/ref:odnb/17741 Dictionary of National Biography entry]
*[https://www.bright-thoughts.co.uk/macready.html Macready! Television adaptation]

((Authority control))

((DEFAULTSORT:Macready, William))
[[Category:1793 births]]
[[Category:1873 deaths]]
[[Category:English male stage actors]]
[[Category:English male Shakespearean actors]]
[[Category:19th-century English male actors]]
[[Category:British male stage actors]]
[[Category:British male Shakespearean actors]]
[[Category:19th-century British male actors]]
[[Category:English people of Irish descent]]
[[Category:Actor-managers]]
[[Category:People educated at Rugby School]]
[[Category:Burials at Kensal Green Cemetery]]
[[Category:19th-century theatre managers]]
[[Category:Male actors from London]]

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Module:Namespace detect/data (view source) (protected)
Module:Navbar (view source) (protected)
Module:Navbar/configuration (view source) (protected)
Module:Navbox (view source) (template editor protected)
Module:Navbox/configuration (view source) (template editor protected)
Module:Navbox/styles.css (view source) (template editor protected)
Module:Ns has subpages (view source) (protected)
Module:Pagetype (view source) (protected)
Module:Pagetype/config (view source) (protected)
Module:Pagetype/disambiguation (view source) (protected)
Module:Pagetype/setindex (view source) (protected)
Module:Pagetype/softredirect (view source) (protected)
Module:ParameterCount (view source) (template editor protected)
Module:SDcat (view source) (protected)
Module:Separated entries (view source) (protected)
Module:Side box (view source) (template editor protected)
Module:Side box/styles.css (view source) (template editor protected)
Module:String (view source) (protected)
Module:TableTools (view source) (protected)
Module:Template wrapper (view source) (template editor protected)
Module:Text (view source) (template editor protected)
Module:Unsubst (view source) (protected)
Module:Wd (view source) (template editor protected)
Module:Wd/i18n (view source) (template editor protected)
Module:WikidataIB (view source) (template editor protected)
Module:WikidataIB/nolinks (view source) (template editor protected)
Module:WikidataIB/titleformats (view source) (template editor protected)
Module:Wikitext Parsing (view source) (protected)
Module:Yesno (view source) (protected)

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