.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}@media all and (max-width:500px){.mw-parser-output .hidden-begin{width:auto!important;clear:none!important;float:none!important))You can help expand this article with text translated from the corresponding article in French. (March 2023) Click [show] for important translation instructions.
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Her work explores the blending of cultures and globalization, religion, language, and intimacy as well as the female condition. It incorporates sculpture, photography, video and drawing,[2] and she often contrasts traditional trappings of religion, e.g., prayer rugs, with symbols of modernity.[3]
^Balay, Dominique (September 17, 2010). "Zoulikha Bouabdellah". Droit de Cités (in French). Archived from the original on December 14, 2017. Retrieved May 4, 2016.
^Van Dyke, Kristina (2012). The Progress of Love. Houston and St. Louis: Menil Collection and Pulitzer Foundation for the Arts. p. 177. ISBN978-0-300-18493-8.