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Cristina Perincioli
Born (1946-11-11) November 11, 1946 (age 77)
Bern, Switzerland
NationalitySwiss
Alma materDeutsche Film- und Fernsehakademie Berlin
Occupation(s)Film Director, Writer, Multimedia Producer, Webauthor
Notable workFor Women: Chapter 1
AwardsAward of the Film Journalists in 1972

Cristina Perincioli (born November 11, 1946, in Bern, Switzerland) is a Swiss film director, writer, multimedia producer and webauthor. She moved to Berlin in 1968. Since 2003 she has lived Stücken in Brandenburg.

Life and career

In 1968, Cristina Perincioli moved to Berlin to study at the Deutsche Film- und Fernsehakademie Berlin (dffb – German Film and Television Academy). This motivated her to documentary films (Nixon in Berlin, Occupation of a Student Residence, Kreuzberg is Ours, Population Explosion) and feature films. Her docufiction about a women's strike, For Women: Chapter 1, from 1971 is one of the first contributions to Women's cinema in West Germany; the film won the "Award of the Film Journalists" at the International Short Film Festival Oberhausen 1972. Harun Farocki writes: "You can see how much fun liberating knowledge can be."[1]

She was a co-founder of both the Lesbian movement in 1972 and 1973 of the first "Women's Center".[2]

In 1977 Perincioli founded the Sphinx Filmproduktion GmbH, with Marianne Gassner as a production manager. The documentary fiction The Power of Men is the Patience of Women (ZDF/ Second German TV Channel, 1978) is also shown internationally. From an interview with Perincioli:

"When in 1974 I saw the first shelters for battered wives in England, I started in Berlin to interview women about domestic violence and found an unsuspected level of abuse. We – women from the women's movement and committed journalists – began from now on, to mobilize the public by radio and television broadcasts and by the book 'Violence in Marriage'. 1976 the first women's shelter opened in (West-)Berlin. In 1978 we shot this film together with women from the shelter, acting their own experiences. Internationally successful, the film supported the women's shelter movement in Germany, Australia, Canada, the US, Switzerland, Austria, Sweden and India. The title became a slogan."[3]

Michael Althen[4] described 2008 in the Frankfurter Allgemeine Zeitung functions and effects of the film as a "... documentary fiction in which residents of Berlin's first women's shelter replay and comment their experiences with domestic violence. It's not about an individual fate, but about recurring patterns of violence and regret on men's side, about guilt and shame on women's side, about humiliating experiences in offices and the whole vicious circles of social and emotional dependencies. The film is strongest when articulating the silence of the social environment and lack of moral courage."[5]

Perincioli published as radio- and book author. Inspired by research in London and Harrisburg, US, she contributed to the public debate and awareness about domestic violence and about the risks of nuclear energy.

From 1990 she developed interactive storytelling, and on this basis, a first adventure game with interactive video (1992), and created seven computer serious games for the public space ("Loud is Out", "Oh, the Few Drops", "Female, Male – and In-Between", "Culture Tester Rebellion")[6]

She has taught film production at KIMC Kenya Institute of Mass Communication[7] in Nairobi and the Universität der Künste Berlin, Computer Animation at the Deutsche Film- und Fernsehakademie Berlin (dffb – German Film and Television Academy), the Film School in Potsdam-Babelsberg,[8] and Multimedia Design at the School of Design in Bern[9] and Basel[10] until 1997.

From the late 1990s on, Perincioli ventured to use interactive media for "sensitive issues" such as sexual and domestic violence; she created – employing user-friendly methods such as Discovery learning – award-winning web platforms for understanding, counselling and preventing violence, funded by the German Federal Environmental Foundation,[11] the Foundation Deutsche Jugendmarke,[12] the Daphne Programme of the European Commission[13] and the German Federal Ministry for Family Affairs, Senior Citizens, Women and Youth.[14]

In 2015, Cristina Perincioli's new book Berlin wird feministisch. Das Beste, was von der 68er Bewegung blieb (Berlin Goes Feminist. Anarchism - Lesbianism - Feminism) was published in Germany.[15]

She describes the beginnings of the German second women ́s movement in the revolutionary years 1968–1974 in West Berlin. Through a wealth of documents, 80 photographs, reflections and interviews with 28 feminist activists, she shows where she and her fellow campaigners drew their ideas from, as well as the fury and strength they needed to put these ideas into practice. Perincioli also considers the beginnings of the women ́s movement as an example of how the modernization of society was initiated by "direct democratic" actions.

According to Sonya Winterberg the book shows that the second German women's movement has "many mothers":

"Perincioli...[offers] extensive and highly entertaining insights into the early lesbian and women's movement [...] This undogmatic, grassroots, autonomous and highly creative movement gave rise to vibrant projects, women's centers and lesbian groups, some of which still exist today. When Perincioli writes of the 'best that remained of the 68er movement, it is no exaggeration [...] Anyone who still believes that Alice Schwarzer was the mother of the new women's and lesbian movement would do well to take a look behind the scenes here."[16]

Claire Horst also emphasizes the new "look behind the scenes":

"What a biography! Cristina Perincioli provides a first-hand account of the emergence of the second German women's movement, since she was there from the very beginning [...] And she doesn't ignore the turf wars and conflicts within the movement... [Another thing that makes the biography] well worth reading is the self-critical and often humorous stance the author adopts now, without distancing herself from the aims of the time." Horst also stresses the Berlin setting: "The book can also be read as a cultural history of the alternative Berlin of the 60s and 70s."[17]

An English version of the complete book, translated by Pamela Selwyn, is published online: see "Websites" below.

Awards

1972 Perincioli received the "Award of the Film Journalists" at the International Short Film Festival Oberhausen for her thesis film at the Deutsche Film- und Fernsehakademie Berlin (dffb – German Film and Television Academy) "For Women: Chapter 1". Gwendolyn Audrey Foster writes about her directorial work: "Cristina Perincioli is an important figure in the tradition of Straub, Huillet an Fassbinder ..." (in "Women Film Directors. ... An International Guide" 1995, p. 306). Best rating for the CD-ROM "Save Selma" (Serious Game: prevention for children on the subject of sexual abuse) in Feibel's “Software For Children”-Ratings 1999 and 2000.[18] For her web platform "www.4uman.info" to prevent violence in relationships (in English and German), Perincioli received at the 6th Berlin Crime Prevention Day 2005 the Securitas Award for the "innovative character of the site in violence prevention."[19] Her website www.spass-oder-gewalt.de about prevention of sexual violence among young people in 2007 received the Thuringian Women Media Award.

Works

Film

Writing (selection)

Websites

See also

References

  1. ^ Kurzfilmtage.de Archived July 18, 2011, at the Wayback Machine Retrieved 2010-08-14. The expressive Film-Music was contributed by "Ton Steine Scherben". The film was re-published in 2014 as part of an anthology of 50 years of German Short films by women directors: Claudia Lenssen und Bettina Schoeller-Bouju (Editors): „Wie haben Sie das gemacht? Filme von Frauen aus fünf Jahrzehnten". 2 DVD´s with 24 Short films by German women directors. Absolut Medien 2014. ISBN 978-3-8488-8007-2. Link to Trailer [1] Archived April 2, 2015, at the Wayback Machine. Retrieved 2015-03-20
  2. ^ Cristina Perincioli: "Why had the Tomato to Fly so Far? From the Women of '68, Anarchism, and Lesbianism to the Women's Center”, in: Gabriele Dennert, Chris Leidner, Franziska Rauchut (Eds): Keep Moving/In Bewegung bleiben. 100 Years of Politics, Culture and History of Lesbians/100 Jahre Politik, Kultur und Geschichte von Lesben, Berlin 2007. ISBN 978-3-89656-148-0.
  3. ^ delete129a Archived July 18, 2011, at the Wayback Machine und antifa.de Archived July 18, 2011, at the Wayback Machine . Retrieved 2010-08-20. See also magazine Jump Cut [2] Archived December 15, 2010, at the Wayback Machine, Retrieved 2011-02-12
  4. ^ Michael Althen M. Althen in German Wikipedia. Retrieved 2011-02-11
  5. ^ Michael Althen: Interdisciplinary Symposium against Domestic Violence in Educated Milieus. In Haus der Berliner Festspiele, November 24, 2008 Interdisziplinäres Symposium gegen Häusliche Gewalt in bildungsnahen Schichten Archived July 19, 2011, at the Wayback Machine. In: Haus der Berliner Festspiele, 24. November 2008. Retrieved 2010-08-14.
  6. ^ For Demo Versions see [3] Archived March 18, 2011, at the Wayback Machine Retrieved 2011-02-11
  7. ^ KIMC "Media Communications and Entertainment - Kenya Institute of Mass Communication". Archived from the original on December 31, 2010. Retrieved February 13, 2011. Retrieved 2010-08-14
  8. ^ www.hff-potsdam.de http://www.hff-potsdam.de/. Archived from the original on June 30, 2014. Retrieved August 14, 2010. ((cite web)): Missing or empty |title= (help)[title missing]
  9. ^ Schule für Gestaltung Bern Archived February 8, 2011, at the Wayback Machine Retrieved 2010-08-14
  10. ^ Website of Hochschule für Gestaltung und Kunst Basel Archived December 27, 2010, at the Wayback Machine Retrieved 2010-12-20
  11. ^ [Deutsche Bundesstiftung Umwelt] Retrieved 2010-08-14
  12. ^ [Stiftung Deutsche Jugendmarke] Retrieved 2010-08-14
  13. ^ [4] Archived March 11, 2011, at the Wayback Machine, [5] Retrieved 2011-02-10
  14. ^ [6] Archived March 7, 2011, at the Wayback Machine Retrieved 2010-08-14
  15. ^ Cristina Perincioli: Berlin wird feministisch. Das Beste, was von der 68er Bewegung blieb, Berlin 2015. ISBN 978-3-89656-232-6. Retrieved 2015-03-09
  16. ^ Sonya Winterberg: "Hinter den Kulissen der 68er Bewegung. Cristina Perincioli dokumentiert die 68er Bewegung aus feministischer, lesbischer Sicht", in: L-MAG, März/April 2015, S.74
  17. ^ Claire Horst: "Cristina Perincioli - Berlin wird feministisch. Das Beste, was von der 68er Bewegung blieb", in: AVIVA-Berlin, März 2015 [7] Archived April 2, 2015, at the Wayback Machine. Retrieved 2015-03-13
  18. ^ feibel.de Archived July 19, 2011, at the Wayback Machine Retrieved 2011-02-11
  19. ^ Verleihung des Berliner Präventionspreises 2005 Archived July 18, 2011, at the Wayback Machine Retrieved 2011-01-14

Further reading

Audiovisual

External links

Authority control databases
Categories