In 1933, during the Great Depression, a young orphan named Annie is living in the Hudson Street Orphanage in New York City. It is run by Agatha Hannigan, a cruel alcoholic who forces the orphans to clean the building daily. With half of a locket as her only possession, she remains optimistic that her parents, who left her on the doorstep as a baby, will return for her. Annie sneaks out with help from laundry man, Mr. Bundles, adopting a stray dog which she names Sandy. However, Annie is escorted back to the orphanage.
Grace Farrell, secretary to billionaire Oliver Warbucks, arrives to invite an orphan to live with Warbucks for a week, to improve his public image. Annie is chosen and she and Sandy travel to Warbucks' mansion, meeting his many servants and two bodyguards, Punjab and the Asp. Warbucks, at first dismissive of Annie due to her being female, is charmed into letting her stay. He takes Annie and Grace to Radio City Music Hall to watch a movie, Camille, and Warbucks begin to develop affection for Annie. Grace urges him to adopt Annie and he meets with Miss Hannigan, convincing her to sign the adoption papers.
Warbucks reveals his plans to Annie, even offering her a new locket, but she declines. She explains the purpose of her broken locket and her hope that her parents will return with the other half. Warbucks appears on Bert Healy's radio show and offers $50,000 to find Annie's parents. This causes mass hysteria with many would-be parents appearing to claim the money. To escape the madness, Warbucks flies Annie to the White House in Washington, D.C., introducing her to President Franklin D. Roosevelt and his wife Eleanor. Roosevelt informs them of his plan to introduce a social welfare program to help America's impoverished and asks Warbucks to head it; Annie encourages him to help. Upon returning home, Annie is disheartened when Grace reveals none of the potential parents knew about the locket.
Hannigan is visited by her con artist brother Rooster and his girlfriend, Lily St. Regis; they plot to pose as Annie's parents to gain the reward. The trio searches the orphans' belongings and Hannigan reveals Annie's parents were killed in a fire; she possesses the other half of the locket. Annie's friends overhear the conversation and try sneaking out, but are discovered and locked away. Rooster and Lily succeed with the ruse, and Annie's departure from Warbucks is somber. Annie is kidnapped minutes after leaving, but her friends reach Warbucks and tell him the truth; he informs the police, beginning a city-wide search.
Annie convinces the felons to pull over, only to escape and destroy Warbucks' check. Rooster chases Annie up a raised drawbridge in an effort to kill her; when Hannigan realizes his intentions, she desperately tries to stop him, but Rooster easily knocks her out and continues climbing. Punjab rescues Annie from Rooster and reunites her with Warbucks and Grace. Rooster and Lily are arrested and Annie is officially adopted by Warbucks. At a party that the orphans, a redeemed Hannigan, and the Roosevelts attend, Warbucks gives Annie the new locket as they embrace.
Cast
Aileen Quinn as Annie Bennett Warbucks, a 10-year-old orphan girl. Quinn was chosen out of 9,000 girls who were interviewed at casting calls in the United States, Canada and Europe.[5][6]
Carol Burnett as Miss Agatha "Aggy" Hannigan, a cruel alcoholic and the older sister of Rooster who manages the all-girls orphanage where Annie and the other orphans live.[7] She is shown to create bathtub gin and engage in other illegal activities such as child abuse. Bette Midler was considered for the role before Burnett was chosen.[5]
Ann Reinking as Grace Farrell, personal secretary to Mr. Warbucks, who decides to take Annie in.
Tim Curry as Daniel Francis "Rooster" Hannigan, Aggy's con-artist younger brother.
Bernadette Peters as Lily St. Regis, petty thief and co-conspirator girlfriend of Rooster.
Roger Minami as The Asp, Warbucks's Japanese chauffeur and bodyguard, who teaches Annie karate.
Toni Ann Gisondi as Molly, a fellow orphan who is six years old and gets adopted by Warbucks and becomes Annie's little sister.
Rosanne Sorrentino as Pepper, a 14-year-old fellow orphan who commands others, but then becomes nicer. She also gets adopted by Warbucks and becomes Annie and Molly's sister.
Lara Berk as Tessie, a fellow orphan who is eight years old and exclaims "Oh my goodness!" throughout the film. Also, she gets adopted by Warbucks and becomes Annie, Molly and Pepper's sister.
April Lerman as Kate, an orphan who is thirteen years old and cares for the younger orphans and often wears her hair in pigtail braids. She gets adopted by Warbucks and becomes Annie, Molly, Pepper, and Tessie's sister.
Robin Ignico as Duffy, an eleven year old fellow orphan who is Pepper's best friend. She gets adopted by Warbucks and becomes Annie, Molly, Pepper, Tessie and Kate's sister.
Lucie Stewart as July, a fellow orphan who is nine years old and rarely speaks. She gets adopted by Warbucks and becomes Annie, Molly, Pepper, Tessie, Kate and Duffy's sister.
Irving Metzman as Mr. Bundles, a man who works for a Chinese laundry company, whose truck Annie stows away in. Mr. Bundles is implied to be a love interest of Miss Hannigan.
Ken Swofford as Weasel, a greasy uniformed police officer who chases down Annie when she escapes. He is based on Officer Wald from the musical. He is implied to be a love interest of Miss Hannigan.
I. M. Hobson as Drake, Warbucks's head butler who hides his allergy to dogs.
Bingo the dog as Sandy, a stray dog who becomes the family pet.
Production
After winning a bidding war with Paramount Pictures, Columbia purchased the rights to the Broadway musical for $9.5 million.[8]Film producerRay Stark wanted both John Huston and Joe Layton (while working as the director and choreographer, respectively) to also be the executive producer on the film, because it was too large an enterprise for one person. Regarding Huston being given the job of directing the first (and what would be the only) musical in his 40-year directing career, screenwriter Carol Sobieski stated: "Hiring John [Huston] is an outsider risk, and Ray's [Stark] a major gambler. He loves this kind of high risk situation."[9] The film cost over $35 million, with some suggesting it cost as much as $59 million after marketing and distribution, making it one of the most expensive films at the time, and the most expensive project financed by Columbia Pictures up to that point.[8]
Writing
Sobieski, who wrote the screenplay, introduced major differences between the stage musical and the film adaptation. In the stage musical, it is Christmas when Miss Hannigan, Rooster and Lily are caught at the Warbucks mansion by the United States Secret Service thus foiling their plan to kidnap Annie, while in the film (due to summertime shooting) Annie is kidnapped and on the eve of the Fourth of July, leading to Warbucks organizing a citywide search and a climactic ending on the B&O Bridge. Punjab and The Asp, Warbucks's servants/bodyguards, from the original comic strip, appear in the film in supporting roles.
Miss Hannigan's redemption at the end is also a new development on the part of the film – in the musical, Miss Hannigan briefly balks at Rooster's intention to make Annie "disappear" with his switchblade, but is soon lured by his promises of a life on Easy Street. In Meehan's 1980 novelization, Miss Hannigan shows no qualms whatsoever about Annie being killed. In both of these media, Miss Hannigan ends up being arrested alongside Rooster and Lily at the Warbucks mansion.
The film also featured five new songs, "Dumb Dog", "Sandy", "Let's Go to the Movies", "Sign" and "We Got Annie", and cut "We'd like to Thank You, Herbert Hoover", "N.Y.C", "You Won't Be an Orphan for Long", "Something Was Missing", "Annie" and "New Deal for Christmas". In addition, the song "Maybe" has two reprises whereas "Little Girls" and "Easy Street" do not.
Martin Charnin, the lyricist of Annie, was not impressed with the cinematic interpretation. In a 1996 interview, he dismissed the adaptation and its production. "The movie distorted what this musical was", Charnin reported. "And we were culpable for the reason that we did not exercise any kind of creative control because we sold the rights for a considerable amount of money." Charnin even said that Huston, who had never directed a musical before, and producer Ray Stark made major changes in the film that destroyed the essence of Annie. Warbucks, played by Finney, "was an Englishman who screamed". Hannigan, played by Burnett, was "a man-crazy drunk", and Annie was "cute-ed up". Worse, the emotional relationship between Annie and Warbucks was distorted. They even downplayed the hit song "Tomorrow" because "Stark thought it was corny".[10]
Many of the street sets were filmed at Warner Bros. Burbank Studios, 4000 Warner Boulevard, Burbank, California. Production designerDale Hennesy overhauled the old "Tenement Street" back lot set at Warner Bros. by outfitting many of the New York styled apartment and store front facades with actual New York fire escapes and other treatments specifically brought in for this production. Hennesy died during filming and the back lot set was renamed "Hennesy Street" in honor of the late production designer.
Originally, the song "Easy Street" was going to be the biggest musical number in the film. For this purpose, a specially-created outdoor street set was built, costing more than $1 million. It took one week to shoot the scene, but on reviewing the dailies, the scene was considered to be "overstuffed" and "sour." Therefore, a re-shoot was undertaken nearly two months after principal filming had been completed. The scene was replaced with a version shot indoors in a style that mimicked the ambience portrayed in the original stage musical.[9]
"Finale: I Don't Need Anything But You/We Got Annie/Tomorrow"
Aileen Quinn, Albert Finney, Chorus and the Orphans
4:37
Total length:
41:32
Release
Annie opened theatrically on May 21, 1982, in 14 theatres, including in New York, Los Angeles, Dallas and Toronto.[8][3] It expanded to 1,102 theatres on June 18, 1982.[3]
Reception
Critical response
Annie received mixed reviews upon its release. On Rotten Tomatoes, the film has an approval rating of 49% based on 35 reviews, with an average rating of 5.4/10. The site's critical consensus reads, "John Huston proves an odd choice to direct, miring Annie in a sluggish, stagebound mess of an adaptation, but the kids are cute and the songs are memorable."[14] On Metacritic the film has a weighted average score of 39 out of 100 based on 10 critics, indicating "generally unfavorable reviews".[15]
Roger Ebert gave the film three stars out of four and reported that Annie was "so rigorously machine-made, so relentlessly formula" that the film "is not about anything" despite its series of scenarios, but nonetheless "I sort of enjoyed the movie. I enjoyed the energy that was visible on the screen, and the sumptuousness of the production numbers, and the good humor of several of the performances -- especially those by Albert Finney, as Daddy Warbucks, and Carol Burnett, as the wicked orphanage supervisor, Miss Hannigan. Aileen Quinn sort of grew on me, too."[16]Vincent Canby of The New York Times wrote, "'Annie' is far from a great film but, like the Music Hall in the good old days, it is immaculately maintained and almost knocks itself out trying to give the audience its money's worth. They don't build movies like this anymore."[17]Variety wrote, "Whatever indefinable charm the stage show has is completely lost in this lumbering and largely uninteresting and uninvolving exercise, where the obvious waste reaches almost Pentagonian proportions."[18]Gene Siskel of the Chicago Tribune gave the film two-and-a-half stars out of four and called it "a bit of a letdown," writing that Quinn "often comes across as one of those self-conscious stage kids" and that the four new songs "are not the least bit memorable," but Finney gives the best performance in the film as "he steadily turns into a quite wonderful father figure."[19]Sheila Benson of the Los Angeles Times wrote that the film "staggers under monstrous production numbers, orphans doing gymnastic flips, dancing maids and butlers and the Radio City Music Hall complete with Rockettes ... But a kid with Annie's moxie deserves more. Or perhaps less. What she deserves is an atmosphere of innocence, warmth and inventiveness, to let the film generate the joy that must have enveloped theater audiences over the past five years."[20] Gary Arnold of The Washington Post panned the film as "Overproduced and underinspired," with Burnett's performance "the closest thing to a saving grace."[21]Pauline Kael wrote in The New Yorker that the story "cries out for a cockeyed fairy-tale tone" but instead "has the feel of a manufactured romp ... Every sequence seems to be trying too hard to be upbeat and irresistible, and it's all ungainly."[22]
Box office
Annie grossed $5.3 million in its first wide weekend, ranking number 5 at the US box office. The film grossed $57 million in the United States and Canada against a budget of $35 million, making it the tenth highest-grossing film of 1982.[23][24] However, due to its high cost, it failed to make a profit for Columbia Pictures upon release.
The film was released on VHS, Betamax and CED Videodisc on November 5, 1982, by RCA/Columbia Pictures Home Video. It was re-issued in 1983, 1984, 1985, 1994, and 1997 (in a "Broadway Tribute Edition" to coincide with the original play's Broadway 20th anniversary revival that year). There were two widescreen LaserDiscs released, one in 1989 and another in 1994. The film was released in a widescreen DVD edition on December 12, 2000.
A "Special Anniversary Edition" DVD was released on January 13, 2004 (four days before producer Stark's death). Despite the fact that the first DVD was widescreen, the DVD was in pan and scan (but with DTS sound). Reviewing the disc for DVD Talk, Glenn Erickson, while praising the film overall, called the pan and scan transfer an "abomination that's grainy and lacking in color." He also noted that the short retrospective featurette with Ms. Quinn contained clips from the film in the correct aspect ratio. Erickson also called the music video of "It's the Hard-Knock Life" by Play "pretty dreary" and attacked the other, child-oriented extras by saying "Musicals and kids' films aren't just for tots ... and this disc is little more than a headache."[32] However, several countries in Region 2 received widescreen versions of this edition including the United Kingdom. The film was released as a "sing-along edition" on Blu-ray on October 2, 2012, in celebration of the 30th anniversary of the film and the 35th anniversary of the Broadway version set a revival in November 2012.
On October 25, 2022, the film was released on 4K Blu-ray as part of "Columbia Classics Collection: Volume 3," including the full 1932 film Little Orphan Annie and several new special features for the newly-remastered Blu-ray.
Television
The film had its national television debut on February 24, 1986, on the NBC Monday Night Movie. To accommodate the broadcast restrictions, the film was shown in pan-and-scan and had its running time cut from 128 minutes to 96 minutes to run in the two-hour time slot with commercials.
A sequel, Annie: A Royal Adventure! was a made-for-television sequel that aired on ABC on November 18, 1995. It starred Ashley Johnson, Joan Collins, George Hearn and Ian McDiarmid. Aside from a reprise of "Tomorrow," there are no songs in it. No cast members from the 1982 film appeared in this sequel. Rooster, Lily and Grace Farrell were cut out of the sequel.
In the film, Warbucks (Hearn), Annie (Johnson), an eccentric scientist (McDiarmid) and one of the orphans travel to England where Warbucks is to be knighted by the King. However, the kids get mixed up in the scheme of an evil noblewoman (Collins) to blow up Buckingham Palace while all the heirs to the throne are present for Warbucks's knighting, thus making her queen.
Will Smith announced plans on January 20, 2011, to produce a contemporary remake of the 1982 film.
Jay-Z was attached to the project on May 25, 2012, writing new songs for the film.[38] Sony Pictures selected Will Gluck to direct the film in January 2013.[39][40] Oscar nominee Quvenzhané Wallis was cast as the title character in February 2013.[41] Released on December 19, 2014, and despite poor reviews by critics, the film was a commercial success, earning $133 million on a $65 million budget.
^"1982 RAZZIE Nominees & "Winners"". Golden Raspberry Award Foundation and John Wilson. April 11, 1983. Archived from the original on December 4, 2008. Retrieved March 26, 2008.
^Friedt, Stephan (July 2016). "Marvel at the Movies: The House of Ideas' Hollywood Adaptations of the 1970s and 1980s". Back Issue!. Raleigh, North Carolina: TwoMorrows Publishing (89): 66.
