.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}@media all and (max-width:500px){.mw-parser-output .hidden-begin{width:auto!important;clear:none!important;float:none!important))You can help expand this article with text translated from the corresponding article in French. (December 2009) Click [show] for important translation instructions. View a machine-translated version of the French article. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing French Wikipedia article at [[:fr:Claude Boyer]]; see its history for attribution. You may also add the template ((Translated|fr|Claude Boyer)) to the talk page. For more guidance, see Wikipedia:Translation.
Title page of The Death of Demetrius

Claude Boyer (1618 in Albi – 22 July 1698 in Paris) was a French clergyman, playwright, apologist and poet. Contrary to a popular belief, he was never abbot. Claude Boyer was educated by the Jesuits, where he excelled in rhetoric. His classmate Michel Le Clerc, who like him wrote tragedies and was elected to the French Academy, became one of his closest friends. In 1645, Boyer moved to Paris where he attended exhibitions and produced his first play, The Roman Portia, played at the Hôtel de Bourgogne in 1646. The play was a great success. Throughout his career some thirty plays, most of which were tragedies, experienced great success. The tragedy The Loves of Jupiter and Semele in 1666 was a triumph. When one of the highest literary authorities of the seventeenth century, Jean Chaplain, composed around 1662 a paper on literary men of his time, he thought of Claude Boyer.

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