Yaacov Agam | |
|---|---|
יעקב אגם | |
 Yaacov Agam in front of a building he decorated in Tel Baruch, Tel Aviv, Israel | |
| Born | Yaakov Gipstein May 11, 1928 |
| Citizenship | Israeli |
| Education | The Bezalel Academy of Art and Design in Jerusalem, the Kunstgewerbe Schule |
| Occupation(s) | Sculptor and experimental artist |
| Known for | Contributions to optical and kinetic art |
Yaacov Agam (Hebrew: יעקב אגם; born 11 May 1928) is an Israeli sculptor and experimental artist widely known for his contributions to optical and kinetic art.
Yaacov Gibstein (later Agam) was born in Israel, which, at that time was called Mandate Palestine. His father, Yehoshua Gibstein, was a rabbi and a kabbalist.
Agam trained at the Bezalel Academy of Art and Design in Jerusalem, before moving to Zürich, Switzerland in 1949, where he studied under Johannes Itten (1888–1967) at the Kunstgewerbe Schule. He was influenced by the painter and sculptor Max Bill (1908–1994).
In 1951 Agam moved to Paris, France, where he still resides.[1]
Agam's first solo exhibition was at the Galerie Craven, Paris, in 1953,[2] and he exhibited three works at the 1954 Salon des Réalités Nouvelles[3] and at the Le Mouvement exhibition at the Galerie Denise René, Paris, in 1955.
Agam's work is usually abstract, kinetic art, with movement, viewer participation and frequent use of light and sound. His works are placed in many public places. His best-known pieces include Double Metamorphosis III (1965), Visual Music Orchestration (1989), the fountain at the La Défense district in Paris (1975) and the Fire and Water Fountain in the Dizengoff Square in Tel Aviv (1986). He is also known for a type of print known as an "Agamograph", which uses barrier-grid animation to present radically different images, depending on the angle from which it is viewed. The lenticular technique was executed in large scale in the 30 ft (9.1 m) square "Complex Vision" (1969), mounted on the facade of the Callahan Eye Foundation Hospital in Birmingham, Alabama.[4]
Agam had a retrospective exhibition in Paris at the Musée National d'Art Moderne in 1972, and at the Guggenheim Museum in New York City in 1980, among others. His works are held in numerous museum collections including the Museum of Modern Art[5] and the Mildred Lane Kemper Art Museum.[6]
He is the subject of two 20th century documentary films by American filmmaker Warren Forma: Possibilities of Agam (1967) and Agam and... (1980).
In 1996, he was awarded the Jan Amos Comenius Medal by UNESCO for the "Agam Method" for visual education of young children.
He designed and created the winner's trophy for the 1999 Eurovision Song Contest that was held in Jerusalem.[citation needed]
In 2009, at age 81, Agam created Peaceful Communication with the World, a monument for the World Games in Kaohsiung, Taiwan. It consists of nine 10 m (33 ft) high hexagonal pillars positioned in a rhomboid formation. The sides of the pillars are painted in different patterns and hues..[7]
One of Agam's more notable creations is the Hanukkah Menorah at the corner of Fifth Avenue and 59th Street in New York City, sponsored by the Lubavitch Youth Organization. The 32 ft (9.8 m) high, gold colored, 4,000 lb (1,800 kg) steel structure is recognized by the Guinness Book of World Records as the "world's largest Hanukkah menorah".[8][9]
In May 2014, Agam's piece Faith- Visual Pray was presented to Pope Francis by El Al Israel Airlines's president, David Maimon. The piece included significant symbols of both Jewish and Christian faiths.[10]
Agam's work commands the highest prices of any Israeli artist. In a Sotheby's New York auction in November 2009, when his 4 Themes Contrepoint was sold for $326,500, he said: "This does not amaze me … my prices will go up, in keeping with the history I made in the art world."[11]
In 2018, the Yaacov Agam Museum of Art (YAMA) opened in the artist's hometown of Rishon LeZion, Israel.[12] Agam told the Jerusalem Post that it is "the only museum in the world that is dedicated to art in motion."[13]
