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Gran Teatro de La Habana "Alicia Alonso"
Front and side façades, Paseo del Prado
Map
Former names
  • Palacio del Centro Gallego (semi-official name)
  • Gran Teatro - Centro Gallego (1902-1961)
  • Teatro Federico García Lorca (1961-1977)
  • Liceo de La Habana Vieja (1977-1985)
  • Gran Teatro de La Habana (1985-2015)
Location458 Paseo del Prado 10600 Havana, Cuba
OwnerNational Government
TypeOpera house and performing arts center
Genre(s)Ballet, opera, flamenco
Capacity1,500 (García Lorca Auditorium)
Construction
Opened1915
Renovated1914, 2004, 2015
ArchitectPaul Belau
Tenants
National Ballet of Cuba (1950-present)
International Ballet Festival of Havana (1960-present)

Gran Teatro de La Habana is a theater in Havana, Cuba, home to the Cuban National Ballet. It was designed by the Belgian architect Paul Belau and built by Purdy and Henderson, Engineers in 1914 at the site of the former Teatro Tacón. Its construction was paid for by the Galician immigrants of Havana to serve as a their community-social center. Located in the Paseo del Prado, its facilities include theatres, a concert hall, conference rooms, a video screening room, as well as an art gallery, a choral center and several rehearsal halls for dance companies. It hosts the International Ballet Festival of Havana every two years since 1960.[1]

History

Gran Teatro de la Habana, 1915.

Further information: Teatro Tacón

Since its inception in 1838, Teatro Tacón had occupied the north-western part of the site bounded by Paseo del Prado and Calle Consulado and Calles San Rafael and San José. Its auditorium hosted such European artists as Enrico Caruso and Sarah Bernhardt. During the first years of Cuban independence when thousands of immigrants arrived in Cuba from Spain, a new building addition was constructed around the concert hall of Teatro Tacón.[2] Originally known as the Centro Gallego de La Habana, the building is decorated with sculptures by Giuseppe Moretti representing benevolence, education, music and theatre.

Currently, the principal venue is the García Lorca Auditorium, with seats for 1,500 persons, it provides a home for the Cuban National Ballet Company, and for other dance companies and musical performances. During the 19th and 20th century, performances that took place on its stage include: Ole Bull, Enrico Caruso, Fanny Elssler, Jenny Lind, Anna Pavlova, Antonia Mercé, Ruth Saint Denis, Ted Shawn, Teresa Carreño, Vicente Escudero, Maya Plisetskaya, Clorinda Corradi, Sarah Bernhardt, Carla Fracci and Alicia Alonso, as well as companies such as the American Ballet Theatre, the Royal Winnipeg Ballet, Antonio Gades ballet, the Ballet of the Colón Theatre of Buenos Aires, the Ballet Folclórico of Mexico, plus other ballet companies.

The theatre today

Allegory of Music.

The principal venue is the García Lorca Auditorium, with seats for 1,500 persons, it provides a home for the Cuban National Ballet Company, and for other dance companies and musical performances. During the 19th and 20th century, performances that took place on its stage include: Ole Bull, Enrico Caruso, Fanny Elssler, Jenny Lind, Anna Pavlova, Antonia Mercé, Ruth Saint Denis, Ted Shawn, Teresa Carreño, Vicente Escudero, Maya Plisetskaya, Clorinda Corradi, Sarah Bernhardt, Carla Fracci and Alicia Alonso, as well as companies such as the American Ballet Theatre, the Royal Winnipeg Ballet, Antonio Gades ballet, the Ballet of the Colón Theatre of Buenos Aires, the Ballet Folclórico of Mexico, plus other ballet companies.

Architecture

Detail showing the architectural connection of the Centro Gallego to the new stone facing of 1838 Teatro Tacon on Calle San Rafael.

The Art Nouveau Centro Gallego was built around the old concert hall of the Teatro Tacón located at the corner of Calles of San Rafael and Consulado.[1] Architect Paul Belau, architect of the Presidential Palace, and the U.S. firm Purdy and Henderson, Engineers, kept the original theatre and built the Centro Gallego, an Art Noveau style building addition that enlarged the support functions of the concert hall and introduced an elaborate system of circulation. The exterior of the original Teatro Tacón received a stone facing to harmonize with the new exterior of the Centro Gallego.

Gallery

References

  1. ^ http://www.balletcuba.cult.cu
  2. ^ Estrada, Alfredo José (2007). Havana: An Autobiography. New York: Palgrave Macmillan. pp. 100–1.

See also

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