George "Corpsegrinder" Fisher, of American death metal band Cannibal Corpse
Sean Beasley, one of the two growling vocalists of American death metal band Dying Fetus.

A death growl, or simply growl, is an extended vocal technique usually employed in extreme styles of music, particularly in death metal and other extreme subgenres of heavy metal music.[1] Death growl vocals are sometimes criticized for their "ugliness", but their unintelligibility contributes to death metal's abrasive style and often dark and obscene subject matter.[2]


Death metal, in particular, is associated with growled vocals; it tends to be lyrically and thematically darker and more morbid than other forms of metal, and features vocals which attempt to evoke chaos, death, and misery by being "usually very deep, guttural, and unintelligible".[3] Natalie Purcell notes, "Although the vast majority of death metal bands use very low, beast-like, almost indiscernible growls as vocals, many also have high and screechy or operatic vocals, or simply deep and forcefully-sung vocals."[4] Sociologist Deena Weinstein has noted of death metal: "Vocalists in this style have a distinctive sound, growling and snarling rather than singing the words, and making ample use of the voice distortion box."[5]

Terminology and technique

Death growls are also known as death metal vocals, brutal vocals, guttural vocals, death grunts, growled vocals, low pitched vocals, low growls, unclean vocals, harsh vocals, vocal fry, glottal fry, false cord vocals, death cord vocals and disparagingly as "Cookie Monster vocals".[6] To be done properly, death growls require traditional clean/melodic vocal techniques.

To appreciate the music, fans first had to accept a merciless sonic signature: guttural vocals that were little more than a menacing, sub-audible growl. James Hetfield's thrash metal rasp was harsh in contrast to Rob Halford's heavy metal high notes, but creatures like Glen Benton of Deicide tore out their larynxes to summon images of decaying corpses and giant catastrophic horrors.[7]

In June 2007, Radboud University Nijmegen Medical Centre in the Netherlands reported that, because of the increased popularity of growling in the region, several patients who had used improper growling techniques were being treated for edema and polyps on the vocal folds.[8]

The low, raspy, aggressive pitch of Lemmy Kilmister from Motörhead was not unlike the death growl and may be thought of as a precursor to the current style.[9]

See also


  1. ^ York, Will (July 2004). "Voices from hell". San Francisco Bay Guardian. Archived from the original on 3 March 2016. Retrieved 21 April 2007.
  2. ^ Sharpe-Young, Garry. Death Metal, ISBN 0-9582684-4-4
  3. ^ David Konow. Bang Your Head:The Rise and Fall of Heavy Metal. Three Rivers Press, 2002, p.228.
  4. ^ Purcell, Natalie J. Death Metal Music: The Passion and Politics of a Subculture. McFarland, 2003, p. 11.
  5. ^ Weinstein, Deena. Heavy Metal: A Cultural Sociology. MacMillan, 1991, p. 51.
  6. ^ Fusilli, Jim (1 February 2006). "That's Good Enough for Me". The Wall Street Journal. Archived from the original on 3 January 2009.
  7. ^ Ian Christe. Sound of the Beast: The Complete Headbanging History of Heavy Metal. HarperCollins, 2003, p.239.
  8. ^ "'Grunten" sloopt de stem" [Growling destroys the human voice]. Nederlands Dagblad, 28 June 2007 (in Dutch)
  9. ^ "Leisure & Arts". Archived from the original on 3 January 2009. Retrieved 29 March 2015.

How to Do Harsh Death Metal Vocals, WikiHow