Zanardi (full name: Massimo Zanardi) is a comics character created by Andrea Pazienza, arguably his most famous creation.
He is the main actor in a series of graphic novels which appeared in installments on several Italian comics magazines during the early 1980s. Zanardi first appeared on Frigidaire magazine in 1981, in Giallo Scolastico ("High School Mystery"). The character quickly found an enthusiastic audience in the clique of young, artsy, new-waveish Italians who were disillusioned with the previous decade's political slant and were instantly hooked on the character's basic, hedonistic individualism and cynicism, tempered with cultural influences ranging from Joseph Conrad to Vladimir Mayakovsky.
The Zanardi graphic novels were reprinted several times in the decades following Pazienza's death, in original (black and white) and colored form. Pazienza's original drawings were mostly colored by his wife, Marina Comandini, but some episodes have been coloured by unknown students in Bologna's Art School, to which Pazienza gave the original drawings on a whim.
Zanardi is a 21-year-old Italian high school student at the Liceo Scientifico Enrico Fermi in Bologna. He is a tall, blond, thin, well-dressed [1] son of a bourgeois family, and his distinctive physical feature is an exaggerated, prominent hooked nose. He is also a junkie, but his addiction never seems to impair his cool, confident public front. Behind that front, Zanardi is an utterly amoral schemer who is always looking for either drugs or revenge, and always gets both in the end, literally destroying other people's lives without the slightest trace of remorse.
Zanardi is usually accompanied in his doings and wrongdoings by two schoolmates, Colasanti (full name: Roberto Colasanti) and Petrilli (full name: Sergio Petrilli, often in the endearing form Sergino, or "Little Sergio"), with which he has established a sort of Clockwork Orange partnership, and who provide help, counterpoint and occasional comic relief to Zanardi's archetypal amorality. It is worthy of notice that the three almost never address each other by name in conversation, resorting either to surnames (which automatically entails a sort of detachment in Italian) or to distortions of them, thus Zanardi becomes Zanna (fang); Colasanti becomes Colas; Petrilli becomes Pietra (literally stone or rock as a possible pun on drugs). It is also worthy of notice that although the three are almost always featured as spending a lot of their time together hanging out, they do not consider themselves as friends.[2]
Colasanti is a very handsome, gym-sculpted cold boy who loves to hit on every girl he meets. But he is also an occasional rent boy who ruthlessly exploits his sexual power over men and women. In Giallo Scolastico, Colasanti helps Zanardi to blackmail a nerdy schoolmate who is a closet homosexual by sodomizing him while Zanardi photographs the act with a Polaroid stolen for the occasion, in order to force him to fetch compromising evidence from a teacher's house. Colasanti is usually Zanardi's helping hand in exacting revenge. At the same time, he suffers from his lack of culture and hipness and is prone to fits of rage every time his mates remind him he is "such an ignoramus".
Petrilli, while being the group's best born and possibly best educated member, is the eternal loser. He is constantly abused and humiliated by Zanardi and Colasanti, is often in love with some nameless and personality-less girl at the same high school he attends with Zanardi and Colasanti only to see her succumb to the charms of his hateful but more attractive friends, and always gets the short end of the stick in the shady dope deals Zanardi sets up. In fact, Petrilli dies a horrible death in the last story of the Frigidaire canon, Notte di Carnevale (Carnival Night), being burned alive in a Zanardi-staged prank arson of an all-female religious college which runs amok. Except the whole story is only a dream, to which Petrilli wakes in terror to run outside in the street and get run over by a truck. The character's death, however, only appears to be temporary, as in later stories Petrilli is still alive and being taken advantage of by his mates.
Many concepts and stories from Zanardi, along with Pentothal and some isolated vignettes, were adapted into a motion picture by Renato de Maria, Paz! (2002), which is more of an overall tribute to the work of Andrea Pazienza than an actual comic strip tie-in.
These stories originally appeared in black-and-white installments on Frigidaire magazine during 1981-1982. They were reprinted with colour by unknown Art School students in Zanardi, a collection published by Primo Carnera Editore in 1983, with a new black-and-white story tying the episodes together entitled La proprietà transitiva dell'uguaglianza (The Transitive Property of Equality). The volume was reprinted in 1998 by Baldini & Castoldi Editore as a "Critical Edition", with unreleased drawings and writings by Pazienza. The stories were re-coloured for the occasion by Marina Comandini. Giorno is considered as a prologue of sorts to Zanardi, in that it anticipates the storytelling conventions and some general themes, though neither Zanardi nor his mates appear in it.
These stories appeared on Corto Maltese magazine and alter alter, and represent significant developments in the Zanardi "universe", though removed from the original series which gained Pazienza nationwide success as a comics artist.
These stories appeared in Frigidaire and Comic Arts magazines and various collections by Editori Del Grifo. They represent humorous, metaphysical or very crude extensions to the Zanardi character, which Pazienza continued to elaborate until his death in 1988.