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((Short description|Model whose mass-produced pictures see wide appeal as popular culture))
((Redirect|Pinup|other uses|Pin-up (disambiguation)))
((Multiple issues|
((Essay-like|date=June 2019))
((Globalize|date=March 2022))
))

[[File:Betty Grable 20th Century Fox.jpg|thumb|upright=1.3|[[Betty Grable]]'s famous pin-up photo from 1943]]
A '''pin-up model''' is a [[model (person)|model]] whose [[mass-produced]] pictures and photographs have wide appeal within the [[popular culture]] of a society. Pin-up models are usually [[glamour photography|glamour models]], actresses, and fashion models whose pictures are intended for informal, aesthetic display, such as being pinned onto a wall. Beginning in the 1940s, pictures of pin-up girls were also known as '''cheesecake''' in the U.S.<ref>Ayto, p. 126.</ref><ref>Meyerowitz, 1996, pp. 9–35.</ref> 

The term ''pin-up'' refers to drawings, paintings, and photographs of semi-nude women. The term ''pin-up'' was first attested to in English in 1941.((sfnp|Ayto|2006|p=126)) Images of pin-up girls were published in magazines and newspapers, and as postcards, [[lithograph]]s, and calendars. The counterpart of the pin-up girl is the male pin-up, also known as ''[[beefcake]]'', including celebrated actors and athletes such as the actor [[James Dean]], the singer [[Jim Morrison]], and the model [[Fabio Lanzoni|Fabio]].

==History==
[[File:Nose art on the B-25J Take-off Time.JPG|thumb|Pin-up girl [[nose art]] on the restored World War II [[North American B-25 Mitchell|B-25J]] aircraft ''Take-off Time''|left]]

Beginning in the early 19th century, when pin-up modeling had "theatrical origins"; [[American burlesque|burlesque]] performers and actresses sometimes used photographic business cards to advertise shows. These promotional and business cards could be found backstage in almost every theater's [[green room]], pinned up or placed in "frames of the looking-glasses, in the joints of the gas-burners, and sometimes lying on top of the sacred cast-case itself."((sfnp|Buszek|2006|pp=42–44)) According to historian Maria Elena Buszek, "To understand both the complicated identity and the subversive nature of the 19th-century actress, one must also understand that the era's views on women's potential were inextricably tied to their sexuality, which in turn was tied to their level of visibility in the public sphere: regardless of race, class or background, it was generally assumed that the more public the woman, the more 'public,' or available, her sexuality." Being sexually fantasized, famous actresses in early-20th-century film were both drawn and photographed and put on posters to be sold for personal use.<ref>Carole S. Vance, ed. "Seeking Ecstasy on the Battlefield: Danger and Pleasure in Nineteenth-Century Feminist Sexual Thought," in Pleasure and Danger: Exploring Female Sexuality (Boston: Routledge and K. Paul, 1984)</ref> Among the [[celebrities]] who were considered [[sex symbol]]s, one of the most popular early pin-up girls was [[Betty Grable]], whose poster was ubiquitous in the lockers of [[G.I. (military)|G.I.s]] during [[World War II]].

In Europe, prior to the First World War, the likes of "Miss Fernande" (who some identify as [[Fernande Barrey]]<ref>((cite web|url=http://dazzledent.tumblr.com/post/9537692783/her-name-was-fernande-barrey-but-she-was-known|title=Dazzledent: Fernande Barrey|website=Tumblr|archive-url=https://web.archive.org/web/20131005000322/http://dazzledent.tumblr.com/post/9537692783/her-name-was-fernande-barrey-but-she-was-known|url-status=dead|date=29 August 2011|archive-date=5 October 2013))</ref><ref>((cite web|url=http://home.comcast.net/~kb8gpo/fernande/|title=Miss Fernande|website=Comcast|archive-url=https://web.archive.org/web/20131004213236/http://home.comcast.net/~kb8gpo/fernande/|url-status=dead|archive-date=4 October 2013))</ref>), were arguably the world's first pin-ups in the modern sense. Miss Fernande displayed ample cleavage and full frontal nudity, and her pictures were cherished by soldiers on both sides of the First World War conflict.

[[File:Harry Wann paints pin-up girl 1944.jpg|thumb|Harry Wann paints a "pin-up" girl on a [[PT boat]], Australia, 1944]]

Other pin-ups were artwork depicting idealized versions of beautiful or attractive women. An early example of the latter type was the [[Gibson Girl]], a representation of the [[New Woman]] drawn by [[Charles Dana Gibson]]. "Because the New Woman was symbolic of her new ideas about her sex, it was inevitable that she would also come to symbolize new ideas about sexuality."((sfnp|Buszek|2006|p=82)) Unlike the photographed actresses and dancers generations earlier, art gave artists the freedom to draw women in many different ways.((sfnp|Buszek|2006|p=43)) The 1932 Esquire "men's" magazine featured many drawings and "girlie" cartoons but was most famous for its "[[Alberto Vargas|Vargas Girls]]". Prior to World War II, Vargas Girls were praised for their beauty and less focus was on their sexuality. However, during the war, the drawings transformed into women playing dress-up in military drag and drawn in seductive manners, like that of a child playing with a doll.((sfnp|Buszek|2006|p=209)) Vargas Girls became so popular that from 1942 to 1946, owing to a high volume of military demand, "9 million copies of the magazine-without adverts and free of charge was sent to American troops stationed overseas and in domestic bases."((sfnp|Buszek|2006|p=210)) The Vargas Girls were adapted as [[nose art]] on many [[World War II]] bomber and [[fighter aircraft]]; Generally, they were not seen negatively or as prostitutes, but mostly as inspiring female patriots that were helpful for good luck.<ref>((cite book|last=Costello|first=John|title=Virtue Under Fire: How World War II Changed Our social and Sexual Attitudes|year=1985|publisher=Little Brown|location=Boston|isbn=0-316-73968-5|pages=144–155))</ref>

Among the other well-known artists specializing in the field were [[Earle K. Bergey]], [[Enoch Bolles]], [[Gil Elvgren]], [[George Petty]], [[Rolf Armstrong]], [[Zoë Mozert]], [[Duane Bryers]]<ref>((cite web|url=http://www.nogalesinternational.com/the_bulletin/news/noted-artist-duane-bryers-dies-at/article_971c16f8-aff0-11e1-a9c2-001a4bcf887a.html|title=Noted artist Duane Bryers dies at 100|first=JB Miller The|last=Bulletin|date=6 June 2012 ))</ref> and [[Art Frahm]]. Notable contemporary pin-up artists include [[Olivia De Berardinis]], known for her pin-up art of [[Bettie Page]] and her pieces in ''[[Playboy]]''.

((Clear))

==Feminism and the pin-up==
[[File:Jackie Martinez pin up.jpg|left|thumb|Pin-up photo of singer Jackie Martinez]]
Maria Buszek (author of ''Pin-up Grrrls'') said that the pin-up girl "has presented women with models for expressing and finding pleasure in their sexual subjectivity".<ref name=":0" />

According to [[Joanne Meyerowitz]] in "Women, Cheesecake, and Borderline Material," an article in ''Journal of Women's History'', "As sexual images of women multiplied in the popular culture, women participated actively in constructing arguments to endorse as well as protest them."((sfnp|Meyerowitz|1996|p=9))

As early as 1869, women have been supporters and protesters of the pin-up. Female supporters of early pin-up content considered these to be a "positive post-Victorian rejection of bodily shame and a healthy respect for female beauty."((sfnp|Meyerowitz|1996|p=10))

Additionally, pin-up allows for women to change the everyday culture. The models "succeed in the feminist aim of changing the rigid, patriarchal terms."<ref name=":0">((Cite book|title=Pin-Up Grrrls: Feminism, Sexuality, Popular Culture|last=Buszek|first=Maria Elena|publisher=Duke University Press|year=2007))</ref>

It has been argued by some critics that in the early 20th century that these drawings of women helped define certain body images—such as being clean, healthy, and wholesome—and were enjoyed by both men and women, and that as time progressed, these images changed from respectable to illicit.((sfnp|Ross|1989|p=61))

Conversely, female protesters argued that these images were corrupting societal morality and saw these public sexual displays of women as lowering the standards of womanhood, destroying their dignity, reducing them to mere objects to pleasure men and therefore harmful to both women and young adolescents.((sfnp|Meyerowitz|1996|p=10))

Pin-up modeling has been described as a [[subculture]] that is invested in promoting positive body images and a love for one's sexuality, "pin-up would also find ways to... encourage the erotic self-awareness and self expression of real women".<ref name=":0" />

== Hair and makeup style  ==
[[File:Joan Crawford 1946 by Paul Hesse.jpg|thumb|upright|1946 photo by Paul Hesse of [[Joan Crawford]] adorning the iconic "Hunter's Bow", or over-drawn lip, and her hair pinned up in Victory rolls]]
The classic style of the pin-up originates back from the 1940s. Due to the shortages of materials during World War II, this period of makeup is considered the "natural beauty" look.<ref>((Cite book|title=Classic Beauty: The History of Makeup|last=Hernandez|first=Gabriela|publisher=Schiffer Publishing LTD|year=2017|isbn=978-0764353000|location=United States))</ref> The US was immersed in [[war-time economy]], which put distribution restrictions on consumer goods.<ref>Tassava, Christopher. "The American Economy during World War II". EH.Net Encyclopedia, edited by Robert Whaples. February 10, 2008. URL http://eh.net/encyclopedia/the-american-economy-during-world-war-ii/</ref> General rationing was supported; women applied mild amounts of products.

Pin-up style makeup products consisted of:

*Foundation – A cream base, liquid foundation that matched their natural skin tone
*Compact Powders – used to set the foundation and even the overall complexion
*Eyes and brows – neutral contour on brow bone and lid. Eyebrows were shaped but kept full
*Eyeliner – the wing effect became popular by the 1950s
*Lashes – extended the barriers of the eye to appear slightly larger
*Blush – pastel and rose colors applied to the apple of the cheek
*Lips – vibrant red and matte color, applied to look plumper.<ref>((Cite book|title=Fashions in Makeup: From Ancient to Modern Times|last=Corson|first=Richard|publisher=Peter Owens Publisher|year=2005|isbn=0720611954|location=London, United Kingdom))</ref>

In the 1950s, the overall look was the red lip was often matched with rosy cheeks. Eyeliner became bold and began to be more commonly used to make the eye appear larger. Natural eyebrows were embraced, as opposed to the thin brows of the 1920s and '30s. In the 1940s, brows were shaped and clean but filled in with a pencil to appear fuller.<ref>"Historical Facts Behind Pin Up Makeup." ''Historical Facts Behind Pin Up Makeup - RebelCircus.com'', 10 Dec. 2014, www.rebelcircus.com/blog/historical-facts-behind-pin-makeup/full/.</ref>

Lipstick "turned into a symbol of resilient femininity in the face of danger"<ref>((Cite web|last=Schaffer|first=Sarah|date=2006|title=Reading Our Lips: The History of Lipstick Regulation in Western Seats of Power|url=http://nrs.harvard.edu/urn-3:HUL.InstRepos:10018966|series=HLS Student Papers|access-date=2021-08-28))</ref>((Unreliable source?|reason=This source is a student paper.|date=August 2021)) and was seen as a way to boost morale during the war. The shape of the lip was also iconic of the 1940s. The lips were painted on to look plumper; a broad outline of the lip was added for roundness. This fuller look is known as the "Hunter's Bow", invented by [[Max Factor]].<ref>((Cite book|title=Max Factor and Hollywood: A Glamorous History|last=Thomas|first=Erika|publisher=History Press|year=2016|isbn=978-1467136105|location=United States))</ref>

The pin curl is a staple of the pin-up style, as "women utilized pin curls for their main hair curling technique".<ref name=":1">((Cite web|url=http://www.vintagehairstyling.com/bobbypinblog/2017/07/demystifying-pin-curls.html|title=Demystifying Pin Curls ((!)) Bobby Pin Blog / Vintage hair and makeup tips and tutorials|website=www.vintagehairstyling.com|date=24 July 2017|language=en-US|access-date=2018-05-08))</ref> Originating in the 1920s from the "water-waving technique", the hair style of the 1940s consisted of a fuller, gentle curl. The drying technique consists of curling a damp piece of hair, from the end to the root and pin in place. Once the curl is dry, it is brushed through to create the desired soft curl, with a voluminous silhouette.<ref name=":1" />

[[Victory rolls]] are also a distinctive hairstyle of the pin-up. The Victory roll is curled inward and swept off the face and pinned into place on the top of the head. Soft curls, achieved through the pin curl technique, finish the look of pin-up.<ref>((Cite news|url=https://www.babble.com/beauty/victory-rolls-pin-up-tutorial/|title=Victory Rolls: A Pin-Up Hair Tutorial ((!)) Babble|date=2013-10-10|work=Babble|access-date=2018-05-08|language=en-US))</ref>

As a makeup style, the classic pin-up underwent a revival in modern fashion. The red lip and winged eyeliner made a re-emergence in 2010, with singer [[Katy Perry]] being the most accessible example of modern pin-up makeup.

Some people believe there is a lack of representation in the media of [[Black people|Black]] women as pin-up models, even though they were just as influential to the construction of the style.<ref>((Citation|last=As/Is|title=Women Of Color Get Transformed Into Pinups|date=2016-06-07|url=https://www.youtube.com/watch?v=BiMOXaE8K7U| archive-url=https://ghostarchive.org/varchive/youtube/20211117/BiMOXaE8K7U| archive-date=2021-11-17 | url-status=live|access-date=2018-05-08))((cbignore))</ref>

== Pin-up in the contemporary age ==
Although pin-up modeling is associated with [[World War II]] and the 1950s, it developed into a subculture which can be seen represented in the styles of some celebrities and public figures. [[Pamela Anderson]] was considered the "perennial pin-up" due to decades' worth of modeling for [[Hugh Hefner]]'s ''[[Playboy]]'' magazine.<ref>((cite news |last=Kercher |first=Sophia |date=8 March 2016 |title=From Pinup to Muse: Pamela Anderson's Next Chapter |newspaper=The New York Times |url=https://www.nytimes.com/2016/03/10/fashion/from-pinup-to-muse-pamela-andersons-next-chapter.html |url-access=limited))</ref> The American singer [[Lana Del Rey]], whose style is comparable to that of the classic pin-up model, has performed a song called "Pin Up Galore".<ref>((Cite AV media|title=Pin Up Galore (Live)|url=https://www.youtube.com/watch?v=jgYno78wUIE| archive-url=https://ghostarchive.org/varchive/youtube/20211117/jgYno78wUIE| archive-date=2021-11-17 | url-status=live|via=YouTube|date=24 April 2012))((cbignore))</ref> [[Beyoncé]] has recorded a song titled "Why Don't You Love Me,"<ref>((Cite AV media|title=Beyoncé - Why Don't You Love Me|url=https://www.youtube.com/watch?v=QczgvUDskk0| archive-url=https://ghostarchive.org/varchive/youtube/20211117/QczgvUDskk0| archive-date=2021-11-17 | url-status=live|via=YouTube|date=18 May 2010))((cbignore))</ref> which pays tribute to the American pin-up queen of the 1950s, [[Bettie Page]]. The [[burlesque]] performer [[Dita Von Teese]] is often referred to as a modern pin-up. Von Tesse has appeared in a biographical film about Bettie Page, ''[[Bettie Page Reveals All]]'',<ref>((cite web|title=Bettie Page Reveals All (2012)|url=https://www.imdb.com/title/tt1776086/|website=IMDb))</ref> in which Von Teese helps to define pin-up. [[Katy Perry]] makes use of the ideas associated with pin-up modeling, and has included these in music videos and costumes. The [[Victoria's Secret Fashion Show]] can be comparable to burlesque show, whereas their yearly advent calendar can compare to pin-up in general.<ref>((Cite news|url=https://www.nytimes.com/2017/11/27/style/victorias-secret-fashion-show-love-advent-weinstein.html|title=Pinups in the Post-Weinstein World|newspaper=The New York Times|author=Vanessa Friedman|date=27 November 2017|access-date=2018-11-25|language=en))</ref>

The pin-up modeling subculture has produced magazines and forums dedicated to its community. ''Delicious Dolls'',<ref>((Cite web|url=http://deliciousdollsmagazine.com/about-us/.|title=About Delicious Dolls Magazine & Retro Pinup Models|website=Delicious Dolls Magazine))</ref> a magazine that began in 2011 and has both a print and digital version, was described in 2015 as "the most-liked" pin-up magazine in the world. One of the magazine's mission statements is "to promote and showcase retro and modern pin-up girls." Another well known modern pin-up magazine featuring pin-ups in vintage dress, ''Retro Lovely'',<ref>((Cite magazine|url=http://retrolovely.com/2018/06/02/the-retro-lovely-story/|title=The Retro Lovely Story|magazine=Retro Lovely|first=Michael|last=Bann|date=2 June 2018))</ref> is the modern day pin-up magazine with the most sold digital and print copies. Within this subculture, there are opportunities to perform in pin-up contests, including one which takes place during the Viva Las Vegas [[rockabilly]] festival.<ref>((Cite web|url=http://www.vivalasvegas.net/pin-up-contest/.|title=Viva Las Vegas: Pin Up Contest|website=Viva Las Vegas))</ref>

== African-American pin-up ==
[[File:Baker Banana.jpg|thumb|upright|[[Josephine Baker]] in a banana skirt from the Folies Bergère production ''Un Vent de Folie'', 1927]]
Though [[Marilyn Monroe]] and [[Bettie Page]] are often cited as the classic pin-up, there were many [[Black people|Black]] women who were also considered to be impactful. In the 1920s the most notable black burlesque dancer was [[Josephine Baker]]. [[Dorothy Dandridge]] and [[Eartha Kitt]] also added to the pin-up style of their time, using their looks, fame, and personal success. African-American pin-up finally gained a platform when the magazine [[Jet (magazine)|''Jet'']], which published material related to the African-American community, was created in 1951. ''Jet'' supported pin-up with their full-page feature called "Beauty of the Week", where African-American women posed in swimsuits and the like. This was intended to showcase the beauty African-American women possessed in a world where their skin color was under constant scrutiny. It was not until 1965 that [[Jennifer Jackson (model)|Jennifer Jackson]] became the first African American to be published in ''[[Playboy]]'' as Playmate of the Month. 1990 marked the first year that ''Playboy''(('))s Playmate of the Year was an African-American woman, [[Renee Tenison]]. Historically, Black women in pin-up are still not as common as their white counterparts. However, the recent revival of pin-up style has propelled many Black women today to dabble with and make works based on the classic pin-up look to create their own standards of beauty. In Jim Linderman's self-published book, ''Secret History of the Black Pin Up'',<ref>((Cite book|title=Secret History of the Black Pin Up: Women of Color from Pin Up to Porn|last=Linderman|first=Jim|publisher=Dull Tool Dim Bulb Books|year=2011))</ref> he describes the lives and experiences of African-American pin-up models.

((Clear))

==Gallery==
((Gallery
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| state        =
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| 
 | alt1=
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| File:Marilyn Monroe postcard.JPG
 | alt2= 
 | [[Marilyn Monroe]] posing for a postcard photograph ((circa|1940s))
| File:Bettie Page-2.jpg| alt3=
 | [[Bettie Page]], a highly popular 1950s pin-up model
|File:Pin Up Model 1955 Ford Fairlane (29107383).jpeg|An unidentified pin-up model in front of a 1955 [[Ford Motor Company|Ford]] Fairlane|File:Nancy Porter pin-up from Yank, The Army Weekly, June 1945.jpg|Nancy Porter pin-up from June 1945|File:Audrey Totter pin-up from Yank, The Army Weekly, August 1945.jpg|[[Audrey Totter]] pin-up from August 1945))

==See also==
((Columns-list|colwidth=30em|
* [[Bad girl art]]
* [[Bombshell (slang)]]
* [[Firefighter calendar]]
* [[Glamour photography]]
* [[Good girl art]]
* [[Model (person)#Gravure idols|Gravure idols]]
* [[Irving Klaw]]
* [[List of pin-up artists]]
* [[Nose art]]
* [[Nude calendar]]
* [[Page 3]]
* [[SuicideGirls]]
* [[Sweater girl]]
*[[Alberto Vargas]]
))

==References==
'''Notes'''
((Notelist|notes=))

'''Citations'''
((Reflist|30em))

'''Bibliography'''
((Refbegin))
* ((cite book |title=Movers and shakers: a chronology of words that shaped our age |first=John |last=Ayto |publisher=[[Oxford University Press]] |year=2006 |isbn=0-19-861452-7 |url-access=registration |url=https://archive.org/details/moversshakerschr0000ayto ))
* ((cite book |title=Pin-up grrrls: feminism, sexuality, popular culture |first=Maria Elena |last=Buszek |publisher=[[Duke University Press]] |year=2006 |isbn=0-8223-3746-0 |url=https://archive.org/details/pinupgrrrlsfemin00busz |url-access=registration))
* ((cite journal |last=Meyerowitz |first=Joanne |date=Fall 1996 |title=Women, Cheesecake, and Borderline Material: Responses to Girlie Pictures in the Mid-Twentieth-Century U.S. |url=https://muse.jhu.edu/article/363799/summary |journal=Journal of Women's History |volume=8 |issue=3 |pages=9–35 |doi=10.1353/jowh.2010.0424|s2cid=144620172 ))
* ((cite book |last=Ross |first=Andrew |title=No Respect: Intellectuals and Popular Culture |year=1989 |publisher=Routledge |isbn=0-415-90036-0 |url=https://archive.org/details/norespectintellec00ross ))
((Refend))

==Further reading==
*Collins, Max Allan (2000) ''For the Boys: the racy pin-ups of World War II''. Portland, OR: Collectors Press (reissued by MBI Publishing Company, St Paul, MN, 2002) ((ISBN|0-7603-1472-1))

==External links==
((Commons category|Pin-up-art))
*[http://www.theweek.co.uk/pictures/30411/50-years-us-pin-ups 50 Years of American Pin-Ups] – slideshow by The Week UK
*[https://web.archive.org/web/20150429134251/http://www.thepinupmag.com/ The Pin Up] – The Pin Up Magazine for more information on Pin Up Girls from 2000s

((Authority control))

((DEFAULTSORT:Pin-Up Girl))
[[Category:Celebrity fandom]]
[[Category:Modeling (profession)]]
[[Category:Pin-up art]]
[[Category:Fashion]]
[[Category:Female beauty]]
[[Category:Gendered occupations]]

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Template:Reflist/styles.css (view source) (protected)
Template:Replace (view source) (protected)
Template:SDcat (view source) (protected)
Template:Sfnp (view source) (template editor protected)
Template:Short description (view source) (protected)
Template:Short description/lowercasecheck (view source) (protected)
Template:Side box (view source) (template editor protected)
Template:Sister project (view source) (template editor protected)
Template:Trim (view source) (protected)
Template:Unreliable source? (view source) (template editor protected)
Template:Yesno (view source) (protected)
Template:Yesno-no (view source) (template editor protected)
Template:Yesno-yes (view source) (template editor protected)
Module:Arguments (view source) (protected)
Module:Authority control (view source) (template editor protected)
Module:Authority control/config (view source) (template editor protected)
Module:Catalog lookup link (view source) (template editor protected)
Module:Category handler (view source) (protected)
Module:Category handler/blacklist (view source) (protected)
Module:Category handler/config (view source) (protected)
Module:Category handler/data (view source) (protected)
Module:Category handler/shared (view source) (protected)
Module:Check for unknown parameters (view source) (protected)
Module:Check isxn (view source) (template editor protected)
Module:Citation/CS1 (view source) (protected)
Module:Citation/CS1/COinS (view source) (protected)
Module:Citation/CS1/Configuration (view source) (protected)
Module:Citation/CS1/Date validation (view source) (protected)
Module:Citation/CS1/Identifiers (view source) (protected)
Module:Citation/CS1/Utilities (view source) (protected)
Module:Citation/CS1/Whitelist (view source) (protected)
Module:Citation/CS1/styles.css (view source) (protected)
Module:Delink (view source) (protected)
Module:Disambiguation/templates (view source) (protected)
Module:EditAtWikidata (view source) (protected)
Module:Footnotes (view source) (template editor protected)
Module:Footnotes/anchor id list (view source) (template editor protected)
Module:Footnotes/anchor id list/data (view source) (template editor protected)
Module:Footnotes/whitelist (view source) (template editor protected)
Module:Format link (view source) (template editor protected)
Module:Gallery (view source) (template editor protected)
Module:Gallery/styles.css (view source) (template editor protected)
Module:Hatnote (view source) (template editor protected)
Module:Hatnote/styles.css (view source) (template editor protected)
Module:Hatnote list (view source) (template editor protected)
Module:Message box (view source) (protected)
Module:Message box/ambox.css (view source) (protected)
Module:Message box/configuration (view source) (protected)
Module:Namespace detect/config (view source) (protected)
Module:Namespace detect/data (view source) (protected)
Module:Navbar (view source) (protected)
Module:Navbar/configuration (view source) (protected)
Module:Navbox (view source) (template editor protected)
Module:Navbox/configuration (view source) (template editor protected)
Module:Navbox/styles.css (view source) (template editor protected)
Module:Ns has subpages (view source) (protected)
Module:Pagetype (view source) (protected)
Module:Pagetype/config (view source) (protected)
Module:Pagetype/disambiguation (view source) (protected)
Module:Pagetype/setindex (view source) (protected)
Module:Pagetype/softredirect (view source) (protected)
Module:Redirect hatnote (view source) (template editor protected)
Module:SDcat (view source) (protected)
Module:Side box (view source) (template editor protected)
Module:Side box/styles.css (view source) (template editor protected)
Module:String (view source) (protected)
Module:Template wrapper (view source) (template editor protected)
Module:Unsubst (view source) (protected)
Module:WikidataIB (view source) (template editor protected)
Module:WikidataIB/nolinks (view source) (template editor protected)
Module:WikidataIB/titleformats (view source) (template editor protected)
Module:Wikitext Parsing (view source) (protected)
Module:Yesno (view source) (protected)

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Retrieved from "https://en.wikipedia.org/wiki/Pin-up_model"