A shaligram, or shaligrama shila (Devanagari: शालिग्राम शिला; IAST: Śāligrāma-śilā), is a fossilized stone or ammonite collected from the riverbed or banks of the Kali Gandaki, a tributary of the Gandaki River in Nepal.^[1] It is also considered a form of Vishnu within Hinduism.^[2][3]The Kali Gandaki river flows through sacred places such as Muktinath and Damodar Kunda, enhancing the spiritual significance of these shaligrams.^[4]

Legends

The shaligrama shila originated due to Vishnu (left) being cursed by Tulasi, an incarnation of his wife, Lakshmi (right), to transform into a stone

According to the Devi Bhagavata Purana,^[5] Brahmavaivarta Purana, and Shiva Purana,^[6] shilagrama shilas originated due to the following chain of events.

A king named Vrishadhvaja had been cursed by Surya to endure poverty, due to his reluctance to worship any deity other than Shiva. To regain their lost prosperity, his grandsons Dharmadhvaja and Kushadhvaja performed austerities to appease the goddess Lakshmi, the goddess of prosperity. Pleased with the austerities, she granted them prosperity and blessed them by being born as their daughters. Accordingly, Lakshmi incarnated as Vedavati, the daughter of Kusadhvaja and Tulasi, the daughter of Dharmadhvaja. Tulasi went to Badarikashrama to perform austerities in order to gain Vishnu as her husband, but was informed by Brahma that she would not get Vishnu as her husband in that life, and would have to marry the danava (demon) named Shankhachuda.

In his previous birth, Shankhachuda was Sudama, a childhood friend of Krishna, an incarnation of Vishnu. He had been cursed by Radha to be born as a danava. As a result, Shankhachuda was virtuous and pious by nature, and was devoted to Vishnu. He married Tulasi on the command of Brahma, as per the rules of the Gandharva marriage. After Shankhachuda's marriage, the danavas, under his leadership, waged a battle against their natural enemies, the devas, in which they won due to merit of Shankhachuda's virtue. The devas were subsequently driven out of Svarga by the victorious danavas.

Demoralised and defeated, the devas approached Vishnu, who told them that Shankhachuda was destined to be killed by Shiva. On being requested by the devas, Shiva, along with his attendants and the devas, waged a battle against the danavas, led by Shankhachuda. However, neither side was able to outpower the other. An unembodied voice told Shiva that by the boon of Brahma, Shankhachuda was invincible in combat as long as he wore his armour, and his wife's chastity was not violated.

Hence, Vishnu, assuming the form of an old Brahmin, asked Shankhachuda for his armour while begging alms. Shankhachuda donated his armour to him. When he was busy fighting with Shiva, Vishnu, wearing Shankhachuda's armour, assumed the form of Shankhachuda, and cohabited with Tulasi. Thus, Tulasi's chastity was broken, and Shankhachuda was killed by Shiva's trishula, thereby relieving Shridama from the curse.

At the moment of Shankhachuda's death, Tulasi became suspicious that the man who was with her at that time was not Shankhachuda. When she discovered that it was Vishnu who had deceived her, she cursed him to become a stone, as she believed that he had been emotionless like a stone in accomplishing the death of his devotee, Shankhachuda, and stealing her chastity, when she was also his devotee. Vishnu consoled Tulasi by stating that it was the result of her austerities performed in the past in order to gain him as her husband, and that she would again become his wife upon casting off her body. Thus, Lakshmi cast off the body of Tulasi, and assumed a new form (which became known by the name of Tulasi). The discarded body of Tulasi was transformed into the Gandaki river, and from her hairs emerged the tulasi shrub. Vishnu, on being cursed by Tulasi, assumed the form of a large rocky mountain known as shaligrama, on the banks of the Gandaki river where vajrakita, a type of worm having teeth as strong as the vajra, carved out various markings on his body. The stones carved by vajrakita which fall down from the surface of that mountain into the Gandaki river, came to be known as the shaligrama shilas.

History

Historically, the use of shaligrama shilas in worship can be traced to the time of Adi Shankara through the latter's works. Specifically, his commentary to the verse 1.6.1 in Taittiriya Upanishad,^[7][8] and his commentary to the verse 1.3.14 of the Brahma Sutras,^[9] suggest that the use of shaligrama shila in the worship of Vishnu has been a well-known Hindu practice. A good number of false shaligrama shilas, too, remain in circulation.

The statue of Narasimha in Guru Narasimha Temple, Saligrama is said to be made completely of saligrama, and is said to be swayambhu (not carved by anyone, but occurred naturally). This seems to be the earliest mention of Saligrama as this temple was constructed prior to the birth of Adi Shankara.

Vishnu in the Padmanabhaswamy Temple of Thiruvananthapuram and Badrinath Temple of Garhwal region, and that of Krishna in Krishna Matha of Udupi and Radha Raman Temple of Vrindavana are also believed to be made from shaligrama shilas.

Use

Shaligrama shilas are used as non-anthropomorphic representations of Vishnu alongside Dvaravati shilas, similar to the use of yantra and kalasha in the veneration of Devi and linga and Baneshvara shilas in the veenration of Shiva. The Pranatoshani Tantra ^[10] states that worship of all deities can be conducted on a shaligrama shila. The Puranas unequivocally state that worship of Vishnu done through a shaligrama shila yields greater merit than that done through a murti (idol).

Unlike murtis, shaligrama shilas can be worshipped in individual residencies alongside temples, can be carried away from one place to another easily and can be worshipped as long as the chakra inside it has not been broken or cracked. Apart from the traditional upacharas (articles of worship) whose number varies from five, 10, 16 to 18, worship of a shaligrama shila requires only tulasi leaves and water poured from a Dakshinavarti Shankh (special conchshell) for ablution compared to an murti which requires upacharas of monetary value like robes and jewellery. Hence worship of shaligrama shila can be afforded by people even in times of hardship and distress as the only mode of worship.

Hindus hailing from South India bedeck idols of Vishnu with a garland made of 108 shaligrama shilas. Bengali Hindus observe a ceremony called Svastyayana in which 108 or 1008 tulasi leaves anointed with sandalwood paste are offered on a shaligrama shila with the aim of healing diseases or being delivered from troubles. This can be accompanied by Chandipatha (ritualistic recitation of the Devi Mahatmya) once, thrice or five times; worshipping one or four clay Shivalingas and chanting the mantras of Durga and Vishnu 108 or 1008 times.^[11]

The Shaligram Pooja Vidhi, a reverent process of worshipping Lord Vishnu, unfolds through a series of sacred steps designed to honor this divine manifestation. Begin the Shaligram Pooja by invoking Lord Vishnu's presence with heartfelt prayers. Gently bathe the Shaligram in water or milk, symbolizing purification, then dry it and adorn with a clean cloth and sandalwood paste. Offer flowers, fruits, incense, and light a lamp, signifying the elements and devotion. Chant Vishnu-related mantras or prayers, focusing on the deity's virtues. Conclude with an Aarti, using the lit lamp to circle the Shaligram, expressing reverence. Share the offerings as Prasad, distributing the blessings received.^[12]

Literature

The Pranatoshani Tantra^[10] states that:

The material is also mentioned in the Skanda Purana^[13] and Padma Purana.^[14]

Restrictions