Subjective constancy or perceptual constancy is the perception of an object or quality as constant even though our sensation of the object changes.[1] While the physical characteristics of an object may not change, in an attempt to deal with the external world, the human perceptual system has mechanisms that adjust to the stimulus.[2]

Visual

There are several types of perceptual constancies in visual perception:

Ponzo illusion: Top line is perceived as larger than the bottom line, though they are identical in size.

The facts behind color-constancy phenomena...are that we require fine color discriminations less frequently than gross discriminations, and when gross discriminations enable us to maintain focus on objects of prime interest, we 'systematically overlook' differences beyond the necessary degree of fineness. The mechanism which accomplishes this 'systematic overlooking' is the information-processing system of the organism, and the principle according to which it is accomplished is that this system never expands more of its capacity on a given perceptual task than is necessary according to the current needs and interests of the agent.

— Sayre[6]

Auditory

Main article: Psychoacoustics

Tactile

Rats’ perceptual reports about the relative location of external objects are hardly affected by strong environmental winds. This perceptual report constancy was shown to be achieved via motor control, whereby the perceptually-relevant sensory variables (the ‘proximal stimulus’) is maintained relatively constant.[10]

Research

References

  1. ^ Gillam, Barbara (2000), "Perceptual Constancy", in Kazdin, A. E. (ed.), Encyclopedia of psychology, vol. 6, American Psychological Association and Oxford University Press, pp. 89–93
  2. ^ a b c Sternberg, Robert (2006). Cognitive Psychology. Belmont, CA: Wadsworth, Cengage Learning. pp. 82–90. ISBN 978-0-495-50629-4.
  3. ^ Carlson, Neil (2010). Psychology the Science of Behavior [4th Canadian ed.]. Toronto, On. Canada: Pearson Canada Inc. pp. 188. ISBN 978-0-205-64524-4.
  4. ^ a b Erickson, Robert (1975), Sound Structure in Music, University of California Press, pp. 11–12, ISBN 978-0-520-02376-5
  5. ^ Lorenz, Konrad (1961), "The Role of Gestalt Perception in Animal and Human Behavior", in Lancelot Law Whyte (ed.), Aspects of Form, Indiana University Press, p. 171
  6. ^ Sayre, K.M. (1968), "Toward a Quantitative Model of Pattern Formation", in Frederick J. Crosson and Kenneth M. Sayre (ed.), Philosophy and Cybernetics, Simon and Schuster, pp. 149–152
  7. ^ MacEvoy, Sean; Michael A. Paradiso (14 March 2001). "Lightness constancy in primary visual cortex". PNAS. 98 (15): 8827–8831. Bibcode:2001PNAS...98.8827M. doi:10.1073/pnas.161280398. PMC 37520. PMID 11447292.
  8. ^ Kuroda, Teruhiko (1 September 1971). "Distance constancy". Psychologische Forschung. 34 (3): 199–219. doi:10.1007/BF00424606. PMID 5554745. S2CID 32571419.
  9. ^ Goolkasian, P.; A. Bojko (June 2001). "Location constancy and its effect on visual selection". Spatial Vision. 14 (2): 175–199. doi:10.1163/156856801300202922. PMID 11450802.
  10. ^ Saraf-Sinik, I., E. Assa, and E. Ahissar (2015) Motion Makes Sense: An Adaptive Motor-Sensory Strategy Underlies the Perception of Object Location in Rats. The Journal of Neuroscience 35:8777-8789. DOI: https://doi.org/10.1523/JNEUROSCI.4149-14.2015
  11. ^ Weckowicz T.E.; R. Sommer; R. Hall (1958). "Distance Constancy in Schizophrenic Patients". The British Journal of Psychiatry. 104 (437): 1174–1182. doi:10.1192/bjp.104.437.1174. PMID 13621164.
  12. ^ Engel, G.R.; W.G. Dougherty (3 December 1971). "Visual-Auditory Distance Constancy". Letters to Nature. 234 (5327): 308. Bibcode:1971Natur.234..308E. doi:10.1038/234308a0. PMID 4945010. S2CID 4180231.