.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}You can help expand this article with text translated from the corresponding article in Italian. (January 2023) Click [show] for important translation instructions. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Italian Wikipedia article at [[:it:Seppellimento di santa Lucia]]; see its history for attribution. You should also add the template ((Translated|it|Seppellimento di santa Lucia)) to the talk page. For more guidance, see Wikipedia:Translation.
Burial of Saint Lucy
Italian: Seppellimento di Santa Lucia
MediumOil on canvas
Dimensions408 cm × 300 cm (161 in × 120 in)
LocationChiesa di Santa Lucia al Sepolcro, Syracuse

Burial of Saint Lucy is a painting by the Italian artist Caravaggio. It is located in the church of Santa Lucia al Sepolcro in Syracuse, Sicily.


According to The Golden Legend, Saint Lucy had bestowed her wealth on the poor, in gratitude for the miraculous healing of her mother. Denounced as a Christian by her own suitor who wrongly suspected her of infidelity, she refused to recant, offered her chastity to Christ, and was sentenced to be dragged to a brothel. Miraculously, nothing could move her or displace her from the spot where she stood. She was pierced by a knife in the throat and, where she fell, the church of Santa Lucia al Sepolcro in Syracuse was built.[1]

Caravaggio had escaped from prison on Malta in 1608, fleeing to Syracuse. There his Roman companion Mario Minniti helped him get a commission for the present altarpiece. Caravaggio painted it in 1608, for the Franciscan church of Santa Lucia al Sepolcro. The choice of subject was driven by the fact that St. Lucy was the patron saint of Syracuse and had been interred below the church.[2] The subject was unusual, but especially important to the local authorities, who were eager to reinforce the local cult of St. Lucy, which had sustained a setback with the theft of her remains during the Middle Ages.[3]


The similarities of the painting with Caravaggio's Resurrection of Lazarus has been pointed out and the scholar Howard Hibbard has spoken of the "powerful emptiness" of the final rendered version of the painting.[2]

Santa Lucia Alla Badia Church in Syracuse

See also


  1. ^ Langdon, Helen (2000). Caravaggio: A Life. Westview Press. ISBN 9780813337944.
  2. ^ a b Hibbard, Howard (1985). Caravaggio. Oxford: Westview Press. p. 236. ISBN 9780064301282.
  3. ^ Graham-Dixon, Andrew (2011). Caravaggio: A Life Sacred and Profane. Penguin Books Limited. ISBN 9780241954645.