1975 film
| Yuppi du |
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 Film poster |
| Directed by | Adriano Celentano |
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| Written by | Adriano Celentano
Alberto Silvestri |
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| Starring | Claudia Mori, Adriano Celentano |
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| Cinematography | Alfio Contini |
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| Edited by | Adriano Celentano |
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| Music by | Adriano Celentano |
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Release date | |
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Running time | 120 minutes |
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| Country | Italy |
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| Language | Italian |
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Yuppi du is a 1975 Italian comedy film directed by Adriano Celentano. It is the second film directed by Celentano following Super rapina a Milano in 1964.
The film premiered at the 1975 Cannes Film Festival[1] and won the Nastro d'Argento award for Best Music in 1976.[2]
Plot
The story revolves around Felice Pietà, a man of modest means who resides with his second wife, Adelaide. Together, they raise Monica, Felice's daughter from his first wife, Silvia, who tragically took her own life years ago under mysterious circumstances.
Haunted by Silvia's absence, Felice decides to visit the place where she ended her life one final time. To his astonishment, Silvia reappears and reveals that she faked her suicide because she grew weary of living in poverty with Felice in Venice. Silvia discloses her intention to return since she missed her life with him. Consequently, Felice leaves Adelaide to embark on a new chapter with his beloved Silvia.
Silvia departs for London to address matters with her current husband, and Felice suggests taking their daughter along. However, Silvia departs without actually returning. After a few months, Felice discovers their whereabouts and tracks them down in Milan, where Silvia's affluent husband emphasizes her desire to maintain the luxurious lifestyle she has become accustomed to while also seeking custody of Monica, despite the legal complexities. In this context, Felice, adopting a detached and market-driven approach, suggests selling Monica based on her weight. Silvia's husband attempts to negotiate the weight and eventually pays 45 million for the child. During the train journey back to Venice, Felice encounters a woman who bears an uncanny resemblance to Silvia. The silent exchange between them occurs through voiceovers. Felice responds to the woman's promise of eternal love and happiness by expressing his disbelief in love, understanding her true motives as merely an attempt to take away his money.
