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((short description|Painting by Bramantino))
((More citations needed|date=January 2020))
((italic title))
[[File:Bramantino - Madonna and Child and Saints - Uffizi.jpg|thumb|250px|''Madonna and Child with Eight Saints'' (c. 1515–1519) by Bramantino]]
'''''Madonna and Child with Eight Saints''''' is an oil painting on canvas of ((circa|1515–1520)) by [[Bramantino]], originally in the church of Santa Maria del Giardino in Milan and now in the Contini Bonacossi collection at the [[Uffizi]] in Florence.<ref>((cite web|url=http://www.polomuseale.firenze.it/catalogo/scheda.asp?nctn=00294557&value=1|title=Catalogue page|website=www.polomuseale.firenze.it))</ref> It belongs to the ''[[sacra conversazione]]'' genre.

Few of the saints hold attributes, making it difficult to identify them, though they might include [[John the Baptist]] (kneeling at the left and gesturing towards the [[Christ Child]]), [[Job (biblical figure)|Job]] or [[Saint Jerome]] (the bearded man with a bare torso), possibly [[Saint Ambrose]] (the bishop saint to the right) and [[Saint George]] or [[Saint Sebastian]] (the warrior saint with a long sword). An unknown monk saint is also shown.

<!---
Sicuramente posteriore al soggiorno romano dell'artista del 1508, come è evidente nelle reminiscenze classiche dell'architettura, è solitamente riferita all'ultima fase di attività dell'artista, che sfuma verso il 1525, oltre il quale non se ne hanno più notizie.

==Descrizione e stile==
Maria col Bambino in grembo troneggia al centra oltre una breve scalinata, circondata da otto santi disposti a semicerchio, in pose spesso simmetrice e a contrapposto. la composizione segue un modello piramidale, mutuato da [[Leonardo]] e [[Bramante]], frenato però dallo schema orizzontale dell'architettura, composta da un portico in primo piano, due cortine di pilastri dritte e simmetriche e un vasto tempio classicheggiante, con colonnato [[ordine ionico|ionico]], che chiude il proscenio al centro, lasciando intravedere ai lati qualche altro edificio e una rocca.

Tutto concorre a creare un'atmosfera di sospesa e intellettualistica irrealtà, a partire dalla semplificazione delle forme anatomiche, dai continui rimandi tra la metà destra e sinistra (negli abiti, nei gesti e nei tipi fisici dei santi), dalla tavolozza schiarita e dalla complessa situazione luminosa. La luce è infatti resa complicata dall'ambientazione sotto un portico, con una fonte da davanti alle figure e una da dietro, secondo le ricerche inaugurate a Milano da [[Leonardo da Vinci]] e portate avanti, oltre che da Bramantino stesso, dal [[Lorenzo Lotto|Lotto]] (''[[Pala Martinengo]]'', 1513–16) e dal [[Romanino]] (''[[Pala di San Francesco di Brescia]]'', 1517).
--->

==References==
<references/>

((Bramantino))
[[Category:1520 paintings]]
[[Category:Paintings by Bramantino]]
[[Category:Paintings in the Uffizi]]
[[Category:Paintings of John the Baptist]]
[[category:Paintings of the Madonna and Child]]

((16C-painting-stub))

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