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Portrait by André Bouys, 1704

Marin Marais (French: [maʁɛ̃ maʁɛ]; 31 May 1656, in Paris – 15 August 1728, in Paris) was a French composer and viol player. He studied composition with Jean-Baptiste Lully, often conducting his operas, and with master of the bass viol Monsieur de Sainte-Colombe for six months. In 1676 he was hired as a musician to the royal court of Versailles and was moderately successful there, being appointed in 1679 as ordinaire de la chambre du roy pour la viole, a title he kept until 1725.

He was the father of the composer Roland Marais (c. 1685 – c. 1750).


Marin Marais was a master of the viol, and the leading French composer of music for the instrument. He wrote five books of Pièces de viole (1686–1725) for the instrument, generally suites with basso continuo. These were quite popular in the court, and for these he was remembered in later years as he who "founded and firmly established the empire of the viol" (Hubert Le Blanc, 1740). His other works include a book of Pièces en trio (1692) and four operas (1693–1709), Alcyone (1706) being noted for its tempest scene.

Titon du Tillet included Marais in Le Parnasse françois, making the following comments on two of his pieces, Le Labyrinthe, perhaps inspired by the labyrinth of Versailles,[1] and La Gamme:

A piece from his fourth book entitled The Labyrinth, which passes through various keys, strikes various dissonances and notes the uncertainty of a man caught in a labyrinth through serious and then quick passages; he comes out of it happily and finishes with a gracious and natural chaconne. But he surprised musical connoisseurs even more successfully with his pieces called La Gamme [The Scale], which is a piece de symphonie that imperceptibly ascends the steps of the octave; one then descends, thereby going through harmonious songs and melodious tones, the various sounds of music.

As with Sainte-Colombe, little of Marin Marais' personal life is known after he reached adulthood. Marin Marais married a Parisian, Catherine d'Amicourt, on 21 September 1676. They had 19 children together.

Facsimiles of all five books of Marais' Pièces de viole are published by Éditions J.M. Fuzeau. A complete critical edition of his instrumental works in seven volumes, edited by John Hsu, is published by Broude Brothers.

Marais is credited with being one of the earliest composers of program music.[2] His work The Bladder-Stone Operation,[3] for viola da gamba and harpsichord, includes composer's annotations such as "The patient is bound with silken cords" and "He screameth."[2] The title has often been interpreted as "The Gall-Bladder Operation," but that surgery was not performed until the late 19th century.[4] Urinary bladder surgery to remove stones was already a medical specialty in Paris in the 17th century.[5][6]


Instrumental music

Viol part of Premiers couplets (sic) des Folies d'Espagne from the Marin Marais' deuxième livre de pièces de viole for viola da gamba and figured bass


Sacred works


References in film


  1. ^ "track listing for Marais' Le Labyrinthe".
  2. ^ a b Henri Temianka (1973). Facing the music; an irreverent close-up of the real concert world. New York: David McKay Co. p. 82. OCLC 243915303.
  3. ^ Evers S.(1993). "[Tableau de l'opération de la taille by Marin Marais (1725)—a bladder calculus operation represented in music]" (in German). Urologe A 32 (3): 254–9. PMID 8511837.
  4. ^ [G. Grey Turner], "History of Gall-Bladder Surgery," British Medical Journal, 4 March 1939, pp. 464–65.
  5. ^ Tolet, François (8 August 1686). "Traite' de la lithotomie, ou, De l'extraction de la pierre, hors de la vessie: enrichy de figures necessaires pour representer la maniére de sonder, les instrumens propres, le malade dans l'operation: la ponction du perinée, & les differentes methodes de tirer la pierre : avec les appareils, les remedes preservatifs du calcul, & les medicamens pour les taillez". Chez Barent Beek, Marchand Libraire, dans la Wagestraet. Retrieved 8 August 2017 – via The Open Library.
  6. ^ François Tolet, "Lithotomy, or a treatise of the extraction of the stone out of the bladder . . ., [London], Will. Whitwood, 1689. [Google ebooks]