Richard Ewing Powell
November 14, 1904
Mountain View, Arkansas, U.S.
|Died||January 2, 1963 (aged 58)|
West Los Angeles, California, U.S.
|Resting place||Forest Lawn Memorial Park, Glendale, California|
|Height||5 ft 11 in (180 cm)|
(m. 1925; div. 1932)
(m. 1936; div. 1944)
|Children||4, including Norman Powell|
Richard Ewing Powell (November 14, 1904 – January 2, 1963) was an American actor, musician, producer, director, and studio head. Though he came to stardom as a musical comedy performer, he showed versatility, and successfully transformed into a hardboiled leading man, starring in projects of a more dramatic nature. He was the first actor to portray private detective Philip Marlowe on screen.
Powell was born the middle of three sons of mother Sally Rowena in Mountain View, the seat of Stone County in northern Arkansas. His brothers were Luther (the eldest) and Howard (the youngest). The family moved the boys to Little Rock in 1914, where Powell sang in church choirs and with local orchestras, and started his own band. Powell attended the former Little Rock College, before he started his entertainment career as a singer with the Royal Peacock Band, which toured throughout the Midwest.
During this time, he married Mildred Maund, a model, but she found being married to an entertainer not to her liking. After a final trip to Cuba together, Mildred moved to Hemphill, Texas, and the couple divorced in 1932. Later, Powell joined the Charlie Davis Orchestra, based in Indianapolis. He recorded a number of records with Davis and on his own, for the Vocalion label in the late 1920s.
Powell moved to Pittsburgh, where he found great local success as the master of ceremonies at the Enright Theater and the Stanley Theater.
In April 1930, Warner Bros. bought Brunswick Records, which at that time owned Vocalion. Warner Bros. was sufficiently impressed by Powell's singing and stage presence to offer him a film contract in 1932. He made his film debut as a singing bandleader in Blessed Event.
He was borrowed by Fox Film to support Will Rogers in Too Busy to Work (1932). He was a boyish crooner, the sort of role in which he specialized for the next few years. Back at Warner Bros., he supported George Arliss in The King's Vacation, then was in 42nd Street (both 1933), playing the love interest for Ruby Keeler. The film was a massive hit.
Warner Bros. (WB) got him to basically repeat the role in Gold Diggers of 1933, another big success. So, too, was Footlight Parade (also 1933), with Keeler and James Cagney.
Powell was upped to star for College Coach (1933), then went back to more ensemble pieces including 42nd Street, Convention City (both 1933), Wonder Bar, Twenty Million Sweethearts, and Dames (all 1934).
Happiness Ahead was more of a star vehicle for Powell, as was Flirtation Walk (both 1934). He was top-billed in Gold Diggers of 1935 and Broadway Gondolier (both 1935), both with Joan Blondell. He supported Marion Davies in Page Miss Glory (1935), made for Cosmopolitan Pictures, a production company financed by Davies' lover William Randolph Hearst, who released through WB.
WB gave him a change of pace, casting him as Lysander in A Midsummer Night's Dream (1935).
More typical was Shipmates Forever (1935) with Keeler. 20th Century Fox borrowed him for Thanks a Million (1935); back at WB, he did Colleen (1936) with Keeler and Blondell. Powell was reunited with Marion Davies in another for Cosmopolitan, Hearts Divided (1936), playing Napoleon's brother.
He made two films with Blondell, Stage Struck (1936) and Gold Diggers of 1937. 20th Century Fox then borrowed him again for On the Avenue (1937).
Back at WB, he appeared in The Singing Marine and Varsity Show (both 1937), Hollywood Hotel, Cowboy from Brooklyn, Hard to Get, Going Places (all 1938), and Naughty but Nice (1939). Fed up with the repetitive nature of these roles, Powell left WB and went to work for Paramount Pictures.
At Paramount, Blondell and he were cast together again, in the drama I Want a Divorce (1940). Then, Powell got a chance to appear in another non-musical, Christmas in July (1940), a screwball comedy which was the second feature directed by Preston Sturges.
Universal borrowed him to support Abbott and Costello in In the Navy (1941), one of the most popular films of 1941. At Paramount he had a cameo in Star Spangled Rhythm and co-starred with Mary Martin in Happy Go Lucky (both 1943). He supported Dorothy Lamour in Riding High (1943).
In 1944, he was in a fantasy comedy directed by René Clair, It Happened Tomorrow, then went over to MGM to appear opposite Lucille Ball in Meet the People, which was a box-office flop.
During this period, Powell starred in the musical Campana Serenade, which was broadcast on NBC radio (1942–1943) and CBS radio (1943–1944).
By 1944, Powell felt he was too old to play romantic leading men anymore, so he lobbied to play the lead in Double Indemnity. He lost out to Fred MacMurray, another Hollywood nice guy. MacMurray's success, however, fueled Powell's resolve to pursue projects with greater range.
Powell's career changed dramatically when he was cast in the first of a series of films noir, as private detective Philip Marlowe in Murder, My Sweet (1944), directed by Edward Dmytryk at RKO. The film was a big hit, and Powell had successfully reinvented himself as a dramatic actor. He was the first actor to play Marlowe – by name – in motion pictures. (Hollywood had previously adapted some Marlowe novels, but with the lead character changed.) Later, Powell was the first actor to play Marlowe on radio, in 1944 and 1945, and on television, in a 1954 episode of Climax! Powell also played the slightly less hard-boiled detective Richard Rogue in the radio series Rogue's Gallery beginning in 1945.
In 1945, Dmytryk and Powell reteamed to make the film Cornered, a gripping, post-World War II thriller that helped define the film noir style.
For Columbia, he played a casino owner in Johnny O'Clock (1947) and made To the Ends of the Earth (1948). Also in 1948, he stepped out of the brutish type when he starred in Pitfall, a film noir in which a bored insurance-company worker falls for an innocent but dangerous woman, played by Lizabeth Scott.
He broadened his range appearing in a Western, Station West (1948), and a French Foreign Legion tale, Rogues' Regiment (1949). He was a Mountie in Mrs. Mike (1950).
From 1949 to 1953, Powell played the lead role in the NBC radio theater production Richard Diamond, Private Detective. His character in the 30-minute weekly was a likable private detective with a quick wit. Many episodes ended with Detective Diamond having an excuse to sing a little song to his date, showcasing Powell's vocal abilities. Many of the episodes were written by Blake Edwards. When Richard Diamond came to television in 1957, the lead role was portrayed by David Janssen, who did no singing in the series. Prior to the Richard Diamond series, he starred in Rogue's Gallery. He played Richard Rogue, private detective. The Richard Diamond tongue-in-cheek persona developed in the Rogue series.
Powell took a break from tough-guy roles in The Reformer and the Redhead (1950), opposite wife June Allyson. Then, he was back to tougher movies: Right Cross (1950), a boxing film, with Allyson; Cry Danger (1951), as an ex-convict; The Tall Target (1951), at MGM directed by Anthony Mann, playing a detective who tries to prevent the assassination of Abraham Lincoln.
He returned to comedy with You Never Can Tell (1951). He had a supporting role in MGM's popular melodrama, The Bad and the Beautiful (1952). His final film performance was in a romantic comedy Susan Slept Here (1954) for director Frank Tashlin.
Even when he appeared in lighter fare such as The Reformer and the Redhead and Susan Slept Here, he never sang in his later roles. The latter, his final onscreen appearance in a feature film, did include a dance number with co-star Debbie Reynolds.
By this stage, Powell had turned director. His feature debut was Split Second (1953) at RKO Pictures. He followed it with The Conqueror (1956), coproduced by Howard Hughes and starring John Wayne as Genghis Khan. The exterior scenes were filmed in St. George, Utah, downwind of U.S. above-ground atomic tests. The cast and crew totaled 220, and of that number, 91 had developed some form of cancer by 1981, and 46 had died of cancer by then, including Powell and Wayne.
He directed Allyson opposite Jack Lemmon in You Can't Run Away from It (1956). Powell then made two war films at Fox with Robert Mitchum, The Enemy Below (1957) and The Hunters (1958).
In the 1950s, Powell was one of the founders of Four Star Television, along with Charles Boyer, David Niven, and Ida Lupino. He appeared in and supervised several shows for that company. Powell played the role of Willie Dante in Four Star Playhouse, in episodes entitled "Dante's Inferno" (1952), "The Squeeze" (1953), "The Hard Way" (1953), and "The House Always Wins" (1955). In 1961, Howard Duff, husband of Ida Lupino, assumed the Dante role in a short-lived NBC adventure series Dante, set at a San Francisco nightclub called "Dante's Inferno".
Powell guest-starred in numerous Four Star programs, including a 1958 appearance on the Duff-Lupino sitcom Mr. Adams and Eve. He appeared in 1961 on James Whitmore's legal drama The Law and Mr. Jones on ABC. In the episode "Everybody Versus Timmy Drayton", Powell played a colonel having problems with his son. Shortly before his death, Powell sang on camera for the final time in a guest-star appearance on Four Star's Ensign O'Toole, singing "The Song of the Marines", which he first sang in his 1937 film The Singing Marine. He hosted and occasionally starred in his Dick Powell's Zane Grey Theater on CBS from 1956 to 1961, and his final anthology series, The Dick Powell Show on NBC from 1961 through 1963; after his death, the series continued through the end of its second season (as The Dick Powell Theater), with guest hosts.
Powell was the son of Ewing Powell and Sallie Rowena Thompson.
He married three times:
Powell's ranch-style house was used for exterior filming on the ABC TV series, Hart to Hart. Powell was a friend of Hart to Hart actor Robert Wagner and producer Aaron Spelling. The estate, known as Amber Hills, is on 48 acres in the Mandeville Canyon section of Brentwood, Los Angeles.
Powell enjoyed general aviation as a private pilot.
On September 27, 1962, Powell acknowledged rumors that he was undergoing treatment for cancer. The disease was originally diagnosed as an allergy, with Powell first experiencing symptoms while traveling east to promote his program. Upon his return to California, Powell's personal physician conducted tests and found malignant tumors on his neck and chest.
The marker on Dick Powell's niche in Forest Lawn Memorial Park, Glendale, California, incorrectly identifies his year of death as 1962. Powell died at the age of 58 on January 2, 1963. His body was cremated and his remains were interred in the Columbarium of Honor at Forest Lawn Memorial Park in Glendale, California.
It is speculated Powell developed cancer as a result of his participation in the film The Conqueror, which was filmed at St. George, Utah, near a site used by the U.S. military for nuclear testing. About a third of the actors who participated in the film developed cancer, including Powell, who directed the film, John Wayne, and Susan Hayward. However, in a 2001 interview with Larry King, Powell's widow June Allyson stated that the cause of death was lung cancer due to his chain smoking.
During the 15th Primetime Emmy Awards on May 26, 1963, the Television Academy presented a posthumous Television Academy Trustee Award to Dick Powell for his contributions to the industry. The award was accepted by two of his former partners in Four Star Television, Charles Boyer and David Niven.
Dick Powell has a star on the Hollywood Walk of Fame at 6915 Hollywood Blvd.
|1932||Blessed Event||Bunny Harmon||Roy Del Ruth|
|Big City Blues||Radio Announcer||Mervyn LeRoy||Uncredited; voice only|
|Too Busy to Work||Dan Hardy||John G. Blystone|
|1933||The King's Vacation||John Kent||John G. Adolfi|
|42nd Street||Billy Lawler||Lloyd Bacon|
|Gold Diggers of 1933||Brad Roberts||Busby Berkeley|
|Footlight Parade||Scotty Blair|
|College Coach||Phil Saegent||William A. Wellman|
|Convention City||Jerry Ford||Archie Mayo||Lost film|
|1934||Wonder Bar||Tommy||Busby Berkeley|
|Twenty Million Sweethearts||Buddy Clayton||Ray Enright|
|Dames||Jimmy Higgens||Busby Berkeley|
|Happiness Ahead||Bob Lane||Mervyn LeRoy|
|Flirtation Walk||Dick "Canary" Dorcy||Frank Borzage|
|1935||Gold Diggers of 1935||Dick Curtis||Busby Berkeley|
|Broadway Gondolier||Richard "Dick" Purcell||Lloyd Bacon|
|Broadway Hostess||Quartet member||Frank McDonald||Uncredited|
|Page Miss Glory||Bingo Nelson||Mervyn LeRoy|
|A Midsummer Night's Dream||Lysander||Max Reinhardt & William Dieterle|
|Shipmates Forever||Dick Melville III||Frank Borzage|
|Thanks a Million||Eric Land||Roy Del Ruth|
|1936||Colleen||Donald Ames||Alfred E. Green|
|Hearts Divided||Capt. Jerome Bonaparte||Frank Borzage|
|Stage Struck||George Randall||Busby Berkeley|
|Gold Diggers of 1937||Rosmer Peak||Lloyd Bacon|
|1937||On the Avenue||Gary Blake||William Seiter|
|The Singing Marine||Bob Brent||Busby Berkeley|
|Varsity Show||Charles "Chuck" daly||William Keighley|
|Hollywood Hotel||Ronnie Bowers||Busby Berkeley|
|1938||Cowboy from Brooklyn||Ellyn Jordan / Wyoming Steve Gibson||Lloyd Bacon|
|Hard to Get||Bill Davis||Ray Enright|
|Going Places||Peter Mason|
|1939||Naughty but Nice||Prof. Donald Hardwick|
|1940||I Want a Divorce||Alan MacNally||Ralph Murphy|
|Christmas in July||Jimmy McDonald||Preston Sturges|
|1941||Model Wife||Fred Chambers||Leigh Jason|
|In the Navy||Thomas Halstead||Arthur Lubin|
|1942||Star Spangled Rhythm||Himself||Paul Weatherwax||Segment: "Hit the Road to Dreamland"|
|1943||Happy Go Lucky||Pete Hamilton||Curtis Bernhardt|
|Riding High||Steve Baird||George Marshall|
|True to Life||Link Ferris|
|1944||It Happened Tomorrow||Larry Stevens||René Clair|
|Meet the People||William "Swanee" Swanson||Charles Reisner|
|Murder, My Sweet||Philip Marlowe||Edward Dmytryk||released in the UK as Farewell, My Lovely|
|1947||Johnny O'Clock||Johnny O'Clock||Robert Rossen|
|1948||To the Ends of the Earth||Commissioner Michael Barrows||Robert Stevenson|
|Pitfall||John Forbes||André de Toth|
|Station West||Haven||Sidney Lanfield|
|Rogues' Regiment||Whit Corbett||Robert Florey|
|1949||Mrs. Mike||Sgt. Mike Flannigan||Louis King|
|1950||Right Cross||Rick Garvey||John Sturges|
|1951||The Tall Target||John Kennedy||Anthony Mann|
|Cry Danger||Rocky Mulloy||Robert Parrish|
|You Never Can Tell||Rex Shepard||Lou Breslow|
|1953||The Bad and the Beautiful||James Lee Bartlow||Vincente Minnelli|
|1954||Susan Slept Here||Mark Christopher||Frank Tashlin|
Powell was the first actor to play private detective Philip Marlowe on radio, in 1944 and 1945.
Lux Radio Theatre appearances:
|December 21, 1936||Gold Diggers||Joan Blondell, Dick Powell|
|May 19, 1941||Model Wife||Dick Powell, Joan Blondell|
|January 18, 1943||My Gal Sal||Mary Martin, Dick Powell|
|June 26, 1944||Christmas In July||Dick Powell, Linda Darnell|
|November 20, 1944||It Started With Eve||Charles Laughton, Dick Powell|
|June 11, 1945||Murder, My Sweet||Dick Powell, Claire Trevor|
|May 12, 1947||Johnny O'Clock||Dick Powell, Lee J. Cobb|
|November 8, 1948||Pitfall||Dick Powell, Jane Wyatt, Lizbeth Scott|
|May 23, 1949||To The Ends Of The Earth||Dick Powell, Signa Hasso|
|April 24, 1950||Mrs. Mike||Dick Powell, Gene Tierney|
|June 25, 1951||The Reformer and the Redhead||Dick Powell, June Allyson|
|January 11, 1955||Island in the Sky||Dick Powell, Lamont Johnson|
|May 17, 1955||Little Boy Lost||Dick Powell, Gladys Holland|
|1945–1946||Rogue's Gallery||played detective Richard Rogue|
|1949–1953||Richard Diamond, Private Detective||played Richard Diamond (NBC radio theater production)|
|1948 (Premiere)||Johnny Dollar||played insurance investigator Johnny Dollar|
|1952||Stars in the Air||The Bride Goes Wild|
Campana Serenade, popular music.