|Millennium Dome (The O2 Arena)|
|Opening||31 December 1999|
(£1.38 billion in 2021 pounds)
|Structural system||Steel, tensioned fabric|
|Design and construction|
|Structural engineer||BuroHappold Engineering|
|Services engineer||BuroHappold Engineering|
|Awards and prizes||Royal Academy of Engineering|
The Millennium Dome, also referred to simply as The Dome, is the original name of a large dome-shaped building originally used to house the Millennium Experience, a major exhibition celebrating the beginning of the third millennium. It is the eighth largest building in the world by usable volume. Located on the Greenwich Peninsula in South East London, England, the exhibition was open to the public from 1 January to 31 December 2000. The project and exhibition were highly political and attracted barely half the 12 million customers its sponsors forecast, and so were deemed a failure by the press. All the original exhibition elements were sold or dismantled.
In a 2005 report, the cost of the Dome and surrounding land (which increased to 170 acres from the initial offering of the 48 acres enclosed by the Dome) and managing the Dome until the deal was closed was £28.7 million. The value of the 48 acres occupied by the Dome was estimated at £48 million, which could have been realised by demolishing the structure, but it was considered preferable to preserve the Dome. The structure itself still exists and is now a key exterior feature of The O2.
The Prime Meridian passes the western edge of the Dome and the nearest London Underground station is North Greenwich on the Jubilee line.
The dome is one of the largest of its type in the world. Externally, it appears as a large white marquee with twelve 100 metre (300') high yellow support towers, one for each month of the year, or each hour of the clock face, representing the role played by Greenwich Mean Time. In plan view it is circular, 365 metres (1200') (one metre; 40" for each day in a standard year) in diameter. It has become one of the United Kingdom's most recognisable landmarks, and can be easily identified on satellite images of London. Its exterior is reminiscent of the Dome of Discovery built for the Festival of Britain in 1951.
The architect was Richard Rogers and the contractor was a joint venture company, McAlpine/Laing Joint Venture (MLJV) formed between Sir Robert McAlpine and Laing Management. The building structure was engineered by Buro Happold, and the entire roof structure weighs less than the air contained within the building. Although referred to as a dome it is not strictly one as it is not self-supporting, but is, in fact, a giant big top, the canopy being supported by a dome-shaped cable network, from twelve king posts. For this reason, it has been disparagingly referred to as the Millennium Tent.
The canopy is made of PTFE-coated glass fibre fabric, a durable and weather-resistant plastic, and is 52 metre (170') high in the middle – one metre (40") for each week of the year. Its symmetry is interrupted by a hole through which a ventilation shaft from the Blackwall Tunnel rises.
Built in 15 months, the dome structure was delivered under-budget, at a cost of £43m.
The critic Jonathan Meades has scathingly referred to the Millennium Dome as a "Museum of Toxic Waste", and apart from the dome itself, the project included the reclamation of the entire Greenwich Peninsula. The land was previously derelict and contaminated by toxic sludge from East Greenwich Gas Works that operated from 1889 to 1985. The clean-up operation was seen by the then Deputy Prime Minister Michael Heseltine as an investment that would add a large area of useful land to the crowded capital.
The Dome project was conceived, originally on a somewhat smaller scale, under John Major's Conservative government, as a Festival of Britain or World's Fair-type showcase to celebrate the third millennium. The incoming Labour government elected in 1997 under Tony Blair greatly expanded the size, scope and funding of the project, and construction began in June 1997. It also significantly increased expectations of what would be delivered. Just before its opening Blair claimed the Dome would be "a triumph of confidence over cynicism, boldness over blandness, excellence over mediocrity". In the words of BBC correspondent Robert Orchard, "the Dome was to be highlighted as a glittering New Labour achievement in the next election manifesto", but criticised in the 2001 Conservative Party manifesto as "banal, anonymous and rootless", and lacking "a sense of Britain’s history or culture". Following the death of Diana, Princess of Wales, a member of the Dome's board suggested the project be refashioned and extended "to accommodate, for example, a hospital, businesses, charities, private residences, and the whole thing named 'the Princess Diana Centre'." The idea was later scrapped.
Before its opening, the Dome was excoriated in Iain Sinclair's diatribe, Sorry Meniscus – Excursions to the Millennium Dome (Profile Books: London 1999, ISBN 1-86197-179-6), which forecast the hype, the associated political posturing, and the eventual disillusion. The post-exhibition plan had been to convert the Dome into a European football stadium which would last for 25 years: Charlton Athletic at one point considered a possible move but instead chose to redevelop their own stadium. Local team Fisher Athletic were at one time interested in moving to the Dome, but they were considered to have too small a fan base to make this feasible. The Dome was planned to take over the functions performed by the London Arena after its closure. This is the function which The O2 Arena has now undertaken.
After a private opening on the evening of 31 December 1999, the Millennium Experience at the Dome was open to the public for the whole of 2000, and contained a large number of attractions and exhibits.
The interior space was subdivided into 14 zones (with the lead designers of the zones):
Who we are:
What we do:
Where we live:
Surrounded by the zones was a performance area in the centre of the dome. With music composed by Peter Gabriel and an acrobatic cast of 160, the Millennium Dome Show was performed 999 times over the course of the year. Throughout the year, the specially-commissioned film Blackadder: Back & Forth was shown in Skyscape (a separate cinema on the site sponsored by BSkyB). There was also the McDonald's Our Town Story project in which each Local Education Authority in the UK was invited to perform a show of their devising which characterised their area and its people.
As well as the above, the first ever series of Techno Games was filmed there and shown on BBC Two the same year.
There were a number of other attractions both in and outside of The Dome. Inside the Dome there was a play area named Timekeepers of the Millennium (featuring the characters Coggsley and Sprinx), The Millennium Coin Minting Press in association with the Royal Mint, the 1951 Festival of Britain Bus, and the Millennium Star Jewels (focus of the failed Millennium Diamond heist.) Outside was the Millennium Map (thirteen metres; 43' high), the Childhood Cube, Looking Around (a hidden installation), Greenwich Pavilion, the Hanging Gardens at the front of the Dome, as well as a number of other art installations and sculptures.
Two of the remaining art installations form the start of The Line, a modern art trail connecting the O2 to the Queen Elizabeth Olympic Park.
At worst it is a millennial metaphor for the twentieth century. An age in which all things, like the Dome itself, became disposable. A century in which forest and cities, marriages, animal species, races, religions and even the Earth itself, became ephemeral. What more cynical monument can there be for this totalitarian cocksure fragile age than a vast temporary plastic bowl, erected from the aggregate contribution of the poor through the National Lottery. Despite the spin, it remains a massive pantheon to the human ego, the Ozymandias of its time.
The project was largely reported by the press to have been a failure. During 2000, the organisers repeatedly asked for, and received, more cash from the Millennium Commission, the Lottery body which supported it. Numerous changes at management and Board level, before and during the exhibition, had only limited, if any, results. Jennifer Page was sacked as chief executive of the New Millennium Experience Company just one month after the dome's opening. Press reports suggested that the then Prime Minister Tony Blair personally placed a high priority on making the Dome a success. But part of the problem was that the financial predictions were based on an unrealistically high forecast of visitor numbers at 12 million. During the 12 months it was open there were approximately 6.5 million visitors – significantly fewer than the approximately 10 million paying visitors that attended the Festival of Britain, which only ran from May to September. Empire Exhibition, Scotland 1938, held in Glasgow, attracted more than 12 million visitors, being open May to October. Unlike the press, visitor feedback was extremely positive. It was the most popular tourist attraction in 2000. Second was the London Eye; third was Alton Towers, which had been first in 1999.
According to the UK National Audit Office, the total cost of The Dome at the liquidation of the New Millennium Experience Company in 2002 was £789 million, of which £628 million was covered by National Lottery grants and £189 million through sales of tickets etc. A surplus of £25 million over costs meant that the full lottery grant was not required. However, the £603 million of lottery money was still £204 million in excess of the original estimate of £399 million required, due to the shortfall in visitor numbers.
The Dome was, however, still of interest to the press, the government's difficulties in selling it being the subject of much critical comment. The amount spent on maintaining the closed building was also criticised. Shortly after it had closed, Lord Falconer reported that The Dome was costing over £1 million per month to maintain.
Following closure of the Dome, some Zones were dismantled by the sponsoring organisations, but much of the content was auctioned. This included a number of artworks specially commissioned from contemporary British artists. A piece by Gavin Turk was sold for far below his then auction price, though Turk stated that he did not think the piece had worked.[clarification needed] The Timekeepers of the Millennium attraction was acquired by the Chessington World of Adventures theme park in Surrey. A unique record of the memorabilia and paraphernalia of the Millennium Experience is held by a private collector in the United States. Many of the fixtures and fittings were also purchased by Paul Scally, chairman of Gillingham F.C., for the club's stadium.
Despite the ongoing debate about the Dome's future use, the Dome opened again during December 2003 for the Winter Wonderland 2003 experience. The event, which featured a large funfair, ice rink, and other attractions, culminated in a laser and firework display on New Year's Eve. It also served as the venue for a number of free music festivals organised by the Mayor of London under the "Respect" banner.
Over the 2004 Christmas period, part of the main dome was used as a shelter for the homeless and others in need, organised by the charity Crisis after superseding the London Arena, which had previously hosted the event. In 2005, when work began for the redevelopment of the Dome, the London Arena hosted the event again.
By late 2000, a proposal had been made for a high-tech business park to be erected under the tent area, creating an "indoor city" complete with streets, parks, and buildings. The business park was actually the original 1996 proposal for the site of the peninsula before the plans for the Millennium Dome were proposed.
In December 2001, it was announced that Meridian Delta Ltd. had been chosen by the government to develop the Dome as a sports and entertainment centre, and to develop housing, shops and offices on 150 acres (0.61 km2) of surrounding land. It also hoped to relocate some of London's tertiary education establishments to the site. Meridian Delta is backed by the American billionaire Philip Anschutz, who has interests in oil, railways, and telecommunications, as well as a string of sports-related investments.
A report in 2005 by the House of Commons Public Accounts Committee found that the cost of the process of selling the Dome and surrounding land (which increased to 170 acres from the initial offering of the 48 acres enclosed by the Dome) and managing the Dome until the deal was closed was £28.7 million. £33 million were expected to be returned to the taxpayer by 2009. The value of the 48 acres occupied by the Dome was estimated at £48 million, which could have been realised by demolishing the structure, but it was considered preferable to preserve the Dome.
The dome was publicly renamed as The O2 on 31 May 2005, in a £6 million-per-year deal with telecommunications company O2 plc, now a subsidiary of Telefónica Europe. This announcement, which presaged a major redevelopment of the site that retained little beyond the shell of the dome, gave publicity to the dome's transition into an entertainment district including an indoor arena, a music club, a cinema, an exhibition space and bars and restaurants. This redevelopment was undertaken by the dome's new owners, the Anschutz Entertainment Group, to a design by HOK SVE and Buro Happold. It cost £600 million, and the resulting venue opened to the public on 24 June 2007, with a concert by rock band Bon Jovi.
During the 2012 Summer Olympics, the artistic gymnastics events, along with the medal rounds of basketball, were held at The O2. It also held wheelchair basketball events during the 2012 Summer Paralympics. For sponsorship reasons, during those times the arena was temporarily renamed the North Greenwich Arena.
Issues related to the Dome damaged the political careers of government ministers Peter Mandelson and John Prescott. The scheme was seen as an early example of what some saw as Tony Blair's often excessive optimism, who stated at the Dome's opening: "In the Dome we have a creation that, I believe, will truly be a beacon to the world". The fact that Mandelson's grandfather was Herbert Morrison - who as a minister had been involved with the Festival of Britain - was often drawn on for negative comparisons.