Sohrab Kashani | |
---|---|
Born | |
Nationality | Iranian |
Education | Self-taught |
Known for | Social practice (art), Installation Art, New Media Art, Video art, Performance art |
Notable work | Sazmanab, Super Sohrab, The Other Apartment |
Movement | Social Practice, Conceptual, New Media Art |
Awards | Creative Capital |
Website | sohrabmk |
Sohrab Kashani (Persian: سهراب کاشانی) is an Iranian artist and contemporary art curator.[1]
Super Sohrab,[2] Kashani’s alter-ego is a superhero who utilises satire and failure in their attempts to navigate the everyday challenges of daily life. Through the documentation of some of their own life events and their own failures, Super Sohrab addresses local and global socio-political problems.[3] Super Sohrab's work often comprises performative interventions presented in photographs, videos, comics, text, and other formats.[4][5] Super Sohrab also arm-wrestles in public to challenge and discuss power dynamics and sets up lifting workshops to practice resilience and resistance.[6][7]
The Other Apartment[8] was a collaborative project between Kashani and Pittsburgh-based artist Jon Rubin that occurred simultaneously in Kashani's apartment in Tehran and an exact replica of that apartment and all of its contents at the Mattress Factory museum in Pittsburgh, U.S.[9] Using detailed photographs from Kashani (who was not able to travel to the U.S. due to the travel ban on Iranian citizens), the artists worked with a team of fabricators to meticulously recreate his Tehran apartment's facade, interior architecture, and all of his personal possessions. From his soap dish to his furniture, everything in The Other Apartment was purchased, altered, or entirely fabricated to replicate what existed in Kashani's apartment.[10][11] Located within The Other Apartment, in both Tehran and Pittsburgh, was Sazmanab, Kashani's contemporary art space. Sazmanab produced programs where every object, video, and performance that happened in one space was meticulously duplicated for the other.[12][13]
Darookhaneh Apotheke Pharmacy[14] was a collaborative project between Kashani and London-based artist Anahita Razmi.[15] It comprised a large installation filled with Iranian pharmaceuticals and medication packages at uqbar projectspace[16] in Berlin and an online conversation platform for discussing global imbalances in health economies and logistics.[17] Transcultural (dis)connections, inequalities in distribution, pharma-economic power dynamics, trade restrictions, and legal obstacles were some of the topics echoed in the exhibition.[18]
Sazmanab is a curatorial project by Kashani which he originally started as an artist-run space and residency program in Tehran in 2008.[19][20] From 2008 to 2014, Sazmanab was located in an apartment in the Sadeghiyeh district of Tehran and later in 2014 was relocated to an old building on Khaghani street near Darvaze Dolat in downtown Tehran.[21][22][23] Sazmanab set up more than hundred events and exhibitions at its venues. Events included talks, presentations, lectures, panels, discussions, workshops, performances, screenings, book launches, and audio/visual performances. Sazmanab also held talks and presentations at universities, museums, and institutions and took part in international panels, seminars, and forums.[24] Over the years, Sazmanab held some of its programming off-site in collaboration with other art spaces and art galleries.[25][26][27]