The Ingoldsby Legends (full title: The Ingoldsby Legends, or Mirth and Marvels) is a collection of myths, legends, ghost stories and poems written supposedly by Thomas Ingoldsby of Tappington Manor, actually a pen-name of an English clergyman named Richard Harris Barham.
Background
The legends were first printed during 1837 as a regular series in the magazine Bentley's Miscellany and later in New Monthly Magazine.[1] They proved immensely popular and were compiled into books published by Richard Bentley in 1840, 1842 and 1847. They remained popular during the 19th century, when they ran through many editions. They were illustrated by artists including John Leech, George Cruikshank, John Tenniel, and Arthur Rackham (1898 edition).[2]
As a priest of the Chapel Royal, with a private income,[3] Barham was not troubled with strenuous duties, and he had ample time to read, and to compose his stories and poems. Although the "legends" are based on folklore or other pre-existing sources, chiefly Kentish,[4] such as the "hand of glory", they are mostly humorous parodies or pastiches.
Content
Barham introduces the collection with the statement that "The World, according to the best geographers, is divided into Europe, Asia, Africa, America and Romney Marsh".[5]
The best-known poem in the collection is "The Jackdaw of Rheims", which is about a jackdaw that steals a cardinal's ring and is made a saint under the name Jem Crow.[6][7] The village pub in Denton, Kent, was renamed The Jackdaw Inn in 1963.
The collection also contains one of the earliest transcriptions of the song "A Franklyn's Dogge", an early version of the song "Bingo".
List of chapters
A Saint, from the "Jackdaw of Rheims", by Briton Rivière, 1868
In Winston Churchill's The Second World War, when describing the scientific report of the German beams to direct Luftwaffe bombing, given by R. V. Jones of Scientific Intelligence, he quotes from "The Dead Drummer": "now one Mr Jones comes forth and depones …"
In Patrick Leigh Fermor's A Time of Gifts, Chapter 11 "The Marches of Hungary", p. 312, on seeing a remarkably dressed old Hungarian soldier or official in a coach near the Danube in 1934, complete with brown fur and gold chain around his shoulders, a medal around his neck, and a scimitar across one knee: "('Twould have made you crazy' – the lines suddenly surfaced after years of oblivion – 'to see Esterhazy / with jools from his jasey / to his diamond boots.' Yes, indeed.)" [A jasey is a wig.]
In H. Rider Haggard's 1885 novel King Solomon's Mines, Allan Quatermain describes himself as non-literary, claiming to have read regularly only the Bible and the Ingoldsby Legends. Later in the novel he quotes a poem that he attributes incorrectly to The Ingoldsby Legends, its actual source being Sir Walter Scott's epic poem Marmion.
In Henry James's 1888 essay "From London", his stay at Morley's Hotel[clarification needed] (and the recollection of the four-poster bed) brings to mind "The Ingoldsby Legends", he 'scarce knows why'.
The narrator in H. G. Wells' short story "The Red Room" (1894) refers to making up rhymes about the legend "Ingoldsby fashion" to calm himself.
In Sarah Grand's 1897 novel The Beth Book, the narrator and main character, Beth, mentions the Ingoldsby Legends as a favourite of her childhood, and recites a passage from "The Execution" that appears in the collection.
In J. Meade Falkner's 1903 novel The Nebuly Coat, Lord Blandamar amuses his wife by reading a new edition of the Ingoldsby Legends after dinner.
Rudyard Kipling's short story "The Dog Hervey" (1914), collected in A Diversity of Creatures (1917), references the dog Little Byngo from "A Lay of St Gengulphus".[9]
In Chapter 7 of Half Magic by Edward Eager, Katherine reads from The Ingoldsby Legends.
Edmund Wilson references the Ingoldsby Legends in Memoirs of Hecate County when he states that his friend, "staggered in tonight like the jackdaw of Rheims, cursed by bell and book, —". The two main characters then discuss the Ingoldsby Legends.
Kentish folk band Los Salvadores song "Smugglers' Leap" is based on the story of the same name featured in the Ingoldsby Legends.
P. G. Wodehouse refers to The Ingoldsby Legends in his novel A Prefect's Uncle (1903), comparing his title character to the lady in the earlier work "who didn't mind death, but who couldn't stand pinching".
Ngaio Marsh refers to The Ingoldsby Legends in Death in a White Tie. Troy tells about coming across Lord Tomnoddy and the hanging and the "extraordinary impression" it had on her. She also makes references in Surfeit of Lampreys, the second time (Chapter 19 Part 4) with reference to The Hand of Glory. She also makes brief mention of the work in Death and the Dancing Footman.
It has been said that the oldest documented usage of the phrase "two shakes of a lamb's tail" can be found within this compilation. Evidences are found within the stories The Babes In The Wood; Or, The Norfolk Tragedy, A Row In An Omnibus (Box): A Legend Of The Haymarket, and The Lay Of St Aloys: A Legend Of Blois.
In Angela Thirkell's novel Miss Bunting (1946) the Ingoldsby Legends are referred to repeatedly (along with Butler, Byron and W. S. Gilbert) for comic effect as the Mixo-Slavian maid must study them very seriously in her cultural classes as examples of English humour.
^Ian Ousby ed., The Cambridge Guide to Literature in English (London 1995) p. 472
^Raphael Samuel, Theatres of Memory Vol 1 (London 1994) p. 447
^Ian Ousby ed., The Cambridge Guide to Literature in English (London 1995) p. 57
^Raphael Samuel, Theatres of Memory Vol. 1 (London 1994) p. 44
^Quoted in Raphael Samuel, Theatres of Memory Vol. 1 (London 1994) p. 443
^Dickens, C.; Ainsworth, W.H.; Smith, A. (1837). Bentley's Miscellany. Richard Bentley. pp. 529–532. Retrieved 1 August 2022. they canoniz'd him by the name of Jem Crow!, text online with "Jim Crow".
