Mga reperensya

Biographical sources

Dies, Albert Christoph (1963). "Biographical Accounts of Joseph Haydn". In Gotwals, Vernon, translator and editor. Haydn: Two Contemporary Portraits. Milwaukee: University of Wisconsin Press. ISBN 0-299-02791-0. A translation from the original German: "Biographische Nachrichten von Joseph Haydn nach mündlichen Erzählungen desselben entworfen und herausgegeben" ("Biographical accounts of Joseph Haydn, written and edited from his own spoken narratives") (1810). Camesinaische Buchhandlung, Vienna. One of the first biographies of Haydn, written on the basis of 30 interviews carried out during the composer's old age.
Finscher, Ludwig (2000). Joseph Haydn und seine Zeit. Laaber: Laaber-Verlag. ISBN 3-921518-94-6. Highly detailed discussion of life and work; in German.
Geiringer, Karl; Geiringer, Irene (1982). Haydn: A Creative Life in Music (3rd ed.). University of California. ISBN 0-520-04316-2. https://archive.org/details/haydncreativelif00geir_0. The first edition was published in 1946 with Karl Geiringer as the sole author.
Griesinger, Georg August (1963). "Biographical Notes Concerning Joseph Haydn". In Gotwals, Vernon, translator and editor. Haydn: Two Contemporary Portraits. Milwaukee: University of Wisconsin Press. ISBN 0-299-02791-0. https://archive.org/details/josephhaydneight0000grie. A translation from the original German: "Biographische Notizen über Joseph Haydn" (1810). Leipzig. Like Dies's, a biography produced from interviews with the elderly Haydn.
Hadden, James Cuthbert (2010). Haydn (Reissue ed.). London: Cambridge University Press. ISBN 1-108-01987-0. http://books.google.com/books?id=0IXbsEBrSK0C&pg=PA106.
Hughes, Rosemary (1970). Haydn (Revised ed.). New York: Farrar, Straus and Giroux. ISBN 0-460-02281-4. Originally published in 1950. Gives a sympathetic and witty account of Haydn's life, along with a survey of the music.
Jones, David Wyn (2009a) The Life of Haydn. Oxford University Press. Focuses on biography rather than musical works; an up-to-date study benefiting from recent scholarly research on Haydn's life and times.
Jones, David Wyn (2009b) Oxford Composer Companions: Haydn. Oxford University Press. A one-volume encyclopedia with detailed contributions from many Haydn scholars.
Landon, H.C. Robbins (1976–1980). Haydn: Chronicle and Works. Bloomington, IN: Indiana University Press. ISBN 0-253-37003-5. https://archive.org/details/haydnchroniclewo0002land. An extensive compilation of original sources in five volumes.
Landon, H. C. Robbins; Jones, David Wyn (1988). Haydn: His Life and Music. Indiana University Press. ISBN 978-0-253-37265-9. https://archive.org/details/haydnhislifemusi00land. Biography chapters by Robbins Landon, excerpted from Robbins Landon (1976–1980) and rich in original source documents. Analysis and appreciation of the works by Jones.
Larsen, Jens Peter (1980). "Joseph Haydn". New Grove Dictionary of Music and Musicians. Published separately as The New Grove: Haydn. New York: Norton. 1982. ISBN 0-393-01681-1.
Webster, James; Feder, Georg (2001). "Joseph Haydn". The New Grove Dictionary of Music and Musicians. Published separately as a book: The New Grove Haydn. New York: Macmillan. 2002. ISBN 0-19-516904-2. Careful scholarship with little subjective interpretation; covers both life and music, and includes a very detailed list of works.

Criticism and analysis sources

Brendel, Alfred (2001). "Does classical music have to be entirely serious?". In Margalit, Edna; Margalit, Avishai. Isaiah Berlin: A Celebration. Chicago: University of Chicago Press. pp. 193–204. ISBN 0-226-84096-4. On jokes in Haydn and Beethoven.
Celestini, Federico (2010). "Aspekte des Erhabenen in Haydns Spätwerk". In Celestini, Federico; Dorschel, Andreas. Arbeit am Kanon. Vienna: Universal Edition. pp. 16–41. ISBN 978-3-7024-6967-2. On the sublime in Haydn's later works; in German.
Clark, Caryl, ed. (2005). The Cambridge Companion to Haydn. Cambridge: Cambridge University Press. ISBN 0-521-83347-7. Covers each of the genres Haydn composed in as well as stylistic and interpretive contexts and performance and reception.
Griffiths, Paul (1983). The String Quartet. New York: Thames and Hudson. ISBN 0-500-01311-X. https://archive.org/details/stringquartet0000grif_u7c6.
Hughes, Rosemary (1966). Haydn String Quartets. London: BBC. A brief (55 page) introduction to Haydn's string quartets.
Rosen, Charles (1997). The classical style: Haydn, Mozart, Beethoven (2nd ed.). New York: Norton. ISBN 0-393-31712-9. First edition published in 1971. Covers much of Haydn's output and seeks to explicate Haydn's central role in the creation of the classical style. The work has been influential, provoking both positive citation and work (e.g., Webster 1991) written in reaction.
Sisman, Elaine (1993) Haydn and the classical variation. Cambridge: Harvard University Press. ISBN 0-674-38315-X.
Sutcliffe, W. Dean (1989). "Haydn's Musical Personality". The Musical Times. 130 (1756): 341–344. doi:10.2307/966030. JSTOR 966030.
Sutcliffe, W. Dean (1992). Haydn, string quartets, op. 50. Cambridge: Cambridge University Press. ISBN 0-521-39103-2. Covers not just Op. 50 but also its relevance to Haydn's other output as well as his earlier quartets.
Webster, James (1991). Haydn's "Farewell" symphony and the idea of classical style: through-composition and cyclic integration in his instrumental music. Cambridge: Cambridge University Press. ISBN 0-521-38520-2. This book focuses on a single work, but contains many observations and opinions about Haydn in general.