The album was also made in a heavily edited version removing profanities, drugs and violent content: it removes the skits "Weed" and "Stripping Game". This version of the album became the most edited album other than his previous album Blood in My Eye (2003).
R.U.L.E. garnered favorable reviews from music critics but some questioned if this was a return to form after the disappointing Blood in My Eye. K.B. Tindal of HipHopDX called the album Ja's best since Rule 3:36 and Pain Is Love, concluding that "The Inc. will always be Murder Inc. no matter what and Ja will always be at the head of the fam so get used to it, he's back."[7] Steve 'Flash' Juon of RapReviews gave a mixed review, stating "[T]his is not an overwhelming strong album lyrically, but it's a pleasant enough one to listen to musically - and from Ja Rule that's enough to get by."[8] Timothy Gunatilaka of Entertainment Weekly found love ballads like "Passion" and "Wonderful" suitable for Ja Rule, concluding that they "suggest he might want to stick to raspy romanticism."[1]AllMusic editor Jason Birchmeier said that the album continued the depletion of Ja's relevance in hip-hop, stating, "And so the downfall goes—tragic, indeed, or not, depending on how affecting you find the pathos at work."[6]Nathan Rabin of The A.V. Club found Ja's reliance on emulating "2Pac's tortured-thug persona" to craft mildly amusing "overwrought melodrama" overlong throughout the record and exacerbated further through "anonymous production, irritating skits, and [the kind of] raspy shower-stall warbling."[10]