Kim Anno (born December 19, 1958) is a Japanese-American^[1] artist and educator. She is known for her work as an abstract painter, photographer, and filmmaker.^[2] Anno has served as a professor, and as the chair of the painting department at the California College of the Arts in San Francisco.

Early life and education

Kim Anno was born in Los Angeles, California to Japanese-Polish and Native American-Irish parents.^[3] She was raised next to the ocean on the west side of Los Angeles and came of age in the political flux of the 1970s. Anno’s father was a beatnik physicist and her mother a nurse and civil rights activist brought her to speeches by Martin Luther King and Bobby Kennedy where she was embedded in the "social upheaval and personal liberation" of the time. Anno was inspired by these activist mass gatherings, "whether cultural, like folk or rock-n-roll festivals, or political, such as the Chicano moratorium, Cambodian bombing protests, or the UFW’s Gallo boycott." Near by Dogtown Z boys were "inventing skateboarding" with Jeff Ho’s surf shop gang and Peggy Oki, LA’s feminist and conceptual art movement was in full swing, as was the beginning of the punk scene by the 80s, "the electricity of the time ignited [Anno's] creativity, it’s the current running through [her] work all the way to the present."^[4]

Anno studied at San Francisco State University, earning a Bachelor of Fine Arts in 1982.^{[citation needed]} She was awarded a Master of Fine Arts degree in 1985 from the San Francisco Art Institute.^[1][3]

Anno began working at the California College of the Arts in 1996 as an associate professor,^[1] and was chair of the painting department as of 2012.^[5]

Influences

Anno works with a philosophy centered on expanding the function of art in society. Perhaps this credo began in her studies while attending the radical, non-accredited, women's art school, the Feminist Studio Workshop, in downtown Los Angeles.^[4] There she was influenced by the work of the graphic designer Sheila Levrant de Bretteville, and interdisciplinary artist Suzanne Lacy, both part of the Feminist art movement in the United States.

Some of Anno's prominent artistic themes include ecology and climate change,^[6] the "joy and consequences of technology", and "the language of abstraction as it appears in religious and ritual art".^[7] Working on wood, aluminum and canvass surfaces, Anno has pushed her painting practice to explore the limits of abstraction.^[1][8] Through abstraction, she invites viewers to become participants in her work by allowing their own experiences and ideas to inform their interpretation of her work.^[9][10] Her work shifted in 2008 when she allowed narrative into her process, revealing her interest in film and leading to her current interdisciplinary practice. Since then she has applied her painterly mark to working in short film and video installations, and has made several series of large-format photographs.^[11] Filmmaking and photography opened an entirely new horizon to reach a different, younger audience.^[12]

Career

In her early career, Anno painted public murals.^[13][14] Anno has participated in numerous exhibitions, including Don’t Panic at the 2011 United Nations Climate Change Convention, Men and Women in Water Cities at the 2012 Convention,^[5] exhibitions at the Berkeley Art Museum and Pacific Film Archive, and Museum of Modern Art, Rio de Janeiro,^[1] and Women On the Silk Road, which travelled along the Silk Road network featuring artists influenced by Asian art and culture.^[7]

She has been awarded the Wallace Alexander Gerbode Foundation Purchase Award, the Fleishhaker Fellowship, and further fellowships from the Open Circle Foundation and the Berkeley Film Foundation.^[15]

Commissions

Anno has received commissions by UC Davis (1991),^[14] the San Francisco Arts Commission, and the City of Oakland Public Arts Commission.^{[citation needed]} From 2010 to 2012 the Zellerbach Foundation and the SFMOMA Phillis Moldaw, commissioned Anno for new work.^{[citation needed]} From 2007 to 2014 poet Anne Carson and Anno collaborated on a series of three limited edition artist’s books commissioned by Benedict’s/ St. John’s University One Crow Press: Sleep (2007); The Mirror of Simple Souls (2003); and The Albertine Workout (2014).^{[citation needed]}

Teaching

• 1996-Current California College of Arts and Crafts, Associate Professor, Painting^{[citation needed]}
• 1995-96 University of California, Berkeley, Painting, Drawing^{[citation needed]}
• 1994-95 Stanford University, Visiting Lecturer, Painting/Drawing^{[citation needed]}
• 1993-96 San Francisco Art Institute, Visiting Artist, Painting^{[citation needed]}
• 1994 California State University, Hayward, Lecturer, Painting^{[citation needed]}
• 1992–1994, University of California, Berkeley, visiting lecturer in painting, drawing, and design^[3]
• 1991 Louisiana State University, Assistant Professor, Painting and Drawing^{[citation needed]}
• 1990-91 California College of Arts and Crafts, Lecturer, Design^{[citation needed]}
• 1989-90 Ohio State University, Lecturer, Painting and Drawing^{[citation needed]}
• 1987-89 Instructor, Cabrillo College, Aptos, CA Color and Design^{[citation needed]}
• 1986-85 Instructor, Napa Valley College, Napa, CA Painting and Drawing^{[citation needed]}