Me and My Girl is a musical with music by Noel Gay and its original book and lyrics by Douglas Furber and L. Arthur Rose. The story, set in the late 1930s, tells of an unapologetically unrefined cockney gentleman named Bill Snibson, who learns that he is the 14th heir to the Earl of Hareford. The action is set in Hampshire, Mayfair, and Lambeth.
The musical had a successful original run in the West End in 1937, and was turned into a film in 1939, titled The Lambeth Walk, named after one of the show's songs. "The Lambeth Walk" was also the subject of a news story in The Times of October 1938: "While dictators rage and statesmen talk, all Europe dances – to The Lambeth Walk." The production also included the song "The Sun Has Got His Hat On".
After returning to the West End briefly in 1952, the musical's book received a revision by Stephen Fry with Mike Ockrent in the 1980s. The show was revised again and revived in the West End in 1984, where it received two Laurence Olivier Awards and ran for eight years. The same production was revived on Broadway in 1986 for a three-year run. The production won three of 11 Tony Award nominations.
Production history
Me and My Girl originally opened on the West End at the Victoria Palace Theatre on 16 December 1937 and starred Lupino Lane. Lane had previously played Bill Snibson in a horseracing comedy play, Twenty to One, that opened in 1935. Me and My Girl was conceived as a fresh vehicle for the character.[citation needed] At first attracting little notice, the production gained success after a matinee performance was broadcast live on BBC radio following the cancellation of a sporting event. In May 1939, a performance was televised live from the theatre, one of the first such broadcasts; it was rebroadcast that July.[1] The original West End production ran for 1,646 performances.[2]
The musical was revived in 1941, 1945 and 1949 in the West End. Lupino Lane starred and directed each production, with choreography by Fred Leslie.[2] In the 1980s, the book was revised by Stephen Fry and Mike Ockrent. This version included the song "Leaning on a Lamp-post".[citation needed]
The same production opened on Broadway at the Marquis Theatre on 10 August 1986 and closed on 31 December 1989, after 1,420 performances. Directed by Ockrent with choreography by Gillian Gregory, the cast starred Robert Lindsay and Maryann Plunkett, with George S. Irving and Jane Connell. The production was nominated for 13 Tony Awards in 11 categories and won for Best Actor, Best Actress and Best Choreography. Jim Dale succeeded Lindsay in the lead role of Bill[5] and Ellen Foley succeeded Plunkett as Sally. Lady Jacqueline Carstone was originated by Jane Summerhays, with subsequent performances in the role by Dee Hoty and Janet Aldrich, among others. Irving was succeeded on Broadway by Jay Garner in the role of Sir John Tremayne.[6]Tim Curry played Bill for one year in the US tour that began in October 1987.[7][8]
Numerous productions have been staged over the years across the UK. In 1997, for example, it was staged at the Royal Shakespeare Theatre for a limited run.[citation needed] A 70th anniversary production had an eight-month British tour during 2006, and the show also played at Sheffield Theatres in 2010.[9][10]
In the 1930s, the Harefords, a family of haughty aristocrats, are seeking the legitimate heir to the title of Earl of Hareford. Bill Snibson, a Cockney from Lambeth is found and named as the long-lost "Earl of Hareford". It seems that the 13th Earl had secretly and briefly wed a girl from a bad neighborhood. However, Bill's rough Cockney ways do not satisfy the Will of the last Earl: in order to gain his inheritance of the title and estate, Bill must satisfy the very proper executors (Maria, Duchess of Dene, and Sir John Tremayne) by learning gentlemanly manners. The Duchess thinks that she can make Bill "fit and proper", but not his Cockney girlfriend, Sally Smith. The Duchess plans a party in Bill's honour, but Sally is not to be invited. Sir John tells Sally that she and Bill ought to return to Lambeth, but he is moved by Sally's heartfelt declaration of love for Bill ("Once You Lose Your Heart").
At the party, Bill puts on airs and tries to please his new-found upper-class lawyers, family and servants, but his everyman roots quickly begin to show. Sally shows up in inappropriate garb, with her Lambeth friends, saying that she is going back to where she belongs. Bill seconds this at first, but then teaches the nobility "The Lambeth Walk".
Act II
Bill must make a speech in the House of Lords in coronet and "vermin"-trimmed peer's robes. Sally leaves, telling him to marry someone with good blood, and, in a scene inspired by Gilbert and Sullivan's Ruddigore, the portraits of Bill's ancestors awaken to remind him of his noblesse oblige.[14] Bill and Sally have gained an ally in Sir John, who offers to help them by engaging a speech professor (implied to be Henry Higgins from Pygmalion) to help Sally impress the Duchess.
Bill constantly bemoans his separation from Sally. Preparing another party for Bill, the Duchess realises how much Sally means to him. This puts her in a romantic mood, and she accepts an offer of marriage from Sir John. Bill, dressed in his old outrageous Cockney clothes, declares that he's going home and goes upstairs to pack. Just then, Sally astonishes everyone by arriving in an elegant gown and tiara and speaking with a perfect upper-crust accent. When Bill returns downstairs, Sally conceals her identity; when she reveals it, Bill is relieved and the couple gain the acceptance of the family.
Musical numbers
Based on the 1986 Broadway production
Act 1
A Weekend at Hareford – Ensemble
Thinking of No-One But Me – Lady Jaqueline Carstone and The Hon. Gerald Bolingbroke
The Family Solicitor – Herbert Parchester and The Family
Me and My Girl – Bill Snibson and Sally Smith
An English Gentleman – Charles Hethersett and Staff
In 1939, the play was turned into a film directed by Albert de Courville. Lane reprised his stage role of Snibson. The film took its name from the well-known song and dance. The film was a largely faithful adaptation of the musical and was commercially successful and popular with critics.[15]
