Georges Seurat, Sunday Afternoon on the Grande Jatte(1886)

Post-impressionism (or Post-Impressionism) is a term used to describe the development of French art after Manet (1832–1883).

The British artist and art critic Roger Fry used the term in 1910, and it is now a standard art term.[1][2] Fry organized the 1910 exhibition Manet and the Post-Impressionists.

The post-impressionists were artists of the late 19th century who saw the work of the French Impressionist painters and were influenced by them. Their art styles grew out of the style called Impressionism. The word "Post-" means "after", so "post-impressionist" painting came after "impressionist" painting. These artists developed impressionism but rejected its limitations. They continued using the real-life subject matter, with vivid colours, often with thick paint. However, they added other ideas. Using geometric forms, to distorting form for effect, and using unnatural colours are some of their ways. The critic Rewald said "the term 'post-impressionism' is not a very precise one, though a very convenient one".[3]

The main post-impressionist painters were Paul Cezanne, Paul Gauguin, Vincent van Gogh, Georges Seurat, Henri Toulouse-Lautrec and Henri Rousseau ('Le Douanier'). Picasso and Braque were certainly post-impressionists, but we describe them as Cubists.[4]

The post-impressionist painters lived in France and knew each other, but they did not work together as a group, in the way that some of the impressionists did. They painted in ways that were different from each other. The post-impressionists led the way for other artists to experiment and develop all the different styles of Modern art in the 20th century.

Artists

Paul Cezanne, The Bathers
Toulouse-Lautrec

Influence

The Post-Impressionist painters all experimented in different ways with the ideas of the Impressionists. Most of the important art movements (styles) of the twentieth century developed out of their work. Even though the Post-Impressionist painters were not well known in their lifetimes, they became so famous that in the 21st century their paintings sell for millions of dollars.

Gallery

Click on each image to enlarge it, to see the way each artist has used brush-strokes and colour.

Related pages

References

  1. Merriam-Webster
  2. Wilson S. & Lack J 2008. The Tate guide to modern art terms. Tate Publishing, p169.
  3. Rewald, John 1978. Post-impressionism: from Van Gogh to Gauguin. revised edition: Secker & Warburg, London, p9.
  4. Roger Fry and Modern Art, Tate archive, accessed 25-11-2010