Grieving parents Bev and Russ are planning to sell their home in the white middle-class Chicago neighborhood of Clybourne Park. They receive a visit from their local clergyman, Jim, as well as their neighbor Karl and his deaf, pregnant wife Betsy. Karl informs them that the family buying their house is Black, and pleads with Russ to back out of the deal, for fear that falling area property values will drive the Lindners' neighbors away and isolate them if Black residents move in. It becomes apparent that the Black family moving in are the Youngers, the protagonists of A Raisin in the Sun, and the neighbor is Karl Lindner, the minor character from that play who attempted to buyout the Youngers into abandoning their plans to move into the neighborhood. The action is taking place approximately an hour following Karl Lindner's departure from the Youngers' Hamilton Park residence, where they have rejected his first buyout attempt. As arguments ensue about the potential problems of integrating the neighborhood, both couples awkwardly call on Russ and Bev's Black housekeeper and her husband, Francine and Albert, to express their opposing views. Russ finally snaps and throws everyone out of the house, saying he no longer cares about his neighbors after their community's shunning his son Kenneth when he returned home from the Korean War, which contributed to Kenneth's suicide, which occurred inside the house.
Act II: 2009
Set in the same home as Act I, the same actors reappear playing different characters. In the intervening fifty years, Clybourne Park has become an all-Black neighborhood, which is now gentrifying. A white couple, Steve and Lindsey (played by the same actors who played Karl and Betsy in Act I), are seeking to buy, raze and rebuild the house at a larger scale, and are being forced to negotiate local housing regulations with a Black couple, Kevin and Lena (played by the same actors as Francine and Albert), who represent the housing board. Lena is related to the Younger family (and named after matriarch Lena Younger), and is unwilling to have the house torn down. Steve and Lindsey's lawyer, Kathy (played by Bev) is revealed to be the daughter of Karl and his deaf wife, Betsy, and mentions that her family moved out of the neighborhood around the time of her birth. A cordial discussion of housing codes soon degenerates into one of racial issues, instigated by a concerned Steve, who feels that the mask of "political correctness" is allowing for a more subtle kind of prejudice against them. The alternating disgust and dismissal that follows reveals resentments from both parties, and several awkward comments lead to Steve being goaded into telling a racist, homophobic joke that offends both Kevin and the other lawyer, Tom (played by Jim), who is gay. The discussion is interrupted several times by Dan (played by Russ), a workman who has found Kenneth's army trunk buried in the back yard. As fighting erupts and the two couples turn on each other and themselves, Dan opens the trunk and finds Kenneth's suicide note.
In a short coda, we see Bev back in 1957, catching her son awake late at night, dressed in his army uniform. He claims to be dressing for a job interview, though it is clear that he is in the act of writing his suicide note. Leaving him to tend to the house, Bev observes that "I really believe things are about to change for the better."
Historical context
Hansberry's parents bought a house in the white neighborhood known as the Washington Park Subdivision, which gave rise to a legal case (Hansberry v. Lee, 311 U.S. 32 [1940]).[4] The Hansberry family home, a red brick three-floor at 6140 S. Rhodes, which they bought in 1937, is up for landmark status before the Chicago City Council's Committee on Historical Landmarks Preservation.[5]
Even before the play premiered on Broadway, it had several notable productions in regional theatres: The Woolly Mammoth Theatre Company (Washington D.C.) staged it in March, 2010, with artistic director Howard Shalwitz directing.[8][9] The Caldwell Theatre Company (Boca Raton, Florida) staged it in January 2011, with Clive Cholerton directing and starring Gregg Weiner, Karen Stephens, Brian D. Coats, Kenneth Kay, Patti Gardner, Cliff Burgess, and Margery Lowe. The play's Chicago premiere took place in September 2011 at Steppenwolf Theatre Company,[10] directed by Steppenwolf ensemble member Amy Morton and featuring ensemble member James Vincent Meredith along with Karen Aldridge, Cliff Chamberlain, Stephanie Childers, Kirsten Fitzgerald, John Judd, and Brendan Marshall-Rashid; the production closed in November 2011.[11][12][13]
In October/November 2011, the play was in residence with the Trinity Repertory Company in Providence, Rhode Island, with Brian Mertes directing and starring Mauro Hantman, Rachael Warren, Mia Ellis, Anne Scurria, Timothy Crowe, Tommy Dickie, and Joe Wilson Jr.[14] From January to March 2012, the play ran at Arden Theatre Company in Old City, Philadelphia, directed by Ed Sobel and starring David Ingram, Julia Gibson, Erika Rose, Steve Pacek, Josh Tower, Ian Merrill Peakes, and Maggie Lakis. The Philadelphia Inquirer claimed, "A remarkably skillful cast directed by Edward Sobel creates characters that flirt with stereotypes, but become real and believable...This is a bitter satire that makes us laugh while it indicts us."[15]
The play opened on Broadway at the Walter Kerr Theatre on April 19, 2012 (in previews starting March 26, 2012) for a 16-week limited engagement. The Off-Broadway cast reprised their roles.[16][17] The play was nominated for several Tony Awards, and won the one for Best Play.[18]
The play had several productions in 2014: in January at the Grand Rapids Civic Theatre,[22] in February 2014, at the Wichita Center for the Arts in Wichita, Kansas,[23] and in September as the season opener for the Hippodrome State Theatre in Gainesville, Florida.[24] Also, the play's Australian premiere took place in March at the Ensemble Theatre in Sydney; the run was scheduled for five weeks, but sold out before opening night and was subsequently extended at another location.[25]
