Tim Bevan | |
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Born | Timothy John Bevan 20 December 1957[1] Queenstown, New Zealand |
Education | Cheltenham College Sidcot School |
Occupation | Film producer |
Years active | 1984–present |
Spouses | |
Children | 3, including Daisy Bevan |
Timothy John Bevan, CBE (born 20 December 1957) is a New Zealand-British film producer,[2] the co-chairman (with Eric Fellner) of the production company Working Title Films. Bevan and Fellner are the most successful British producers of their era. Through 2017, the films he has co-produced have grossed a total of almost $7 billion worldwide.[3] As of 2017, films by Working Title Films have won 12 Academy Awards and 39 British Academy Film Awards.[4][5][6]
Bevan was born in 1957 in Queenstown, New Zealand.[7][1] From 1969—1974, he was educated at Sidcot School,[8] a Quaker boarding independent school in the Mendip Hills, near the village of Winscombe in North Somerset, in South West England. He then attended Cheltenham College,[9] a boarding independent school in the spa town of Cheltenham in Gloucestershire, in the West of England.
Bevan co-founded Working Title Films in London with Sarah Radclyffe in 1983.[2][10] Radclyffe left the company in 1991 and Eric Fellner joined to partner Bevan.[10] Among Bevan's more than 40 films as producer or executive producer include Four Weddings and a Funeral (1994), Elizabeth (1998), Notting Hill (1999), Billy Elliot (2000), Bridget Jones's Diary (2001), Love Actually (2003), Atonement (2007), Frost/Nixon (2008), Tinker Tailor Soldier Spy (2011), The Theory of Everything (2014), and Darkest Hour (2017). Working Title are also notable for their long-time collaboration with American filmmakers the Coen brothers, having produced Barton Fink (1991), Fargo (1996), The Hudsucker Proxy (1994), The Big Lebowski (1998), and O Brother, Where Art Thou? among others.
Working Title signed a deal with Universal Studios in 1999 for a reported US$600 million, which gave Bevan and Fellner the power to commission projects with a budget of up to $35 million without having to consult their paymasters.[11]
Bevan is a co-producer of the West End musical Billy Elliot.[12]
Bevan was appointed a Commander of the Order of the British Empire (CBE) in the 2005 Birthday Honours for services to the British film industry.[13]
In 2013, he and Fellner received the David O. Selznick Achievement Award in Theatrical Motion Pictures from the Producers Guild of America.[14]
Along with Fellner, Lisa Bryer, David Heyman, Barbara Broccoli and Michael Wilson, he founded the London Screen Academy in September 2019, a sixth form school teaching behind the camera skills to a student body of 800. [15]
Bevan is divorced from English actress Joely Richardson; the two have a daughter, Daisy, born in 1992. Bevan is now married to Amy Gadney, and they have a daughter Nell, born 2001, and a son Jago, born 2003.
Producer
Executive producer
As an actor
Thanks
Executive producer
Year | Title | Notes |
---|---|---|
1988 | Echoes | |
1992 | The Borrowers | |
1993 | Tales of the City | |
1998 | More Tales of the City | |
2001 | Further Tales of the City | |
2003 | About a Boy | Television pilot |
2008 | Frontline | Documentary |
2007−10 | The Tudors | |
2011 | Love Bites | |
The Borrowers | Television film | |
2012 | Birdsong | |
True Love | ||
2013 | Mary and Martha | Television film |
2014 | The Secrets | |
About a Boy | ||
2015 | You, Me and the Apocalypse | |
London Spy | ||
2013−16 | Yonderland | |
2017 | Gypsy | |
2019 | The Case Against Adnan Syed | Documentary |
Tales of the City | ||
2020 | The Luminaries | |
2019−20 | Hanna | |
2021 | We Are Lady Parts |