Weaver was best known for his translations of the work of Umberto Eco, Primo Levi, and Italo Calvino,[3] but translated many other Italian authors over the course of a career that spanned more than fifty years. In addition to prose, he translated Italian poetry and opera libretti, and worked as a critic and commentator on the Metropolitan Opera radio broadcasts.
Biography
According to his nephew, Weaver was probably born in Washington, D.C., but spent a portion of the year in Virginia during his childhood.[3] Educated at Princeton University, he graduated with a B.A. summa cum laude in 1946, followed by postgraduate study at the University of Rome in 1949.[4] Weaver was an ambulance driver in Italy during World War II for the American Field Service, and lived primarily in Italy after the end of the war. Through his friendships with Elsa Morante, Alberto Moravia and others, Weaver met many of Italy's leading authors and intellectuals in Rome in the late 1940s and early 1950s; he paid tribute to them in his anthology Open City (1999).
Later in his life, Weaver was a professor of literature at Bard College in New York, and a Bard Center Fellow. He received honorary degrees from the University of Leicester in the United Kingdom and Trinity College in Connecticut. According to translator Geoffrey Brock, Weaver was too ill to translate Umberto Eco's novel, The Mysterious Flame of Queen Loana (La misteriosa fiamma della regina Loana 2004).
The Watcher and Other Stories (1971). (La giornata d'uno scrutatore & La nuvola di smog trans. by W.W.; La formica Argentina trans. by Archibald Colquhoun.) Harcourt (ISBN0-15-694952-0).
A Day of Impatience (1954). (Un giorno d'impazienza, 1952.) Farrar, Straus, Young. (This was W.W.'s first full-length literary translation, per Healey's Bibliography.)
Lavagnino, Alessandra
The Lizards (1972). (I lucertoloni, 1969.) Harper & Row (ISBN0-06-012537-3).
The Verdi-Boito Correspondence (1994). (Carteggio Verdi/Boito, 1978.) Marcello Conati and Mario Medici, eds. U. of Chicago Press (ISBN0-226-85304-7). (With commentary by W.W.)
Zavattini: Sequences from a Cinematic Life (1970). (Straparole, 1967.) Prentice-Hall (ISBN0-13-983916-X).
As editor
Open City: Seven Writers in Postwar Rome: Ignazio Silone, Giorgio Bassani, Alberto Moravia, Elsa Morante, Natalia Ginzburg, Carlo Levi, Carlo Emilio Gadda (1999). Steerforth Italia (ISBN1-883642-82-5).
Original works
Monographs
A Tent In This World (1950/1999). McPherson & Company ISBN0-929701-58-5. (A novella)
Verdi, a Documentary Study (1977). Thames and Hudson. ISBN0-500-01184-2
Articles and contributions
"Pendulum Diary" (1990), Southwest Review Vol. 75 #2, pp. 150–178 (an account of Weavers's experience translating Foucault's Pendulum)
Biguenet, John and Rainer Schulte (eds.), The Craft of Translation, essay in "The Process of Translation". Chicago: The University of Chicago Press, 1989. ISBN0226048683
Eleanor Clark, Rome and a Villa (2000). Steerforth Italia ISBN1-883642-51-5. (Weaver wrote an introduction for this travelogue/memoir by Clark, whom he knew in Rome in the late 1940s)
"Calvino was not a writer of hits; he was a writer of classics." — On the fact that Calvino's English translations have never been best-sellers, but have instead steady, consistent sales year after year. [2]
"Translating Calvino is an aural exercise as well as a verbal one. It is not a process of turning this Italian noun into that English one, but rather of pursuing a cadence, a rhythm—sometimes regular, sometimes wilfully jagged—and trying to catch it, while, like a Wagner villain, it may squirm and change shape in your hands." [3]
"Some of the hardest things to translate into English from Italian are not great big words, such as you find in Eco, but perfectly simple things, 'buon giorno' for instance. How to translate that? We don't say 'good day,' except in Australia. It has to be translated 'good morning' or 'good evening' or 'good afternoon' or 'hello.' You have to know not only the time of day the scene is taking place, but also in which part of Italy it's taking place, because in some places they start saying 'buona sera' ('good evening') at 1:00 P.M. The minute they get up from the luncheon table it's evening for them. So someone could say 'buona sera,' but you can't translate it as 'good evening' because the scene is taking place at 3:00 P.M. You need to know the language but, even more, the life of the country." — From the Paris Review interview, 2002.
^The World Almanac and Book of Facts 1985. New York: Newspaper Enterprise Association, Inc. 1984. p. 415. ISBN0-911818-71-5.
Sources
Robin Healey's monumental Twentieth-Century Italian Literature in English Translation: An Annotated Bibliography (ISBN0-8020-0800-3) was extremely helpful in the preparation of the bibliography portion of this entry.
Porto Ludovica from The Modern Word, supplied additional details on Eco translations.
