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Writing genres (more commonly known as literary genres) are categories that distinguish literature (including works of prose, poetry, drama, hybrid forms, etc.) based on some set of stylistic criteria. Sharing literary conventions, they typically consist of similarities in theme/topic, style, tropes, and storytelling devices; common settings and character types; and/or formulaic patterns of character interactions and events, and an overall predictable form.
A literary genre may fall under either one of two categories: (a) a work of fiction, involving non-factual descriptions and events invented by the author; or (b) a work of nonfiction, in which descriptions and events are understood to be factual. In literature, a work of fiction can refer to a short story, novella, and novel, the latter being the longest form of literary prose. Every work of fiction falls into a literarysubgenre, each with its own style, tone, and storytelling devices.[1]
Moreover, these genres are formed by shared literary conventions that change over time as new genres emerge while others fade. Accordingly, they are often defined by the cultural expectations and needs of a particular historical and, cultural moment or place.[2]
According to Alastair Fowler, the following elements can be used to define genres: organizational features (chapters, acts, scenes, stanzas); length; mood; style; the reader's role (e.g., in mystery works, readers are expected to interpret evidence); and the author's reason for writing (an epithalamion is a poem composed for marriage).[3]
History
Genres are formed shared literary conventions that change over time as new genres emerge while others fade. As such, genres are not wholly fixed categories of writing; rather, their content evolves according to social and cultural contexts and contemporary questions of morals and norms.[2]
The most enduring genres are those literary forms that were defined and performed by the Ancient Greeks; definitions sharpened by the proscriptions of modern civilization's earliest literary critics and rhetorical scholars, such as Plato, Aristotle, Socrates, Aeschylus, Aspasia, Euripides, and others. The prevailing genres of literary composition in Ancient Greece were all written and constructed to explore cultural, moral, or ethical questions; they were ultimately defined as the genres of epic, tragedy, and comedy. Aristotle's proscriptive analysis of tragedy, for example, as expressed in his Rhetoric and Poetics, saw it as having 6 parts (music, diction, plot, character, thought, and spectacle) working together in particular ways. Thus, Aristotle established one of the earliest delineations of the elements that define genre.
Epic: a narrative defined by heroic or legendary adventures presented in a long format.
Epic poetry: narrative poetry about extraordinary feats occurring in a time before history, involving religious underpinnings and themes.
Fabulation: A class composed mostly of 20th-century novels that are in a style similar to magical realism, and do not fit into the traditional categories of realism.
Legend: story, sometimes of a national or folk hero, that has a basis in fact but also includes imaginative material
Myth: traditional narrative, often based in part on historical events, that reveals human behavior and natural phenomena by its symbolism; often pertaining to the actions of the gods.
Historical: works that take place in the past—which can be real, imagined, or a combination of both.[1] Many such works involve actual historical figures or historical events within historical settings.
Pop culture: fiction written with the intention of being filled with references from other works and media. Stories in this genre focused solely on using pop culture references.
Realist: works that are set in a time and place that are true to life (i.e. that could actually happen in the real world), abiding by real-world laws of nature. They depict real people, places, and stories in order to be as truthful as possible.[1]
Satire: usually fiction and less frequently in non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, with the intent of shaming individuals, corporations, government, or society itself into improvement.[4]
Thriller (or suspense): typically dark and suspenseful plot-driven fiction involving a person or group facing imminent harm, and the attempts made to evade that harm. Thrillers regularly use plot twists, red herrings, and cliffhangers, and seldom include comedic elements.[1]
Western: works that follow cowboys, settlers, and outlaws exploring the American frontier and Old West, typically in the late-19th to early-20th century.[1]
Comedy (including comic novel, light poetry, and comedic journalism): usually a fiction full of fun, fancy, and excitement, meant to entertain and sometimes cause intended laughter; but can be contained in all genres.
Mystery: fiction that follows a crime (e.g., a murder, a disappearance) as it is committed, investigated, and solved, as well as providing clues and revealing information/secrets as the story unfolds.[1]
Detective: fiction that follows a detective or other investigator (professional, amateur, or retired) as they investigate or solve a mystery/crime. Detective novels generally begin with a mysterious incident (e.g., death). One of the most popular examples is the Sherlock Holmes stories; well-known detective novelists include Agatha Christie and Raymond Chandler.[6]
Magic realism: normal in the world in which the story takes place.[1]
Mythic: fiction that is rooted in, inspired by, or that in some way draws from the tropes, themes, and symbolism of myth, legend, folklore, and fairy tales.
Mythopoeia: fiction in which characters from religious mythology, traditional myths, folklore, and/or history are recast into a re-imagined realm created by the author.
Horror (including comics and magazines) involves fiction in which plot and characters are tools used to elicit a feeling of dread and terror, as well as events that often evoke fear in both the characters and the reader.[1] Horrors generally focus on themes of death, demons, evil spirits, and the afterlife.
Body (aka biological): intentionally showcases grotesque or psychologically disturbing violations of the human body (including organ transplantation).[10] Example: Frankenstein (1818).
Dystopian: fiction set in a society that the author views as being worse than the one in which they live in at the time of writing. Example: Brave New World (1932) and Fahrenheit 451 (1953).
Romantic fiction is those which give primary focus around a love story between two people, usually having an "emotionally satisfying and optimistic ending."[1] Also Romance (literary fiction) – works that frequently, but not exclusively, takes the form of the historical romance.
Textbook: authoritative and detailed factual description of a thing
Thesis (or dissertation): a document submitted in support of candidature for an academic degree or professional qualification presenting the author's research and findings.
Bibliography: an organized listing of books or writings
Biography: a written narrative of a person's life; an autobiography is a self-written biography.
Memoir: a biographical account of a particular event or period in a person's life (rather than their whole life) drawn from personal knowledge or special sources (such as the spouse of the subject).
Literary fiction is a term used to distinguish certain fictional works that possess commonly held qualities to readers outside genre fiction.[citation needed] Literary fiction has been defined as any fiction that attempts to engage with one or more truths or questions, hence relevant to a broad scope of humanity as a form of expression.[citation needed]Genre fiction is a term used to distinguish fictional works written with the intent of fitting into a specific literary genre, in order to appeal to readers and fans already familiar with that genre.[12] There are many sources that help readers find and define literary fiction and genre fiction.[13][14]
Immram – Old Irish tales concerning a hero's sea journey to the Otherworld
Milesian tale – a travelogue told from memory by a narrator who every now and then would relate how he encountered other characters who told him stories which he would then incorporate into the main tale.
^Cruz, Ronald (December 2012). "Mutations and Metamorphoses: Body Horror is Biological Horror". Journal of Popular Film and Television. 40 (4): 160–168. doi:10.1080/01956051.2012.654521. S2CID194091897.
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