No End In Sight
Theatrical release poster
Directed byCharles Ferguson
Produced byCharles Ferguson
Jennie Amias
Audrey Marrs
Jessie Vogelson
Alex Gibney (executive)
Narrated byCampbell Scott
Edited byChad Beck
Cindy Lee
Music byPeter Nashel
Distributed byMagnolia Pictures
Release date
  • July 27, 2007 (2007-07-27)
Running time
102 minutes
CountryUnited States

No End in Sight is a 2007 American documentary film about the American occupation of Iraq. The directorial debut of Academy Award-winning documentary filmmaker Charles Ferguson, it premiered on January 22, 2007, at the Sundance Film Festival and opened in its first two theaters in the United States on July 27, 2007. By December of that year, it had a theatrical gross of $1.4 million.[1] The film was nominated for Best Documentary Feature at the 80th Academy Awards.[2]


To a large extent, the film consists of interviews with people who were involved in the initial Iraqi occupation authority and the Office for Reconstruction and Humanitarian Assistance (ORHA), which was later replaced by the Coalition Provisional Authority (CPA). Thirty-five people who had become disillusioned by what they experienced at the time are interviewed. In particular, many of those interviewed claim that the inexperience of the core members of the Bush administration — and their refusal to seek, acknowledge or accept input from more experienced outsiders — was at the root of the disastrous occupation effort. Other interviewees include former soldiers who had been stationed in Iraq and authors and journalists who were critical of the war planning.

Those interviewed are:

The three Iraq veterans — Moulton, Yancey, and Gonzales — were selected for inclusion from a larger group of Iraq veterans who were considered. Ferguson chose to include those three in the film because they provided "the most interesting, the most representative, and the most poignant" interviews.[3]

Archival footage


No End in Sight focuses primarily on period immediately following the American invasion of Iraq in March 2003. It asserts that serious mistakes made by the administration of President George W. Bush during that time were the cause of subsequent problems in Iraq, such as the rise of the insurgency, a lack of security and basic services for many Iraqis, sectarian violence, and, at one point, the risk of complete civil war.

The film notes the lack of advance planning for the post invasion governance of Iraq. It criticizes Secretary of Defense Donald Rumsfeld for not providing enough troops to maintain order or declaring martial law after the country was conquered. The ORHA had identified at least twenty crucial government buildings and cultural sites in Baghdad, but none of the locations were protected during the invasion; only the oil ministry was guarded. With no police force or national army to maintain order, ministries and buildings were looted for their desks, tables, chairs, phones, computers, and even large machinery and rebar, though Rumsfeld initially dismissed the widespread looting as no worse than that which takes place during riots in American cities. Among the pillaged sites were Iraqi museums containing priceless artifacts from some of the earliest human civilizations, which, it is suggested, sent chilling signals to the average Iraqi that the American forces did not intend to maintain law and order. Eventually, the looting turned into an organized destruction of Baghdad. The destruction of libraries and records, in combination with "de-Ba'athification", ruined the bureaucracy that existed prior to the U.S. invasion, and ORHA staff reported that they had to start from scratch to rebuild the government infrastructure.

According to the film, there were three especially grave early mistakes made by L. Paul Bremer, the head of the CPA:

These three mistakes are cited as the primary causes of the rapid deterioration of occupied Iraq into chaos, as the collapse of the government bureaucracy and military resulted in a lack of authority and order. When Islamic fundamentalist groups moved to fill this void, their ranks swelled with disillusioned Iraqis.


On review aggregator website Rotten Tomatoes, the film has an approval rating of 92%, based on 98 reviews, with an average rating of 8.15/10; the website's critical consensus states: "Charles Ferguson's documentary provides a good summary of the decisions that led to the mess in post-war Iraq, and offers politically interested audiences something they'd been looking for: a lowdown on the decision making".[4] On Metacritic, it has a score of 88 out of 100, based on 28 reviews, indicating "universal acclaim".[5]

Roger Ebert of the Chicago Sun-Times gave the film 4 stars out of 4 and said: "This is not a documentary filled with anti-war activists or sitting ducks for Michael Moore. Most of the people in the film were important to the Bush administration." Ebert concluded by stating that "I am distinctly not comparing anyone to Hitler, but I cannot help being reminded of the stories of him in his Berlin bunker, moving nonexistent troops on a map, and issuing orders to dead generals."[6]

Richard Corliss of Time praised the film, saying it "stands out for its comprehensive take on how we got there, why we can't get out", and opined that everyone should see it, calling it "the perfect stocking-stuffer for holiday enlightenment."[7][8]

A. O. Scott of The New York Times called the film "exacting, enraging" and said that "[Charles Ferguson] presents familiar material with impressive concision and impact, offering a clear, temperate and devastating account of high-level arrogance and incompetence." Scott explained that "most of the movie deals with a period of a few months in the spring and summer of 2003, when a series of decisions were made that did much to determine the terrible course of subsequent events" and "the knowledge and expertise of military, diplomatic and technical professionals was overridden by the ideological certainty of political loyalists." He remarked: "It might be argued that since Mr. Bremer, Mr. Rumsfeld and Mr. Wolfowitz declined to appear in the film, Mr. Ferguson was able to present only one side of the story. But the accumulated professional standing of the people he did interview, and their calm, detailed insistence on the facts, makes such an objection implausible." In conclusion, Scott called the film "sober, revelatory and absolutely vital".[9]

Rob Nelson of the Village Voice said: "Masterfully edited and cumulatively walloping, Charles Ferguson's No End in Sight turns the well-known details of our monstrously bungled Iraq war into an enraging, apocalyptic litany of fuck-ups." Nelson said the film "is certainly a film about failure, perhaps the ultimate film about failure. Or maybe a film about the ultimate failure?", and "is less a work of investigation (or activism) than history." In his view, "Focusing on the war itself, Ferguson is chiefly interested in compiling a filmed dossier of incompetence—not so much to argue that the war could have been won and won early, but to suggest that the magnitude of arrogant irresponsibility will carry aftershocks as far into the future as the mind can imagine", and "Ferguson's approach is at once relentless and, with the help of Campbell Scott's flat narration, chillingly calm and composed". He remarked that "The evidence speaks for itself, and No End in Sight—addressed to those who'll be swayed against the war by ineptitude more than immorality—is the rare American documentary that doesn't appear to preach to the converted, or at least not only to the converted", and "For those of us who've opposed the war for years, the movie is at once intensely frightening and, it must be admitted, disturbingly reassuring."[10]

Top ten lists

No End in Sight appeared on many critics' top ten lists of the best films of 2007:[11]

Awards and nominations

At the 2007 Sundance Film Festival, No End in Sight won the Special Jury Prize: Documentary.[12]

The film received the following awards in the 2007 film season:[13]

On January 22, 2008, the film was nominated for the Academy Award for Best Documentary Feature, though it lost to Taxi to the Dark Side, which was made by Alex Gibney, the executive producer of No End in Sight.[14] Additionally, Charles Ferguson received a nomination for the Writers Guild of America Award for Best Documentary Screenplay.[15]

Book version

A book version of No End in Sight is available from the publisher PublicAffairs.[16]

See also


  1. ^ Kilday, Gregg (2008-01-04). "Iraq documentary generates book and Oscar hopes". Reuters. Retrieved 2008-01-31.
  2. ^ "The 80th Academy Awards | 2008". | Academy of Motion Picture Arts and Sciences. Retrieved 2020-11-30.
  3. ^ Crowdus, Gary Alan; Ferguson, Charles (Fall 2007). "No End in Sight: An Interview with Charles Ferguson". Cinéaste. 32 (4): 18–19. JSTOR 41690553. Retrieved 23 August 2021.
  4. ^ "No End in Sight". Rotten Tomatoes.
  5. ^ "No End in Sight (2007): Reviews". Metacritic. Retrieved 2008-03-13.
  6. ^ Roger Ebert (2007-08-10). ":: :: Reviews :: No End in Sight". Chicago Sun-Times. Retrieved 2007-09-12.
  7. ^ Corliss, Richard; “The 10 Best Movies”; Time magazine; December 24, 2007; Page 40.
  8. ^ Corliss, Richard; “The 10 Best Movies”;
  9. ^ A.O. Scott (2007-07-27). "In the Beginning: Focusing on the Iraq War Enablers". The New York Times. Retrieved 2007-09-12.
  10. ^ Rob Nelson (2007-07-24). "Surge This". Village Voice. Retrieved 2007-09-12.
  11. ^ "Metacritic: 2007 Film Critic Top Ten Lists". Metacritic. Archived from the original on 2008-01-02. Retrieved 2008-01-05.
  12. ^ "2007 Sundance Film Festival award winners". The Salt Lake Tribune. 2007-01-28. Retrieved 2007-01-28.
  13. ^ No End in Sight (2007) – Awards
  14. ^ "80th Annual Academy Awards Nominees". Academy of Motion Picture Arts and Sciences. 2008-01-22. Archived from the original on 2008-01-23. Retrieved 2008-01-22.
  15. ^ Thielman, Sam; McNary, Dave (February 9, 2008). "Cody, Coens bros. top WGA Awards". Variety. Retrieved February 20, 2019.
  16. ^ No End in Sight: Iraq's Descent into Chaos: Charles Ferguson: Books