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((For|the TVB drama|Momentary Lapse of Reason (TV series)))
((pp-move-indef))
((featured article))
((Use dmy dates|date=November 2020))
((Use British English|date=August 2012))
((Infobox album
| name       = A Momentary Lapse of Reason
| type       = studio
| artist     = [[Pink Floyd]]
| cover      = MLoRLP01.jpg
| alt        = A line of hospital beds stretch into the distance on an overcast beach. A man sits on one bed holding a mirror. The sky is slightly purple.
| caption    =
| released   = ((Start date|1987|09|07|df=y))
| recorded   = November 1986 – March 1987
| studio     = ((ubl|[[Astoria (recording studio)|Astoria]], [[Mayfair Studios|Mayfair]], [[Britannia Row Studios|Britannia Row]], and Audio International in London|[[A&M Studios|A&M]], [[Village Recorders]], and Can Am in Los Angeles, California|Le Mobile))
| genre      = [[Progressive rock]]<!--Do not add unsourced genres -->
| length     = 51:09
| label      = 
* [[EMI Records|EMI]]
* [[Columbia Records|Columbia]]
| producer   =
* [[Bob Ezrin]]
* [[David Gilmour]]
| prev_title = [[Works (Pink Floyd album)|Works]]
| prev_year  = 1983
| next_title = [[Delicate Sound of Thunder]]
| next_year  = 1988
| misc       = ((Singles
 | name        = A Momentary Lapse of Reason
 | type        = studio
 | single1     = [[Learning to Fly (Pink Floyd song)|Learning to Fly]]
 | single1date = 14 September 1987<ref>((cite web|url=https://www.pinkfloyd.com/history/timeline_1987.php|title=Pink Floyd official site))</ref>
 | single2     = [[On the Turning Away]]
 | single2date = 7 December 1987<ref>((cite web|url=https://www.discogs.com/release/7574636-Pink-Floyd-On-The-Turning-Away/image/SW1hZ2U6MjAyNTA4NjU=|title=UK promo disc with release date))</ref>
 | single3     = [[One Slip]]
 | single3date = 13 June 1988
))))
'''''A Momentary Lapse of Reason''''' is the thirteenth studio album by the English [[progressive rock]] band [[Pink Floyd]], released in the UK on 7 September 1987 by [[EMI Records|EMI]] and the following day in the US on [[Columbia Records|Columbia]]. It was recorded primarily on the converted houseboat ''[[Astoria (recording studio)|Astoria]]'', belonging to the guitarist, [[David Gilmour]].

''A Momentary Lapse of Reason'' was the first Pink Floyd album recorded without the founding member [[Roger Waters]], who departed in 1985. The production was marred by legal fights over the rights to the Pink Floyd name, which were not resolved until several months after release. It also saw the return of the keyboardist and founding member [[Richard Wright (musician)|Richard Wright]], who was fired by Waters during the recording of ''[[The Wall]]'' (1979), as a session player.<ref>((Cite news|url=https://www.nytimes.com/2008/09/16/arts/music/16wright.html|title=Richard Wright, Member of Pink Floyd, Dies at 65|author=Jon Pareles|date=2008-09-15|work=The New York Times|issn=0362-4331))</ref>

Unlike Pink Floyd's preceding studio records, ''A Momentary Lapse of Reason'' is not a [[concept album]]. It includes writing contributions from outside songwriters, following Gilmour's decision to include material once intended for his third solo album. The album was promoted with three singles: the double A-side "[[Learning to Fly (Pink Floyd song)|Learning to Fly]]" / "[[Terminal Frost]]", "[[On the Turning Away]]", and "[[One Slip]]".

''A Momentary Lapse of Reason'' received mixed reviews; some critics praised the production and instrumentation but criticised Gilmour's songwriting, and it was derided by Waters. It reached number three in the UK and US, and outsold Pink Floyd's previous album, ''[[The Final Cut (album)|The Final Cut]]'' (1983). It was supported by a successful [[A Momentary Lapse of Reason tour|world tour]] between 1987 and 1989, including a [[Pink Floyd in Venice: A Concert for Europe|free performance on a barge]] floating on the [[Grand Canal (Venice)|Grand Canal]] in Venice, Italy.

==Background==
After the release of Pink Floyd's 1983 album ''[[The Final Cut (album)|The Final Cut]]'', viewed by some as a ''de facto'' solo record by bassist and songwriter [[Roger Waters]],<ref>((Harvnb|Watkinson|Anderson|2001|p=133))</ref><ref>((Harvnb|Mabbett|1995|p=89))</ref> the band members worked on solo projects. Guitarist [[David Gilmour]] expressed feelings about his strained relationship with Waters on his second solo album, ''[[About Face (album)|About Face]]'' (1984), and finished the accompanying tour as Waters began touring to promote his debut solo album, ''[[The Pros and Cons of Hitch Hiking]]''.<ref>((Harvnb|Blake|2008|pp=302–309))</ref> Although both had enlisted a range of successful performers, including in Waters' case [[Eric Clapton]], their solo acts attracted fewer fans than Pink Floyd; poor ticket sales forced Gilmour to cancel several concerts, and critic [[David Fricke]] felt that Waters' show was "a petulant echo, a transparent attempt to prove that Roger Waters ''was'' Pink Floyd".<ref>((Harvnb|Schaffner|1991|pp=249–250))</ref> Waters returned to the US in March 1985 with a second tour, this time without the support of [[Columbia Records|CBS Records]], which had expressed its preference for a new Pink Floyd album; Waters criticised the corporation as "a machine".<ref>((Harvnb|Schaffner|1991|pp=256–257))</ref>

((Quote box |quoted=true |bgcolor=#FFFFF0 |salign=center | quote = At that time, certainly, I just thought, I can't really see how we can make the next record or if we can it's a long time in the future, and it'll probably be more for, just because of feeling of some obligation that we ought to do it, rather than for any enthusiasm. | source = Nick Mason, ''[[In the Studio (radio show)|In the Studio with Redbeard]]'' (1994)<ref name="Redbeard2007"/> | align = left | width = 27%))

After drummer [[Nick Mason]] attended one of Waters' London performances in 1985, he found he missed touring under the Pink Floyd name. His visit coincided with the release in August of his second solo album, ''[[Profiles (Nick Mason and Rick Fenn album)|Profiles]]'', on which Gilmour sang.<ref name="Blakepp311313">((Harvnb|Blake|2008|pp=311–313))</ref><ref>((Harvnb|Schaffner|1991|p=257))</ref> With a shared love of aviation, Mason and Gilmour were taking flying lessons and together bought a [[de Havilland Dove]] aeroplane. Gilmour was working on other collaborations, including a performance for [[Bryan Ferry]] at 1985's [[Live Aid]] concert, and co-produced the [[The Dream Academy|Dream Academy]]'s [[The Dream Academy (album)|self-titled debut album]].<ref>((Harvnb|Schaffner|1991|pp=258–260))</ref>

In December 1985, Waters announced that he had left Pink Floyd, which he believed was "a spent force creatively".<ref>((Harvnb|Schaffner|1991|pp=262–263))</ref><ref>((Citation | last = Jones | first = Peter | title = It's the Final Cut: Pink Floyd to Split Officially | url = https://books.google.com/books?id=9SQEAAAAMBAJ | page = 70 | magazine = [[Billboard (magazine)|Billboard]] | date = 22 November 1986 | access-date = 22 September 2009))</ref> After the failure of his ''About Face'' tour, Gilmour hoped to continue with the Pink Floyd name. The threat of a lawsuit from Gilmour, Mason and CBS Records was meant to compel Waters to write and produce another Pink Floyd album with his bandmates, who had barely participated in making ''The Final Cut''; Gilmour was especially critical of the album, labelling it "cheap filler" and "meandering rubbish".<ref>((Harvnb|Schaffner|1991|pp=261–262))</ref>
((Quote box |quoted=true |bgcolor=#FFFFF0 |salign=center | quote = They threatened me with the fact that we had a contract with CBS Records and that part of the contract could be construed to mean that we had a product commitment with CBS and if we didn't go on producing product, they could a) sue us and b) withhold royalties if we didn't make any more records.  So they said, 'that's what the record company are going to do and the rest of the band are going to sue you for all their legal expenses and any loss of earnings because you're the one that's preventing the band from making any more records.'  They forced me to resign from the band because, if I hadn't, the financial repercussions would have wiped me out completely. | source = Roger Waters, ''[[Uncut (magazine)|Uncut]]'' (June 2004), explaining why he stopped his legal challenge<ref>((Harvnb|Povey|2007|p=240))</ref>| align = right | width = 33%))

According to Gilmour, "I told [Waters] before he left, 'If you go, man, we're carrying on. Make no bones about it, ''we would carry on''((')), and Roger replied: 'You'll never fucking do it.'"<ref>((Harvnb|Schaffner|1991|p=245))</ref> Waters had written to [[EMI Records|EMI]] and [[Columbia Records|Columbia]] declaring his intention to leave the group and asking them to release him from his contractual obligations. He also dispensed with the services of Pink Floyd manager [[Steve O'Rourke]] and employed Peter Rudge to manage his affairs.<ref name="Blakepp311313" /> This left Gilmour and Mason, in their view, free to continue with the Pink Floyd name.<ref>((Harvnb|Schaffner|1991|p=263))</ref> In 2013, Waters said he regretted the lawsuit and had not understood English [[jurisprudence]].<ref>((cite news|url=https://www.bbc.com/news/entertainment-arts-24160584|title=Pink Floyd star Roger Waters regrets suing band|date=19 September 2013|work=BBC News|access-date=10 March 2016))</ref>

In Waters' absence, Gilmour had been recruiting musicians for a new project. Months previously, keyboardist [[Jon Carin]] had jammed with Gilmour at his [[Hook End Recording Studios|Hook End studio]], where he composed the chord progression that became "[[Learning to Fly (Pink Floyd song)|Learning to Fly]]", and so was invited onto the team.<ref>((Harvnb|Blake|2008|p=316))</ref> Gilmour invited [[Bob Ezrin]] (co-producer of 1979's ''[[The Wall]]'') to help consolidate their material;<ref>((Harvnb|Blake|2008|pp=315, 317))</ref> Ezrin had turned down Waters' offer of a role on the development of his new solo album, ''[[Radio K.A.O.S.]]'', saying it was "far easier for Dave and I to do ''our'' version of a Floyd record".<ref>((Harvnb|Schaffner|1991|pp=267–268))</ref> Ezrin arrived in England in mid-1986 for what Gilmour later described as "mucking about with a lot of demos".<ref name="Blakep318"/>

At this stage, there was no commitment to a new Pink Floyd release, and Gilmour maintained that the material might become his third solo album. CBS representative Stephen Ralbovsky hoped for a new Pink Floyd album, but in a meeting in November 1986, told Gilmour and Ezrin that the music "doesn't sound a fucking thing like Pink Floyd".<ref name="Schaffnerpp268269">((Harvnb|Schaffner|1991|pp=268–269))</ref> By the end of that year, Gilmour had decided to make the material into a Pink Floyd project,<ref name="Redbeard2007">((Citation|title=In the Studio with Redbeard, A Momentary Lapse of Reason|year=2007|type=Radio broadcast|publisher=Barbarosa Ltd. Productions))</ref> and agreed to rework the material that Ralbovsky had found objectionable.<ref name="Schaffnerpp268269" />

==Recording==
((Quote box |quoted=true |bgcolor=#FFFFF0 |salign=center|quote = You can't go back&nbsp;...&nbsp;You have to find a new way of working, of operating and getting on with it.  We didn't make this remotely like we've made any other Floyd record.  It was different systems, everything.| source = David Gilmour<ref name="Schaffnerp269"/> | align = right | width = 33%))
Gilmour experimented with songwriters such as [[Eric Stewart]] and [[Roger McGough]], but settled on [[Anthony Moore]],<ref name="Masonpp284285">((Harvnb|Mason|2005|pp=284–285))</ref> who was credited as co-writer of "Learning to Fly" and "On the Turning Away". Whereas many prior Pink Floyd albums are [[concept album]]s, Gilmour chose a more conventional approach of a collection of songs without a thematic link.<ref name="Poveyp241">((Harvnb|Povey|2007|p=241))</ref> Gilmour later said that the project had been difficult without Waters.<ref>((Harvnb|Blake|2008|p=320))</ref>

''A Momentary Lapse of Reason ''was recorded in several studios, mainly Gilmour's houseboat studio ''[[Astoria (recording studio)|Astoria]], ''moored on the [[River Thames|Thames]]; according to Ezrin, "working there was just magical, so inspirational; kids sculling down the river, geese flying by...".<ref name="Blakep318" /> [[Andy Jackson (recording engineer)|Andy Jackson]] was brought in to engineer. During sessions held between November 1986 and February 1987,<ref name="Poveyp246">((Harvnb|Povey|2007|p=246))</ref> Gilmour's band worked on new material, which in a change from previous Pink Floyd albums was mostly recorded with a 32-track [[ProDigi]] digital recorder apart from the drum tracks, which were recorded with a 24-track analogue machine.<ref name="Pacuła 2020">((cite web |last1=Pacuła |first1=Wojciech |title=Technology: Mitsubishi ProDigi |url=https://highfidelity.pl/@main-1011&lang=en |website=High Fidelity |access-date=7 October 2022 |ref=Pacuła 2020 |date=1 July 2020))</ref> This trend of using new technologies continued with the use of [[MIDI]] synchronisation, aided by an Apple [[Mac (computer)|Macintosh]] computer.<ref name="Schaffnerpp268269" /><ref>((Harvnb|Mason|2005|pp=284–286))</ref>

Ezrin suggested incorporating [[Rapping|rap]], an idea dismissed by Gilmour.<ref>((Cite news|last=Michaels|first=Sean|date=2013-03-21|title=Pink Floyd producer tried to make them go hip-hop|language=en-GB|work=The Guardian|url=https://www.theguardian.com/music/2013/mar/21/pink-floyd-producer-hip-hop|access-date=2020-05-25|issn=0261-3077))</ref> After agreeing to rework the material that Ralbovsky had found objectionable, Gilmour employed session musicians such as [[Carmine Appice]] and [[Jim Keltner]]. Both drummers replaced Mason on several songs; Mason was concerned that he was too out of practice to perform on the album, and instead busied himself with its sound effects.<ref name="Schaffnerpp268269"/><ref name="Masonp287">((Harvnb|Mason|2005|p=287))</ref> Some drum parts were also performed by [[drum machine]]s.<ref>((Harvnb|Blake|2008|p=319))</ref> In his memoir, Mason wrote: "In hindsight, I really should have had the self-belief to play all the drum parts. And in the early days of life after Roger, I think David and I felt that we had to get it right, or we would be slaughtered."<ref>((Cite web|title=Pink Floyd's 'A Momentary Lapse of Reason' Gets An Update Three Decades Later|url=https://www.forbes.com/sites/davidchiu/2019/12/09/pink-floyds-a-momentary-lapse-of-reason-gets-an-update-three-decades-later/|last=Chiu|first=David|website=Forbes|language=en|access-date=2020-05-25))</ref>

During the sessions, Gilmour was asked by the wife of Pink Floyd's former keyboardist, [[Richard Wright (musician)|Richard Wright]], if he could contribute. A founding member of the band, Wright had left in 1981, and there were legal obstacles to his return; after a meeting in Hampstead he was recruited as a paid musician on a weekly wage of $11,000.<ref name="Manningp134">((Harvnb|Manning|2006|p=134))</ref><ref>((Harvnb|Blake|2008|pp=316–317))</ref> Gilmour said in an interview that Wright's presence "would make us stronger legally and musically". However, his contributions were minimal; most of the keyboard parts had already been recorded, and so from February 1987 Wright played some background reinforcement on a [[Hammond organ]], and a [[Rhodes piano]], and added vocal harmonies. He also performed a solo in "On the Turning Away", which was discarded, according to Wright, "not because they didn't like it&nbsp;...&nbsp;they just thought it didn't fit".<ref name="Schaffnerp269">((Harvnb|Schaffner|1991|p=269))</ref>

Gilmour later said: "Both Nick and Rick were catatonic in terms of their playing ability at the beginning. Neither of them played on this at all really. In my view, they'd been destroyed by Roger." Gilmour's comments angered Mason, who said: "I'd deny that I was catatonic. I'd expect that from the opposition, it's less attractive from one's allies. At some point, he made some sort of apology." Mason conceded that Gilmour was nervous about how the album would be perceived.<ref name="Manningp134" />

((listen | pos = right| filename = Pink floyd learning to fly.ogg | title = "Learning to Fly" | description = With frequent use of samplers and drum machines, ''A Momentary Lapse of Reason'' demonstrates a significant change in style over the more traditionally recorded ''Final Cut''.  "Learning to Fly" was heavily influenced by Gilmour's flying lessons. | type = [[Ogg]]))
"Learning to Fly" was inspired by Gilmour's flying lessons, which occasionally conflicted with his studio duties.<ref>((Harvnb|Schaffner|1991|p=267))</ref> The track also contains a recording of Mason's voice during [[takeoff]].<ref>((Harvnb|MacDonald|1997|p=229))</ref> The band experimented with [[Sampling (music)|samples]], and Ezrin recorded the sound of Gilmour's boatman Langley Iddens rowing across the Thames.<ref name="Blakep318">((Harvnb|Blake|2008|p=318))</ref> Iddens' presence at the sessions became vital when ''Astoria'' began to lift in response to the rapidly rising river, which was pushing the boat against the pier on which it was moored.<ref name="Masonp287"/>

"[[The Dogs of War (song)|The Dogs of War]]" is a song about "physical and political mercenaries", according to Gilmour. It came about through a mishap in the studio when a sampling machine began playing a sample of laughter, which Gilmour thought sounded like a dog's bark.<ref>((Harvnb|MacDonald|1997|p=204))</ref> "[[Terminal Frost]]" was one of Gilmour's older demos, which he decided to leave as an instrumental.<ref>((Harvnb|MacDonald|1997|p=272))</ref> Conversely, the lyrics for "[[Sorrow (Pink Floyd song)|Sorrow]]" were written before the music. The song's opening guitar solo was recorded in the [[Los Angeles Memorial Sports Arena]]. A 24-track mobile studio piped Gilmour's guitar tracks through a [[public address system]], and the resulting mix was then recorded in surround sound.<ref>((Harvnb|MacDonald|1997|p=268))</ref>

=== Legal disputes ===
[[File:Astoria (Péniche).jpg|right|thumb|alt=A large, low-slung boat lies moored on the bank of a body of water.  The lower deck is made from wood, interrupted by several large windows.  The upper deck is made from decorative metal, and covered with a large glass awning.|''[[Astoria (recording studio)|Astoria]]'']]
The sessions were interrupted by the escalating disagreement between Waters and Pink Floyd over who had the rights to the Pink Floyd name. O'Rourke, believing that his contract with Waters had been terminated illegally, sued Waters for £25,000 of back-commission.<ref name="Blakep318"/> In a late-1986 board meeting of Pink Floyd Music Ltd (Pink Floyd's clearing house for all financial transactions since 1973), Waters learnt that a bank account had been opened to deal exclusively with all monies related to "the new Pink Floyd project".<ref>((Harvnb|Schaffner|1991|p=270))</ref> He immediately applied to the [[High Court of Justice|High Court]] to prevent the Pink Floyd name from being used again,<ref name="Blakepp311313"/> but his lawyers discovered that the partnership had never been formally confirmed. Waters returned to the High Court in an attempt to gain a veto over further use of the band's name. Gilmour's team responded by issuing a press release affirming that Pink Floyd would continue to exist; however, Gilmour told a ''[[The Sunday Times|Sunday Times]]'' reporter: "Roger is a [[The Dog in the Manger|dog in the manger]] and I'm going to fight him, no one else has claimed Pink Floyd was entirely them. Anybody who does is extremely arrogant."<ref name="Manningp134"/><ref>((Harvnb|Schaffner|1991|p=271))</ref>

Waters twice visited ''Astoria'', and with his wife had a meeting in August 1986 with Ezrin, who later suggested that he was being "checked out". As Waters was still a shareholder and director of Pink Floyd Music, he was able to block any decisions made by his former bandmates. Recording moved to [[Mayfair Studios]] in February 1987, and from February to March – under the terms of an agreement with Ezrin to record close to his home – to [[A&M Records|A&M Studios]] in Los Angeles: "It was fantastic because&nbsp;...&nbsp;the lawyers couldn't call in the middle of recording unless they were calling in the middle of the night."<ref name="Poveyp246" /><ref>((Harvnb|Blake|2008|p=321))</ref> The bitterness of the row between Waters and Pink Floyd was covered in a November 1987 issue of ''[[Rolling Stone]]'', which became the magazine's best-selling issue of that year.<ref name="Manningp134" /> The legal disputes were resolved out of court by the end of 1987.<ref>((cite magazine|url=https://www.rollingstone.com/music/music-news/roger-waters-regrets-pink-floyd-legal-battle-191084/|title=Roger Waters Regrets Pink Floyd Legal Battle|last=Danton|first=Eric R.|date=19 September 2013|magazine=Rolling Stone|access-date=17 August 2018))</ref><ref>((cite news|title=Roger Waters: 'I was wrong to sue Pink Floyd'|url=https://www.bbc.co.uk/news/entertainment-arts-24157591|date=19 September 2013|work=BBC News|access-date=17 August 2018))</ref>

==Packaging and title==
[[File:Pink floyd momentary lapse gatefold.jpg|left|thumb|250px|alt=A monochrome photograph of two middle-aged men, alongside which is a list of credits|The original LP gatefold includes, for the first time since 1971's ''[[Meddle]]'',((refn|Photographs of the band on stage were used on a poster that was included in copies of  1973's ''[[Dark Side of the Moon]]''.<ref name="Mabbett-3">((Cite book| publisher = Omnibus| isbn = 978-1-84938-370-7| last = Mabbett| first = Andy| title = Pink Floyd - The Music and the Mystery| location = London| date = 2010))</ref>|group="nb")) an image of the band. Wright appears only by name in the credits, as he wasn't a member of the band due to legal complications.]]
Careful consideration was given to the album's title, with the initial three contenders being ''Signs of Life'', ''Of Promises Broken'' and ''Delusions of Maturity''. The final title appears as a line in the chorus of "[[One Slip]]".<ref name="Mabbett-3"/>

For the first time since 1977's ''[[Animals (Pink Floyd album)|Animals]]'', designer [[Storm Thorgerson]] was employed to work on a Pink Floyd studio [[album cover]].((refn|Thorgerson also worked on the cover of the 1981 compilation ''[[A Collection of Great Dance Songs]]''.<ref name="Mabbett-3"/>|group="nb")) His finished design was a long river of [[hospital bed]]s arranged on a beach, inspired by a phrase from "[[Yet Another Movie]]" and Gilmour's vague hint of a design that included a bed in a Mediterranean house, as well as "vestiges of relationships that have evaporated, leaving only echoes".<ref name="Blakep322"/> The cover shows hundreds of hospital beds assembled in July 1987 on [[Saunton Sands]] in [[North Devon]],<ref>[https://www.facebook.com/5660597307/posts/10157643495322308/ Pink Floyd's Facebook post on 7 September 2020 titled "Here's a look at the creation of the cover of the #PinkFloyd album A Momentary Lapse of Reason, with footage taken from The Later Years boxset" featuring the video excerpt "Cover shoot for Pink Floyd's A Momentary Lapse of Reason" (1:00)]</ref> where some of the scenes for ''[[Pink Floyd – The Wall]]'' were filmed.<ref>((Harvnb|Mason|2005|p=290))</ref><ref name="Poveyp243">((Harvnb|Povey|2007|p=243))</ref> The beds were arranged by Thorgerson's colleague Colin Elgie.<ref>((Harvnb|Schaffner|1991|p=273))</ref> A [[Hang gliding|hang glider]] in the sky references "Learning to Fly". The photographer, Robert Dowling, won a gold award at the [[Association of Photographers#Awards|Association of Photographers Awards]] for the image, which took about two weeks to create. Some versions of the cover do not feature the hang glider, and other versions feature a nurse making one of the beds.<ref>((Harvnb|Blake|2008|p=323))</ref>

To emphasise that Waters had left the band, the inner [[gatefold]] featured a photograph of just Gilmour and Mason shot by [[David Bailey]]. Its inclusion marked the first time since ''[[Meddle]]'' (1971) that a group photo had been used in the artwork of a Pink Floyd album. Wright was represented only by name, on the credits.<ref name="Blakepp3263272">((Harvnb|Blake|2008|pp=326–327))</ref><ref name="Poveyp349">((Harvnb|Povey|2007|p=349))</ref> According to Mason, Wright's leaving agreement contained a clause that prevented him rejoining the band, and "consequently we had to be careful about what constituted being a member".<ref>((Harvnb|Mason|2005|p=397))</ref>

==Release and reception==
((Album ratings
| rev1 = [[AllMusic]]
| rev1Score = ((Rating|2|5))<ref name="AllMusic">((cite web |first=William |last=Ruhlmann |url=http://www.allmusic.com/album/a-momentary-lapse-of-reason-mw0000196951 |title=Pink Floyd ''A Momentary Lapse of Reason'' |publisher=[[AllMusic]] |access-date=5 October 2013))</ref>
| rev2 = ''[[The Daily Telegraph]]''
| rev2Score = ((Rating|1|5))<ref>((cite news|last=McCormick|first=Neil|date=20 May 2014|url=https://www.telegraph.co.uk/culture/music/8790376/Pink-Floyds-14-studio-albums-rated.html |archive-url=https://ghostarchive.org/archive/20220112/https://www.telegraph.co.uk/culture/music/8790376/Pink-Floyds-14-studio-albums-rated.html |archive-date=12 January 2022 |url-access=subscription |url-status=live|title=Pink Floyd's 14 studio albums rated|newspaper=[[The Daily Telegraph]]|location=London|access-date=28 December 2014))((cbignore))</ref>
| rev3 = ''[[Encyclopedia of Popular Music]]''
| rev3score = ((Rating|3|5))<ref>((cite book |last1=Larkin |first1=Colin |title=The Encyclopedia of Popular Music |date=2011 |publisher=Omnibus Press |isbn=9780857125958 |url=https://books.google.com/books?id=_NNmFiUnSmUC&q=pink+floyd&pg=RA3-PA2005-IA45|language=en))</ref>
| rev4 = ''[[MusicHound Rock]]''
| rev4score = 2/5<ref>((Harvnb|Graff|Durchholz|1999|p=874))</ref>
| rev5 = ''[[The Rolling Stone Album Guide]]''
| rev5score = ((Rating|2|5))<ref>((cite web |publisher=[[Rolling Stone|rollingstone.com]] |url=https://www.rollingstone.com/music/artists/pink-floyd/albumguide|archive-url=https://web.archive.org/web/20110217230328/http://www.rollingstone.com/music/artists/pink-floyd/albumguide|archive-date=17 February 2011|title=Pink Floyd: Album Guide |access-date=28 December 2014))</ref>
| rev6 = ''[[The Village Voice]]''
| rev6score = C<ref name="Christgau">((cite news|last=Christgau|first=Robert|author-link=Robert Christgau|date=29 December 1987|url=https://www.robertchristgau.com/xg/cg/cgv12b-87.php|title=Consumer Guide|newspaper=[[The Village Voice]]|access-date=24 February 2020))</ref>
))

''A Momentary Lapse of Reason'' was released in the UK and US on 7&nbsp;September 1987.((refn|UK EMI EMD 1003 (vinyl album), EMI CDP 7480682 (CD album). US Columbia OC 40599 (vinyl album released 8&nbsp;September 1987), Columbia CK 40599 (CD album)<ref name="Poveyp349"/>|group="nb")) It went straight to number three in both countries, held from the top spot in the US by [[Michael Jackson]]'s ''[[Bad (album)|Bad]]'' and [[Whitesnake]]'s [[Whitesnake (album)|self-titled album]].<ref name="Blakepp3263272"/> It spent 34 weeks on the [[UK Albums Chart]].<ref>((cite book |editor=David Roberts |title=British Hit Singles and Albums|year=2006|page=427|publisher=Guinness World Records Limited|isbn=978-1904994107))</ref> It was [[Music recording certification|certified silver and gold]] in the UK on 1&nbsp;October 1987, and gold and platinum in the US on 9&nbsp;November. It went double platinum on 18&nbsp;January the following year, triple platinum on 10&nbsp;March 1992, and quadruple platinum on 16&nbsp;August 2001,<ref>((Harvnb|Povey|2007|pp=349–350))</ref> greatly outselling ''The Final Cut''.<ref>((Harvnb|Povey|2007|p=230))</ref>

Gilmour presented ''A Momentary Lapse'' as a return to an older Pink Floyd sound, citing his belief that under Waters' tenure, lyrics had become more important than music. He said that their albums ''[[The Dark Side of the Moon]]'' and ''[[Wish You Were Here (Pink Floyd album)|Wish You Were Here]]'' were successful "not just because of Roger's contributions, but also because there was a better balance between the music and the lyrics [than on later albums]".<ref>((Harvnb|Schaffner|1991|p=274))</ref> Waters said of ''A Momentary Lapse'': "I think it's very facile, but a quite clever forgery&nbsp;...&nbsp;The songs are poor in general; the lyrics I can't quite believe. Gilmour's lyrics are very third-rate."<ref>((Cite magazine |last=Fricke |first=David |author-link=David Fricke |date=1987-11-19 |title=Pink Floyd: The Inside Story |url=https://www.rollingstone.com/music/music-news/pink-floyd-the-inside-story-104505/ |access-date=2022-10-09 |magazine=[[Rolling Stone]] |language=en-US))</ref> Wright said Waters' criticisms were "fair".<ref name="Blakepp3263272"/> In a later interview, Waters said the album had "a couple of really nice tunes" and chord sequences and melodies he would have retained had he been involved.<ref>((Harvnb|Manning|2006|p=144))</ref>

In ''[[Q (magazine)|Q]]'', Phil Sutcliffe wrote that it "does sound like a Pink Floyd album" and highlighted the two-part "A New Machine" as "a chillingly beautiful vocal exploration" and a "brilliant stroke of imagination". He concluded: "''A Momentary Lapse'' is Gilmour's album to much the same degree that the previous four under Floyd's name were dominated by Waters … Clearly it wasn't only business sense and repressed ego but repressed talent which drove the guitarist to insist on continuing under the band brand-name."<ref>((Citation |last=Sutcliffe|first=Phil|title=Pink Floyd: ''A Momentary Lapse of Reason''|date=October 1987|work=[[Q (magazine)|Q]])); available at [http://www.rocksbackpages.com/Library/Article/pink-floydi-a-momentary-lapse-of-reasoni Rock's Backpages] (subscription required)</ref> Recognising the return to a more music-oriented approach, ''[[Sounds (magazine)|Sounds]]'' said the album was "back over the wall to where diamonds are crazy, moons have dark sides, and mothers have atom hearts".<ref>((Harvnb|Manning|2006|p=136))</ref>

Conversely, [[Greg Quill]] of the ''[[Toronto Star]]'' wrote: "Something's missing here. This is, for all its lumbering weight, not a record that challenges and provokes as Pink Floyd should. ''A Momentary Lapse of Reason'', sorry to say, is mundane, predictable."<ref>((Citation | last = Quill | first = Greg | title = Has Pink Floyd changed its color to puce? | url = http://infoweb.newsbank.com/iw-search/we/InfoWeb?p_product=AWNB&p_theme=aggregated5&p_action=doc&p_docid=10B9DDB1180E5340&p_docnum=36&p_queryname=3 | format = Registration required | work = [[Toronto Star]] | via = infoweb.newsbank.com | date = 11 September 1987 | access-date = 24 January 2010))</ref> ''[[The Village Voice|Village Voice]]'' critic [[Robert Christgau]] wrote: "You'd hardly know the group's conceptmaster was gone – except that they put out noticeably fewer ideas."<ref name="Christgau"/> In 2016, [[AllMusic]] critic William Ruhlmann described it as a "Gilmour solo album in all but name".<ref name="AllMusic"/>

In 2016, Nick Shilton chose ''A Momentary Lapse of Reason'' as one of the "Top 10 Essential 80s Prog Albums" for ''[[Prog (magazine)|Prog]]''. He wrote: "While it's not a patch on the Floyd masterworks of the 70s, it merits inclusion here. The ironically titled 'Signs of Life' is an instrumental prelude for 'Learning to Fly' which showcases Gilmour's guitar, while the pulsating 'The Dogs of War' is considerably darker, and the uplifting 'On the Turning Away' simply sublime."<ref>((cite web | url= https://www.loudersound.com/features/top-10-essential-80s-prog-albums | title= The Top 10 Essential 80s Prog Albums | work=Louder | first=Nick | last=Shilton | date=7 August 2016 | access-date=5 October 2019))</ref>

==Reissues==
''A Momentary Lapse of Reason'' was reissued in 1988 as a limited-edition vinyl with posters and a guaranteed ticket application for Pink Floyd's upcoming UK concerts.((refn|UK EMI EMDS 1003<ref name="Poveyp350">((Harvnb|Povey|2007|p=350))</ref>|group="nb")) It was digitally remastered and rereleased in 1994.((refn|UK EMI CD EMD 1003<ref name="Poveyp350"/>|group="nb")) A tenth-anniversary edition was issued in the US in 1997.((refn|US Columbia CK 68518<ref name="Poveyp350"/>|group="nb"))

In December 2019, ''A Momentary Lapse of Reason'' was reissued again as part of the ''[[The Later Years|Later Years]]'' box set. It was updated and remixed by Gilmour and Jackson, with restored contributions from Wright and newly recorded drum tracks from Mason to "restore the creative balance between the three Pink Floyd members".<ref>((Cite magazine|url=https://www.rollingstone.com/music/music-news/pink-floyd-the-later-year-box-set-pulse-877966/|title=Pink Floyd Ready Massive 'The Later Years' Box Set|last=Kreps|first=Daniel|date=2019-08-29|magazine=Rolling Stone|language=en-US|access-date=2019-08-30))</ref> ''Rolling Stone'' described this version as "more tasteful ... [it] doesn't drown in eighties reverb the way the original did ... Although none of the ''Momentary Lapse'' remixes will be dramatic enough to sway the band's critics, they add clarity to what Gilmour was trying to achieve."<ref>((Cite magazine|url=https://www.rollingstone.com/music/music-album-reviews/pink-floyd-later-years-1987-2019-album-david-gilmour-919614/|title='The Later Years 1987–2019' Chronicles Pink Floyd After it Became David Gilmour's Show|last=Grow|first=Kory|date=2019-12-12|magazine=Rolling Stone|language=en-US|access-date=2019-12-13))</ref>

==Tour==
((Main|A Momentary Lapse of Reason Tour))
[[File:Pink floyd momentary lapse tour montage.jpg|right|thumb|250px|alt=Four images, arranged to form a rectangle, of a darkened concert venue. The stage is dominated by a circular pattern of lights which surround a projection screen. Members of the audience are silhouetted in the foreground.|A photo-montage of the stage on the ''Momentary Lapse Tour'']]
Pink Floyd decided to tour for the album before it was complete. Early rehearsals were chaotic; Mason and Wright were out of practice, and, realising he had taken on too much work, Gilmour asked Ezrin to take charge. Matters were complicated when Waters contacted several US promoters and threatened to sue if they used the Pink Floyd name. Gilmour and Mason funded the start-up costs; Mason, separated from his wife, used his [[Ferrari 250 GTO]] as collateral. Some promoters were offended by Waters' threat, and several months later 60,000 tickets went on sale in [[Toronto]], selling out within hours.<ref name="Blakep322">((Harvnb|Blake|2008|p=322))</ref><ref name="Poveyp243"/>

As the new line-up (with Wright) toured throughout North America, Waters' [[Radio K.A.O.S. (tour)|''Radio K.A.O.S.'' tour]] was sometimes close by. Waters forbade the members of Pink Floyd to attend his concerts,((refn|Mason (2005) states that "rumour had it we would not be allowed in"<ref>((Harvnb|Mason|2005|p=300))</ref>|group="nb")) which were generally in smaller venues. Waters also issued a writ for copyright fees for use of the [[Pink Floyd pigs|Pink Floyd flying pig]]; Pink Floyd responded by attaching a huge set of male genitalia to the balloon's underside to distinguish it from Waters' design. By November 1987, Waters had given up, and on 23 December a legal settlement was reached at a meeting on ''Astoria''.<ref name="Poveyp241"/>

The ''Momentary Lapse'' tour beat box office records in every US venue it booked, and was the most successful US tour that year. Tours of Australia, Japan, and Europe followed, before two more tours of the US. Almost every venue was sold out. A live album, ''[[Delicate Sound of Thunder]]'', was released on 22 November 1988, followed in June 1989 by a concert video. A few days later, the live album was played in orbit, on board [[Soyuz TM-7]]. The tour eventually came to an end by closing the [[Concerts at Knebworth House|Silver Clef Award Winners Concert]], at [[Knebworth Park]] on 30 June 1990, after 200 performances, a gross audience of 4.25 million fans, and box office receipts of more than £60 million (not including merchandising).<ref>((Harvnb|Povey|2007|pp=243–244, 256–257))</ref> The tour included a [[Pink Floyd in Venice: A Concert for Europe|free performance on a barge]] floating on the [[Grand Canal (Venice)|Grand Canal]] in Venice, Italy.<ref>((Cite web |last=Blacklast |first=Johnny |date=2022-03-30 |title=The true story of the day Pink Floyd tried to sink Venice |url=https://www.loudersound.com/features/when-pink-floyd-played-venice |access-date=2023-01-21 |website=[[Loudersound]] |language=en))</ref>

==Track listing==
((Track listing
| title1          = [[Signs of Life (instrumental)|Signs of Life]]
| note1           = instrumental
| music1         = ((flatlist|
* David Gilmour
* [[Bob Ezrin]]
))
| length1         = 4:24
| title2          = [[Learning to Fly (Pink Floyd song)|Learning to Fly]]
| music2         = ((flatlist|
* Gilmour
* Ezrin
* [[Jon Carin]]
))
| lyrics2         = [[Anthony Moore]]
| length2         = 4:52
| title3          = [[The Dogs of War (song)|The Dogs of War]]
| music3         = Gilmour
| lyrics3         = Moore
| length3         = 6:05
| title4          = [[One Slip]]
| music4         = ((flatlist|
* [[Phil Manzanera]]
* Gilmour
))
|lyrics4          = Gilmour
| length4         = 5:10
| title5          = [[On the Turning Away]]
| music5          = Gilmour
| lyrics5         = Moore
| length5         = 5:42
| title6          = [[Yet Another Movie]]
| music6          = Gilmour
| lyrics6         = [[Patrick Leonard]]
| length6         = 6:14
| title7          = [[Round and Around (Pink Floyd song)|Round and Around]]
| note7           = instrumental
| music7         = Gilmour
| length7         = 1:13
| title8          = [[A New Machine|A New Machine (Part 1)]]
| music8         = Gilmour
| lyrics8        = Gilmour
| length8         = 1:46
| title9          = [[Terminal Frost]]
| note9           = instrumental
| music9         = Gilmour
| length9         = 6:17
| title10         = A New Machine (Part 2)
| music10        = Gilmour
| lyrics10        = Gilmour
| length10        = 0:38
| title11         = [[Sorrow (Pink Floyd song)|Sorrow]]
| music11        = Gilmour
| lyrics11       = Gilmour
| length11        = 8:47
))

'''Note'''
*Since the 2011 remasters, and the [[Discovery (Pink Floyd box set)|''Discovery'' box set]], "Yet Another Movie" and "Round and Around" are indexed as individual tracks.
*Tracks 1–5 on side one and 6–11 on side two of vinyl releases

==Personnel==
((col-begin))
((col-break))
'''Pink Floyd<ref>((Cite book
| last = Guesdon
| first = Jean-Michel 
| title = Pink Floyd All the Songs: The Story Behind Every Track
| publisher = [[Black Dog & Leventhal]]
| location = Edinburgh
| isbn = 978-0316439244
| pages = 500–517
| year = 2017
| edition = 1st
))</ref>'''
*[[David Gilmour]]&nbsp;– vocals, guitars, keyboards, [[Music sequencer|sequencers]], [[Record producer|production]]
*[[Nick Mason]]&nbsp;– [[Electric drums|electronic]] and [[Drum kit|acoustic drums]], spoken vocals, sound effects

'''Additional personnel'''
*[[Richard Wright (musician)|Richard Wright]]&nbsp;– backing vocals, piano, Hammond organ, Kurzweil synthesiser <small>(credited as full group member on 2011 reissue)</small>
*[[Bob Ezrin]]&nbsp;– keyboards, [[Percussion instrument|percussion]], sequencers, production
*[[Jon Carin]]&nbsp;– keyboards
*[[Patrick Leonard]]&nbsp;– [[synthesiser]]s
*[[Bill Payne]]&nbsp;– Hammond organ
*[[Michael Landau]]&nbsp;– guitar
*[[Tony Levin]]&nbsp;– bass guitar, [[Chapman Stick]]
*[[Jim Keltner]]&nbsp;– drums
*[[Carmine Appice]]&nbsp;– drums
*Steve Forman&nbsp;– percussion
*[[Tom Scott (saxophonist)|Tom Scott]]&nbsp;– [[alto saxophone]], [[soprano saxophone]]
*[[John Helliwell]]&nbsp;– saxophone (credited as John Halliwell) 
*[[Scott Page]]&nbsp;– [[tenor saxophone]]
*[[Darlene Koldenhoven]] (credited as Darlene Koldenhaven)&nbsp;– backing vocals
*[[Carmen Twillie (actress)|Carmen Twillie]]&nbsp;– backing vocals
*Phyllis St. James&nbsp;– backing vocals
*[[Donny Gerrard]]&nbsp;– backing vocals
((col-break))

'''Technical personnel'''
*[[Andy Jackson (recording engineer)|Andrew Jackson]]&nbsp;– [[Audio engineer|engineering]], [[Audio mixing (recorded music)|mixing]]
*Robert (Ringo) Hrycyna&nbsp;– assistant
*Marc Desisto&nbsp;– assistant
*Stan Katayama&nbsp;– assistant
*Jeff Demorris&nbsp;– assistant
*[[James Guthrie (record producer)|James Guthrie]]&nbsp;– additional re-mixing, 2011 remastering at Das Boot Recording
*Joel Plante – 2011 remastering at Das Boot Recording<ref>((cite AV media notes |title=A Momentary Lapse Of Reason |others=Pink Floyd |year=2011 |type=Booklet |publisher=EMI (50999 028959 2 5)))</ref>
((col-end))

==Charts==
((col-start))
((col-2))

===Weekly charts===
{|class="wikitable sortable plainrowheaders"
|+Weekly chart performance for ''A Momentary Lapse of Reason''
!Chart (1987–2021)
!Peak<br />position
|-
((album chart|Australia|47|artist=Pink Floyd|album=A Momentary Lapse of Reason|rowheader=true|access-date=2 May 2021))
|-
!scope="row"|Australian Albums ([[Kent Music Report]])<ref>((cite book|last=Kent|first=David|author-link=David Kent (historian)|title=Australian Chart Book 1970–1992|publisher=Australian Chart Book|location=St. Ives, N.S.W.|year=1993|edition=Illustrated|page=233|isbn=0-646-11917-6))</ref>
|align="center"|2
|-
((album chart|Austria|3|artist=Pink Floyd|album=A Momentary Lapse of Reason|rowheader=true|access-date=9 June 2016))
|-
((album chart|Flanders|31|artist=Pink Floyd|album=A Momentary Lapse of Reason|rowheader=true|access-date=7 November 2021))
|-
((album chart|Wallonia|8|artist=Pink Floyd|album=A Momentary Lapse of Reason|rowheader=true|access-date=7 November 2021))
|-
((album chart|Canada|5|chartid=0886|rowheader=true|access-date=9 June 2016))
|-
((album chart|Netherlands|2|artist=Pink Floyd|album=A Momentary Lapse of Reason|rowheader=true|access-date=9 June 2016))
|-
((album chart|Finland|48|artist=Pink Floyd|album=A Momentary Lapse of Reason|rowheader=true|access-date=7 November 2021))
|-
((album chart|France|135|artist=Pink Floyd|album=A Momentary Lapse of Reason|rowheader=true|access-date=2 May 2021))
|-
((album chart|Germany4|2|id=599|artist=Pink Floyd|album=A Momentary Lapse of Reason|rowheader=true|access-date=9 June 2016))
|-
((album chart|Hungary|11|year=2021|week=44|rowheader=true|access-date=11 November 2021))
|-
((album chart|Ireland2|86|M|url=https://www.irma.ie/index.cfm?page=irish-charts&chart=Albums|title=IRMA – Irish Charts|publisher=[[Irish Recorded Music Association]]|artist=Pink Floyd|rowheader=true|access-date=7 November 2021))
|-
!scope="row"|Italian Albums (''[[Musica e Dischi]]'')<ref name = "MandD">((cite web|url=http://www.musicaedischi.it/classifiche_archivio.php|title=Classifiche|work=[[Musica e Dischi]]|language=it|access-date=30 May 2022)) Set "Tipo" on "Album". Then, in the "Titolo" field, search "A momentary lapse of reason".</ref>
|style="text-align:center"|4
|-
((album chart|New Zealand|1|artist=Pink Floyd|album=A Momentary Lapse of Reason|rowheader=true|access-date=9 June 2016))
|-
((album chart|Norway|2|artist=Pink Floyd|album=A Momentary Lapse of Reason|rowheader=true|access-date=9 June 2016))
|-
((album chart|Poland|12|id=1401|rowheader=true|access-date=11 November 2021))
|-
((album chart|Portugal|39|artist=Pink Floyd|album=A Momentary Lapse of Reason|rowheader=true|access-date=2 May 2021))
|-
!scope="row"|Spanish Albums ([[Productores de Música de España|AFYVE]])<ref>((cite book|last=Salaverri|first=Fernando|title=Sólo éxitos: año a año, 1959–2002|edition=1st|date=September 2005|publisher=Fundación Autor-SGAE|location=Spain|isbn=84-8048-639-2))</ref>
|align="center"|12
|-
((album chart|Sweden|3|artist=Pink Floyd|album=A Momentary Lapse of Reason|rowheader=true|access-date=9 June 2016))
|-
((album chart|Switzerland|2|artist=Pink Floyd|album=A Momentary Lapse of Reason|rowheader=true|access-date=9 June 2016))
|-
((album chart|UK|3|artist=Pink Floyd|album=A Momentary Lapse of Reason|rowheader=true|access-date=9 June 2016))
|-
((album chart|Billboard200|3|artist=Pink Floyd|rowheader=true|access-date=9 June 2016))
|}
((col-2))

===Year-end charts===
{|class="wikitable sortable plainrowheaders"
|+1987 year-end chart performance for ''A Momentary Lapse of Reason''
!Chart (1987)
!Position
|-
!scope="row"|Dutch Albums (Album Top 100)<ref>((cite web|url=https://dutchcharts.nl/jaaroverzichten.asp?year=1987&cat=a|title=Jaaroverzichten – Album 1987|website=dutchcharts.nl|access-date=2 May 2021))</ref>
|align="center"|55
|-
!scope="row"|European (European Top 100 Albums)<ref>((cite magazine |url=https://worldradiohistory.com/UK/Music-and-Media/80s/1987/M&M-1987-12-26.pdf |title=European Top 100 Albums – 1987 |magazine=Music & Media |volume=4 |issue=51/52 |date=26 December 1987 |page=35 |oclc=29800226 |via=World Radio History|access-date=November 30, 2021)) ''Digit page 37 on the PDF archive.''</ref>
|align="center"|29
|-
!scope="row"|German Albums (Offizielle Top 100)<ref>((cite web|url=https://www.offiziellecharts.de/charts/album-jahr/for-date-1987|title=Top 100 Album-Jahrescharts|language=de|publisher=[[GfK Entertainment]]|access-date=2 May 2021))</ref>
|align="center"|43
|-
! scope="row" | New Zealand Albums (RMNZ)<ref>((cite web|url=https://nztop40.co.nz/chart/albums?chart=3876|title=Top Selling Albums of 1987 — The Official New Zealand Music Chart|publisher=[[Recorded Music New Zealand]]|access-date=5 February 2022))</ref>
| align="center" | 24
|-
!scope="row"|Swiss Albums (Schweizer Hitparade)<ref>((cite web|url=https://hitparade.ch/charts/jahreshitparade/1987/alben|title=Schweizer Jahreshitparade 1987|website=hitparade.ch|access-date=2 May 2021))</ref>
|align="center"|22
|}
{|class="wikitable sortable plainrowheaders"
|+1988 year-end chart performance for ''A Momentary Lapse of Reason''
!Chart (1988)
!Position
|-
!scope="row"|Dutch Albums (Album Top 100)<ref>((cite web|url=https://dutchcharts.nl/jaaroverzichten.asp?year=1988&cat=a|title=Jaaroverzichten – Album 1988|website=dutchcharts.nl|access-date=2 May 2021))</ref>
|align="center"|44
|-
!scope="row"|German Albums (Offizielle Top 100)<ref>((cite web|url=https://www.offiziellecharts.de/charts/album-jahr/for-date-1988|title=Top 100 Album-Jahrescharts|language=de|publisher=[[GfK Entertainment]]|access-date=2 May 2021))</ref>
|align="center"|55
|-
!scope="row"|US ''Billboard'' 200<ref>((cite magazine|url=https://www.billboard.com/charts/year-end/1988/top-billboard-200-albums|title=Top Billboard 200 Albums – Year-End 1988|magazine=Billboard|access-date=2 May 2021))</ref>
|align="center"|25
|}
{|class="wikitable sortable plainrowheaders"
|+2021 year-end chart performance for ''A Momentary Lapse of Reason''
!Chart (2021)
!Position
|-
! scope="row"| Hungarian Albums (MAHASZ)<ref>((cite web|url=https://slagerlistak.hu/archivum/eves-osszesitett-listak/album_db/2021|title=Összesített album- és válogatáslemez-lista - eladási darabszám alapján - 2021|publisher=Mahasz|language=hu|access-date=1 February 2022))</ref>
|align="center"|99
|}
((col-end))

==Certifications and sales==
((Certification Table Top|caption=Certifications and sales for ''A Momentary Lapse of Reason''))
((Certification Table Entry|region=Argentina|type=album|title=A Momentary Lapse of Reason|artist=Pink Floyd|award=Platinum|relyear=1987|certyear=1987|certref=<ref name=capif>((cite web|url=http://www.capif.org.ar/Default.asp?PerDesde_MM=0&PerDesde_AA=0&PerHasta_MM=0&PerHasta_AA=0&interprete=&album=&LanDesde_MM=1&LanDesde_AA=1980&LanHasta_MM=12&LanHasta_AA=2010&Galardon=O&Tipo=1&ACCION2=+Buscar+&ACCION=Buscar&CO=5&CODOP=ESOP |archive-url=https://archive.today/20110706084844/http://www.capif.org.ar/Default.asp?PerDesde_MM=0&PerDesde_AA=0&PerHasta_MM=0&PerHasta_AA=0&interprete=&album=&LanDesde_MM=1&LanDesde_AA=1980&LanHasta_MM=12&LanHasta_AA=2010&Galardon=O&Tipo=1&ACCION2=+Buscar+&ACCION=Buscar&CO=5&CODOP=ESOP |archive-date= 6 July 2011 |title=Discos de oro y platino |access-date=23 June 2019 |publisher=[[Cámara Argentina de Productores de Fonogramas y Videogramas]] |language=es |url-status=dead))</ref>))
((Certification Table Entry|region=Australia|award=Platinum|relyear=1987artist=Pink Floyd|title=A Momentary Lapse of Reason|type=album|certref=<ref>((cite web|url=https://www.aria.com.au/charts/1988/albums-chart|title=Aria Album Charts – 1988|publisher=Aria Charts|access-date=23 June 2019))</ref>|salesamount=200,000|salesref=<ref>((cite magazine|url=https://worldradiohistory.com/Archive-All-Music/Billboard/80s/1989/BB-1989-01-28.pdf|title=Australia '89|magazine=[[Billboard (magazine)|Billboard]]|author=Glenn A. Baker|via=World Radio History|volume=101|issue=4|page=A-4|date=28 January 1989|access-date=22 June 2021))</ref>))
((Certification Table Entry|region=Austria|award=Gold|relyear=1987|certyear=1994|artist=Pink Floyd|title=A Momentary Lapse of Reason|type=album|access-date=9 June 2016))
((Certification Table Entry|region=Brazil|artist=Pink Floyd|title=A Momentary Lapse of Reason|nocert=true|type=album|relyear=1984|salesamount=150,000|salesref=<ref>((cite magazine|url=http://memoria.bn.br/DocReader/DocReader.aspx?bib=030015_10&pagfis=174530|title=Floyd & Mac na arena|magazine=[[Jornal do Brasil]]|page=7|date=6 October 1988|access-date=28 October 2020))</ref>))
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((Certification Table Entry|region=Germany|award=Gold|relyear=1987|certyear=1987|artist=Pink Floyd|title=A Momentary Lapse of Reason|type=album|access-date=9 June 2016))
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((Certification Table Entry|region=Norway|artist=Pink Floyd|title=A Momentary Lapse of Reason|award=Gold|type=album|relyear=1987|certyear=1987|salesamount=50,000|salesref=<ref name="NorwayCert"/>|certref=<ref name="NorwayCert">((cite magazine|url=http://www.americanradiohistory.com/Archive-Music-and-Media/80s/1987/M&M-1987-12-26.pdf|title=Gold & Platinum Awards 1987|magazine=[[Music & Media]]|page=44|date=26 December 1987|access-date=7 July 2019))</ref>))
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((Certification Table Entry|region=Portugal|type=album|artist=Pink Floyd|title=A Momentary Lapse of Reason|award=Gold|relyear=1987|certref=<ref>((cite magazine|url=http://www.americanradiohistory.com/Archive-Music-and-Media/80s/1987/M&M-1987-12-26.pdf|title=Gold & Platinum Awards 1987|magazine=[[Music & Media]]|page=44|date=26 December 1987|access-date=7 July 2019))</ref>))
((Certification Table Entry|region=Spain|type=album|title=A Momentary Lapse of Reason|artist=Pink Floyd|award=Platinum|relyear=1987|certref=<ref>((cite book |last=Salaverri |first=Fernando |date=September 2005 |url=http://www.mediafire.com/view/x263f6daopkswo8/Spanish+certifications+for+1979-1990.pdf |title=Sólo éxitos: año a año, 1959–2002 |language=es |edition=1st |location=Madrid |publisher=[[Sociedad General de Autores y Editores|Fundación Autor/SGAE]] |page=922 |isbn=84-8048-639-2 |access-date=27 June 2019))</ref>))
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((Certification Table Entry|region=Switzerland|award=Platinum|number=2|relyear=1987|certyear=1990|artist=Pink Floyd|title=A Momentary Lapse of Reason|type=album|access-date=9 June 2016))
((Certification Table Entry|region=United Kingdom|award=Gold|relyear=1987|certyear=1987|id=218-1497-2|artist=Pink Floyd|title=A Momentary Lapse of Reason|type=album|access-date=9 June 2016))
((Certification Table Entry|region=United States|award=Platinum|number=4|relyear=1987|certyear=2001|artist=Pink Floyd|title=A Momentary Lapse of Reason|type=album|note=certified sales 1987-2001|access-date=9 June 2016))
((Certification Table Entry|region=United States|nocert=true|salesamount=1,700,000|relyear=1987|artist=Pink Floyd|title=A Momentary Lapse of Reason|type=album|note=Nielsen sales 1991-2008|salesref=<ref>((cite news|url=http://blogs.usatoday.com/listenup/2007/02/sales_questions_1.html|archive-url=https://web.archive.org/web/20070218231012/http://blogs.usatoday.com/listenup/2007/02/sales_questions_1.html|title=Sales questions: Pink Floyd|last=Barnes|first=Ken|date=16 February 2007|work=[[USA Today]]|archive-date=18 February 2007|access-date=28 October 2020))</ref>))
((Certification Table Summary))
((Certification Table Entry|region=Worldwide|nocert=true|salesamount=10,000,000|relyear=1987|artist=Pink Floyd|title=A Momentary Lapse of Reason|type=album|salesref=<ref>((cite web|url=https://www.vulture.com/2017/08/all-165-pink-floyd-songs-ranked-from-worst-to-best.html|title=All 165 Pink Floyd Songs, Ranked From Worst to Best|publisher=Vulture|first=Bill|last=Wyman|date=3 August 2017|access-date=28 October 2020))</ref>))
((Certification Table Bottom|streaming=true))

==References==
'''Notes'''
((Reflist|group="nb"))

'''Footnotes'''
((Reflist))

'''Bibliography'''
((Refbegin))
*((Citation | last = Blake | first = Mark | title = Comfortably Numb – The Inside Story of Pink Floyd | publisher = Da Capo Press | location = Cambridge, MA | edition = paperback | year = 2008 | isbn = 978-0-306-81752-6 | url = https://archive.org/details/comfortablynumbi00mark ))
*((Citation|editor1-last=Graff|editor1-first=Gary|editor2-last=Durchholz|editor2-first=Daniel|title=MusicHound Rock: The Essential Album Guide|publisher=Visible Ink Press|location=Farmington Hills, MI|year=1999|isbn=1-57859-061-2|url=https://archive.org/details/isbn_9781578590612))
*((Citation | last = Mabbett | first = Andy | title = The Complete Guide to the Music of Pink Floyd | publisher = Omnibus Press | year = 1995 | isbn =  0-7119-4301-X))
*((Citation | last = MacDonald | first = Bruno | title = Pink Floyd: Through the Eyes of the Band, Its Fans, Friends and Foes | publisher = Da Capo Press | location = Cambridge, MA| edition = paperback | year = 1997 | isbn = 0-306-80780-7))
*((Citation | last = Manning | first = Toby | title = The Rough Guide to Pink Floyd | publisher = Rough Guides | edition = 1st | year = 2006 | location = London | isbn = 1-84353-575-0))
*((Citation | last = Mason | first = Nick | title = [[Inside Out: A Personal History of Pink Floyd]] | publisher = Phoenix | location = London | edition = paperback | editor = Philip Dodd | year = 2005 | isbn = 0-7538-1906-6))
*((Citation | last = Povey | first = Glenn | title = Echoes | url = https://books.google.com/books?id=qnnl3FnO-B4C | publisher = Mind Head Publishing | location = Bovingdon | year = 2007 | isbn = 978-0-9554624-0-5 ))
*((Citation | last = Schaffner | first = Nicholas | title = Saucerful of Secrets | publisher = Sidgwick & Jackson | location = London | year = 1991 | edition = 1st | isbn = 0-283-06127-8 ))
*((Citation | last1 = Watkinson | first1 = Mike | last2 = Anderson | first2 = Pete | title = Crazy Diamond: Syd Barrett & the Dawn of Pink Floyd | url = https://books.google.com/books?id=kPJlLjf4OogC | edition = illustrated | publisher = Omnibus Press | year = 2001 | isbn = 0-7119-8835-8))
((Refend))

==External links==
* ((Discogs master|type=album|10303|name=A Momentary Lapse of Reason))
((Wikiquote))

((A Momentary Lapse of Reason))
((Pink Floyd))

((Authority control))

((DEFAULTSORT:Momentary Lapse Of Reason, A))
[[Category:1987 albums]]
[[Category:Albums produced by Bob Ezrin]]
[[Category:Albums produced by David Gilmour]]
[[Category:Albums with cover art by Storm Thorgerson]]
[[Category:Columbia Records albums]]
[[Category:EMI Records albums]]
[[Category:Pink Floyd albums]]
[[Category:Albums recorded at A&M Studios]]
[[Category:Albums recorded in a home studio]]

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