Rebecca of Sunnybrook Farm
Poster of Rebecca of Sunnybrook Farm (1938 film).jpg
Theatrical release poster
Directed byAllan Dwan
Screenplay by
Based onRebecca of Sunnybrook Farm
by Kate Douglas Wiggin
Produced by
CinematographyArthur C. Miller
Edited byAllen McNeil
Music by
Distributed byTwentieth Century-Fox Film Corporation
Release date
  • March 18, 1938 (1938-03-18)
Running time
81 minutes
CountryUnited States

Rebecca of Sunnybrook Farm is a 1938 American musical comedy film directed by Allan Dwan, and written by Don Ettlinger, Karl Tunberg, Ben Markson and William M. Conselman, the third adaptation of Kate Douglas Wiggin's 1903 novel of the same name (previously done in 1917 and 1932).

Starring Shirley Temple, Randolph Scott, Jack Haley, Gloria Stuart, Phyllis Brooks, Helen Westley, Slim Summerville and Bill Robinson, it is the second of three films in which Temple and Scott appeared together, between To the Last Man (1933) and Susannah of the Mounties (1939). The plot tells of a talented orphan's trials and tribulations after winning a radio audition to represent a breakfast cereal.


Rebecca Winstead, a musically talented orphan, is under the guardianship of her stepfather Harry Kipper. She auditions for the radio role of Little Miss America and wins it, but leaves the studio believing she lost it. Kipper regards her as a loser and a burden, and dumps her on the farm of her Aunt Miranda.

Tony Kent, the radio advertising executive who approved Rebecca for the role of Little Miss America, lives next door to Miranda. He recognizes Rebecca, and asks Miranda's permission to feature Rebecca on his radio show. When Aunt Miranda refuses to allow Rebecca to associate with show people, Kent broadcasts secretly from his house with Rebecca joining him on the sly.

Kipper hears Rebecca's broadcast and returns to the farm looking for easy money. As Rebecca's legal guardian, he forces Aunt Miranda to surrender the child. He takes her away from her friends and loved ones to New York City. There, he signs a contract with Kent's competitor Purvis to star Rebecca on another radio show.

Rebecca suddenly develops laryngitis and cannot sing. After a doctor is called and informs him that she will recover in a year or two, Purvis angrily voids the contract. Kipper sells his legal guardianship to Aunt Miranda for $5,000. Rebecca reveals to her friends she feigned hoarseness to free herself from Kipper. The film ends with Rebecca and Aunt Miranda's farm hand Aloysius costumed as toy soldiers performing a dance on a flight on stairs.

Subplots include a romance between Kent and Rebecca's cousin Gwen, a one-sided romance between radio singers Orville and Lola, and the rekindling of an old romance between Aunt Miranda and neighbor Homer Busby.



This movie is notable as the first movie in which Temple's mother did away with the trademark 56 curls for which Temple became famous. The new style with the long loose waves combed back was modeled to look closer to that of Mary Pickford, whom Temple's mother admired.[1]

In the preparation for the film's finale (the "Toy Trumpet" dance number), Robinson joined Temple and her mother at the Desert Inn in Palm Springs to begin rehearsals. It was here that Temple had her first real encounter with the racism endured by Robinson, as he was forced to sleep in the chauffeurs' quarters as opposed to the cottages reserved for white guests.[2]

At one point, preparations were made to include a drum sequence in the movie where Temple would play on the drums along with the musicians on the set. Temple befriended the studio drummer Johnny Williams, who taught her how to play the drums. Dwan, noticing her aptitude for the instrument, immediately ordered another drum set for her. Temple's mother, however, was strongly opposed to it, believing her sitting with legs apart was unladylike. The resulting sequence was later dropped, much to Temple's chagrin.[3]

Temple's brother Jack Temple was hired as the movie's 3rd assistant director, to which as Shirley Temple would later say, he "spent time thinking up things to take care of, one of which was me." He was subsequently fired after he and Shirley Temple got into a dispute over a roasted turkey prop on the set. The turkey had been sprayed with insecticide to discourage insects, and her brother loudly ordered her not to eat the turkey, which she had no intention of doing. Out of spite, she popped the turkey in her mouth, prompting her brother to shake her to dislodge it. The spat did not sit well with the director Dwan, who ordered him off the set.[4]


The opening credits overture is an orchestral arrangement of what appears to be the film's unofficial theme tune by virtue of its several reprises, "An Old Straw Hat" by Harry Revel and Mack Gordon. The tune returns as an abbreviated vocal solo for Rebecca when she auditions at the radio station in the first scene, and returns later as a solo for Rebecca while she picks berries on the farm with Aloysius. In another scene, she sings it over the telephone.

When Rebecca broadcasts from Kent's country home midpoint in the film, she accompanies herself on the piano through a medley that includes "On the Good Ship Lollipop", "Animal Crackers in My Soup", "When I'm with You", "Oh My Goodness", and "Goodnight My Love" – all Temple hit tunes from previous films. The film ends with Temple and Robinson clad as toy soldiers dancing on a flight of stairs to "The Toy Trumpet" by Raymond Scott, Sidney D. Mitchell and Lew Pollack.

Other tunes in the film include the first scene's "Happy Ending" (Pollack and Mitchell) dubbed for Phyllis Brooks by Loretta Lee (Temple also recorded the song for the film, but it was cut before release); "You've Gotta Eat Your Spinach, Baby" (Revel and Gordon) sung comically and never in its entirety by girls auditioning for the radio show in the first scene; "Come and Get Your Happiness" (Pokrass and Yellen) sung by Temple; and "Alone with You" (Pollack and Mitchell) sung by Brooks (dubbed again by Loretta Lee) and Haley. The breakfast cereal's jingle "Crackly Grain Flakes" (Pollack and Mitchell) is sung by a male quartet.


Critical reception

Variety wrote, "The national No. 1 box office star has seldom shone so brilliantly in her singing, dancing and repartee. That means she is going right ahead to bigger and better grosses."[5]


The film is recognized by American Film Institute in these lists:

Home media

In 2009, the film was available on videocassette and DVD in the black and white original and computer-colorized versions. Some editions had special features and theatrical trailers.

See also


  1. ^ Shirley Temple Black, "Child Star: An Autobiography" (New York: McGraw-Hill Publishing Company, 1988), 198-199.
  2. ^ Shirley Temple Black, "Child Star: An Autobiography" (New York: McGraw-Hill Publishing Company, 1988), 203-204.
  3. ^ Shirley Temple Black, "Child Star: An Autobiography" (New York: McGraw-Hill Publishing Company, 1988), 204-205.
  4. ^ Shirley Temple Black, "Child Star: An Autobiography" (New York: McGraw-Hill Publishing Company, 1988), 201.
  5. ^ Edwards, Anne (1988). Shirley Temple: American Princess. New York: William Morrow and Company, Inc. pp. 113–4.
  6. ^ "AFI's Greatest Movie Musicals Nominees" (PDF). Retrieved 2016-08-13.