|Birth name||Stephen Lawrence Winwood|
|Born||12 May 1948|
Handsworth, Birmingham, England
Stephen Lawrence Winwood (born 12 May 1948) is an English professional musician and songwriter whose genres include blue-eyed soul, rhythm and blues, blues rock and pop rock. Though primarily a keyboard player and vocalist prominent for his distinctive, soulful high tenor voice, Winwood plays other instruments proficiently, including drums, mandolin, guitars, bass and saxophone.
Winwood was an integral member of three seminal musical ensembles of the 1960s and 1970s: the Spencer Davis Group, Traffic, and Blind Faith. Beginning in the 1980s, his solo career flourished and he had a number of hit singles, including "While You See a Chance" (1980) from the album Arc of a Diver and "Valerie" (1982) from Talking Back to the Night ("Valerie" became a hit when it was re-released with a remix from Winwood's 1987 compilation album Chronicles). His 1986 album Back in the High Life marked his career zenith, with hit singles including "Back in the High Life Again", "The Finer Things" and the US Billboard Hot 100 number one hit "Higher Love". He found the top of the Hot 100 again with "Roll With It" (1988) from the album of the same name, with "Holding On" also charting highly the same year. While his hit singles ceased at the end of the 1980s, he continued to release new albums up to 2008, when Nine Lives, his latest album, was released.
Winwood was inducted into the Rock and Roll Hall of Fame as a member of Traffic in 2004. In 2005, Winwood was honoured as a BMI Icon at the annual BMI London Awards for his "enduring influence on generations of music makers". In 2008, Rolling Stone ranked Winwood No. 33 in its 100 Greatest Singers of All Time. Winwood has won two Grammy Awards. He was nominated twice for a Brit Award for Best British Male Artist: 1988 and 1989. In 2011, he received the Ivor Novello Award from the British Academy of Songwriters, Composers and Authors for Outstanding Song Collection.
Winwood was born on 12 May 1948 in Handsworth, Birmingham. His father Lawrence, a foundryman by trade, was a semi-professional musician, playing mainly the saxophone and clarinet. The 4-year-old began playing piano while interested in swing and Dixieland jazz, and soon started playing drums and guitar. He was also a choirboy at St. John's Church of England, Perry Barr. The family moved from Handsworth to Kingstanding (Atlantic Road) Birmingham, where Winwood attended the Great Barr School, one of the first comprehensive schools. He also attended the Birmingham and Midland Institute of Music to develop his skills as a pianist, but did not complete his course.
At eight years old, he first performed with his father and elder brother Muff in the Ron Atkinson Band. Muff later recalled that when Steve began playing regularly with them in licensed pubs and clubs, the piano had to be turned with its back to the audience to try to hide him, because he was so obviously underage.
While still a pupil at Great Barr School, Winwood was a part of the Birmingham blues rock scene, playing the Hammond C-3 organ and guitar, backing blues and rock legends such as Muddy Waters, John Lee Hooker, Howlin' Wolf, B.B. King, Chuck Berry, and Bo Diddley on their United Kingdom tours, the custom at that time being for US singers to travel solo and be backed by pick-up bands. At this time, Winwood was living on Atlantic Road in Great Barr, close to the Birmingham music halls where he played. Winwood modelled his singing after Ray Charles.
At age 14, Winwood (then known as "Stevie" Winwood) joined the Spencer Davis Group along with older brother Muff, who later had success as a record producer, after Davis saw them performing as the Muffy Wood Jazz Band at a Birmingham pub called the Golden Eagle. The group made their debut at the Eagle and subsequently had a Monday-night residency there. Winwood's distinctive high tenor singing voice and vocal style drew comparisons to Ray Charles.
In 1964, they signed their first recording contract with Island Records. Producer and founder Chris Blackwell later said of Winwood, "He was really the cornerstone of Island Records. He's a musical genius and because he was with Island all the other talent really wanted to be with Island." The group's first record, a single, was released 10 days after Winwood's 16th birthday. The group had their first number one single at the end of 1965, with "Keep on Running"; the money from this success allowed Winwood to buy his own Hammond organ. Winwood co-wrote and recorded the chart-topping hits "Gimme Some Lovin'" and "I'm a Man" before leaving the Spencer Davis Group in 1967.
Winwood joined forces with guitarist Eric Clapton as part of the one-off group Eric Clapton and the Powerhouse. Songs were recorded for the Elektra label, but only three tracks made the 1966 compilation album, What's Shakin'.
Winwood met drummer Jim Capaldi, guitarist Dave Mason, and multi-instrumentalist Chris Wood when they jammed together at The Elbow Room, a club in Aston, Birmingham. After Winwood left the Spencer Davis Group in April 1967, the quartet formed Traffic. Soon thereafter, they rented a cottage near the rural village of Aston Tirrold, Berkshire (now Oxfordshire), to write and rehearse new music. This allowed them to escape the city and develop their music.
Early in Traffic's formation, Winwood and Capaldi formed a songwriting partnership, with Winwood writing music to match Capaldi's lyrics. This partnership was the source of most of Traffic's material, including popular songs such as "Paper Sun" and "The Low Spark of High-Heeled Boys", and outlived the band, producing several songs for Winwood and Capaldi's solo albums. Over the band's history, Winwood performed the majority of their lead vocals, keyboard instruments, and guitars. He also frequently played bass and percussion, up to and including the recording sessions for their fourth album. While still in Traffic, Winwood was brought in by Jimi Hendrix to play organ for "Voodoo Chile" on the Electric Ladyland album.
Winwood formed the supergroup Blind Faith in 1969, with Eric Clapton, Ginger Baker, and Ric Grech. The band was short-lived, owing to Clapton's greater interest in Blind Faith's opening act Delaney & Bonnie & Friends; Clapton left the band at the tour's end. Baker, Winwood, and Grech stayed together to form Ginger Baker's Air Force. The line-up consisted of 3/4 of Blind Faith (without Clapton, who was replaced by Denny Laine), half of Traffic (Winwood and Chris Wood, minus Capaldi and Mason), plus musicians who interacted with Baker in his early days, including Phil Seamen, Harold McNair, John Blood, and Graham Bond.
This project also turned out to be short-lived. Winwood soon went into the studio to begin work on a new solo album, tentatively titled Mad Shadows. However, Winwood ended up calling in Wood and Capaldi to help with session work, which prompted Traffic's comeback album John Barleycorn Must Die in 1970.
In 1972, Winwood recorded the part of Captain Walker in the highly successful orchestral version of The Who's Tommy. He recorded a 1973 album with Remi Kabaka and Abdul Lasisi Amao, as Third World, Aiye-Keta. Later, after the reggae group Third World had formed, the album was re-released and identified as being just by the band members' names. In 1976, Winwood provided vocals and keyboards on Go, a concept album by Japanese composer Stomu Yamashta. In 1976, Winwood also played guitar on the Fania All Stars' Delicate and Jumpy record and performed as a guest with the band in their only UK appearance, a sold-out concert at the Lyceum Theatre, London.
Weariness with the grind of touring and recording prompted Winwood to leave Traffic and retire to sessioning for some years. Under pressure from Island Records, he resurfaced with his self-titled first solo album in 1977. This was followed by his 1980 hit Arc of a Diver (which included his first solo hit, "While You See a Chance") and Talking Back to the Night in 1982.
Both albums were recorded at his home in Gloucestershire with Winwood playing all instruments. He continued to do sessions during this period, and in 1983, he co-produced and played on Jim Capaldi's top 40 hit "That's Love" and co-wrote the Will Powers top 20 hit "Kissing with Confidence".
In 1986, he moved to New York. There he enlisted the help of a coterie of stars to record Back in the High Life in the US, and the album was a hit. He topped the Billboard Hot 100 with "Higher Love," and earned two Grammy Awards: for Record of the Year and Best Male Pop Vocal Performance.
Winwood embarked on an extensive tour of North America in support of the album.
All these albums were released on Island Records. However, at the peak of his commercial success, Winwood moved to Virgin Records and released Roll with It and Refugees of the Heart. The album Roll with It and the title track hit No. 1 on the USA album and singles charts in the summer of 1988. Another album with Virgin, Far from Home, was officially credited to Traffic, but nearly all the instruments were played by Winwood. Despite lacking a significant hit, it broke the top 40 in both the UK and USA.
His final Virgin album Junction Seven also broke the UK top 40.
A new studio album, Nine Lives, was released 29 April 2008 by Wincraft Music through Columbia Records. The album opened at No. 12 on the Billboard 200 album chart, his highest US debut ever.
In 2008, he was awarded an honorary doctorate from the Berklee College of Music to add to his honorary degree from Aston University, Birmingham. On 28 March 2012 Winwood was one of Roger Daltrey's special guest stars for "An Evening with Roger Daltrey and Friends" gig, in aid of the Teenage Cancer Trust at the Royal Albert Hall.
In 2013, Winwood toured North America with Rod Stewart as part of the "Live the Life" tour. In 2014, Winwood toured North America with Tom Petty & The Heartbreakers.
In January 2020, a North American summer tour was announced with Steely Dan.
On 17 February 2020, Winwood participated in "A Tribute to Ginger Baker", which took place at Eventim Apollo Hammersmith in London. Other participants were Ron Wood, Roger Waters, and Eric Clapton. The concert was held in honour of Ginger Baker, his former band member in Blind Faith, who had died the previous year.
In 1994, Capaldi and Winwood reunited Traffic for a new album, Far From Home, and a tour, including a performance at Woodstock '94 Festival. That same year, Winwood appeared on the A Tribute To Curtis Mayfield CD, recording Mayfield's "It's All Right".
In 1995, Winwood released "Reach for the Light" for the animated film Balto. In 1997, Winwood released a new album, Junction Seven, toured the US, and sang with Chaka Khan at the VH-1 Honors.
In 1998, Winwood joined Tito Puente, Arturo Sandoval, Ed Calle, and other musicians to form the band "Latin Crossings" for a European tour, after which they split without making any recordings. Winwood also appeared in the film Blues Brothers 2000, as a member of the Louisiana Gator Boys, appearing on stage with Isaac Hayes, Eric Clapton, and KoKo Taylor at the battle of the bands competition.
In 2003, Winwood released a new studio album, About Time, on his new record label, Wincraft Music. In 2004, Eric Prydz sampled Winwood's 1982 song "Valerie" for the song "Call on Me". After hearing an early version, Winwood not only gave permission to use his song, he re-recorded the samples for Prydz to use. The remix spent five weeks at No. 1 on the UK singles chart.
In 2005, his Soundstage Performances DVD was released, featuring the recent About Time album, with solo hits including "Back in the High Life", and he also performed hits from his early days with Traffic. That same year, he appeared on Grammy Award winner Ashley Cleveland's album Men and Angels Say, a mix of rock, blues, and country arrangements of well-known hymns, including "I Need Thee Every Hour", which featured a vocal duet and organ performance. On her 2006 record Back to Basics, Christina Aguilera featured Winwood (using the piano and organ instrumentation from the John Barleycorn Must Die track "Glad") on her song "Makes Me Wanna Pray".
In May 2007, Winwood performed in support of the Countryside Alliance, an organisation opposed to the Hunting Act 2004, in a concert at Highclere Castle, joining fellow rock artists Bryan Ferry, Eric Clapton, Steve Harley, and Kenney Jones.
In July 2007, Winwood performed with Clapton in the latter's Crossroads Guitar Festival. Among the songs they played were "Presence of the Lord" and "Can't Find My Way Home" from their Blind Faith days, with Winwood playing several guitar leads during a six-song set. The two continued their collaboration with three sold-out nights at Madison Square Garden in New York City in February 2008.
On 19 February 2008, Winwood and Clapton released a collaborative EP through iTunes titled Dirty City. Clapton and Winwood released a CD and DVD of their Madison Square Garden shows and then toured together in the summer of 2009.
Between 1978 and 1986, Winwood was married to Nicole Weir (d. 2005), who had contributed background vocals to some of his early solo work. The two married at Cheltenham Register Office.
Winwood's primary residence is a 300-year-old manor house in the Cotswolds, England, where he also has a recording studio. Winwood also has a home in Nashville, Tennessee, with his wife, Eugenia Crafton, a Trenton, Tennessee, native whom he married in 1987. They have four children. Both were patrons of the Cheltenham Festivals of music and literature between 2007 and 2015.
Winwood's eldest daughter, Mary Clare, in 2011 wedded businessman Ben Elliot, who later became the Co-Chairman of the Conservative Party. The couple have two sons. Winwood's daughter Lilly Winwood is a singer; she was featured with him performing a duet of his song "Higher Love" in a Hershey commercial. She was the opening act and sang backup on multiple songs during her father's 2018 Greatest Hits Live tour.
Main article: Steve Winwood discography
see Traffic discography
Steve Winwood exploded onto the London music scene as a teenager with his powerful, soulful tenor—notably on "Gimme Some Lovin'" and "I'm a Man" with the Spencer Davis Group.
(Winwood exploded onto the London music scene as a teenager with his powerful, soulful tenor). "I thought he had the greatest voice," said Billy Joel, "this skinny little English kid singing like Ray Charles."
The stairway to classic-rock heaven extended straight into Hollywood Bowl Tuesday night as '60s British rock heroes Eric Clapton and Steve Winwood closed their all-too-quick 14-city, three-week U.S. tour with a nearly 2½-hour excursion through the music they created, individually and collectively, three and four decades ago.