|Feed the Kitty|
|Directed by||Charles M. Jones|
|Story by||Michael Maltese|
|Produced by||Edward Selzer (uncredited)|
Bea Benaderet (both uncredited)
|Music by||Carl Stalling|
|Animation by||Ken Harris|
Abe Levitow (uncredited)
Richard Thompson (uncredited)
Harry Love (uncredited)
|Layouts by||Robert Gribbroek|
|Backgrounds by||Philip DeGuard|
|Distributed by||Warner Bros. Pictures|
Feed the Kitty is a 1952 Warner Bros. Merrie Melodies cartoon directed by Chuck Jones and written by Michael Maltese. The cartoon was released on February 2, 1952, and introduces bulldog Marc Anthony and kitten Pussyfoot.
In the cartoon, a fierce bulldog adopts an adorable little kitten, and tries to keep it a secret from his owner, who insists that the dog stop bringing things into the house.
In 1994, Feed the Kitty was voted #36 of the 50 Greatest Cartoons of all time by members of the animation field.
This cartoon is the first of a short series directed by Jones and using the characters of Marc Anthony and Pussyfoot (Marc Anthony's barks and grunts courtesy of an uncredited Mel Blanc).
Marc Anthony, a massive-chested bulldog, tries to intimidate a stray kitten with his ferocious barking and grimacing. Instead of being frightened, she climbs onto the dog's back and falls asleep in his fur. Despite wincing at her kneading, Marc instantly falls for the kitten and decides to adopt her, bringing her home with him.
Upon his arrival, his human owner (voiced by Bea Benaderet), tired of picking up his things, orders him not to bring one more thing inside the house. As she reprimands him, Marc Anthony discreetly hides the kitten under a bowl. Much of the cartoon centers on the kitten keeping several steps ahead of the dog, continually getting into things around the house. Each time she nearly alerts the dog's owner of her presence, he employs various tactics to hide or disguise her as common household items, including a powder puff, much to his owner's confusion.
After a while, Marc Anthony takes the kitten into the kitchen and tries to reprimand her, but quickly forgets his anger when she tries to play with his wagging finger. But when he hears his owner walking toward the kitchen, he hastily hides the kitten in a flour canister and tries to look innocent. Growing tired of his antics, his owner ejects him from the kitchen and tells him to stay out while she bakes cookies. Marc Anthony watches as his owner scoops out a cup of flour, and is horrified to see that the kitten is in the measuring cup. The lady pours the flour, along with the kitten, into a mixing bowl and prepares to use an electric mixer. The dog tries several times to thwart or distract her, finally spraying his face with whipped cream to make himself appear rabid. His exasperated owner sees through his disguise and throws him out of the house. Meanwhile, the kitten climbs out of the bowl and hides out of sight to clean herself up.
Marc Anthony, unaware that the kitten has escaped, can only watch in horror as his owner mixes the cookie batter, rolls out the dough, cuts it into shapes and places the cookies in the oven. At each phase of the process, the poor dog becomes increasingly distressed until he finally collapses in tears, literally crying a puddle of tears in the back yard. His mistress comes out a short time later and, believing he is crying over being disciplined, lets him back inside and tells him he has been punished enough. She attempts to console him by giving him a cookie in the shape of a cat. Stunned, Marc takes the cookie and places it on his back where the kitten had slept earlier, then collapses and bawls uncontrollably.
The kitten then walks up and meows at him. Marc Anthony, immediately overjoyed to see his friend alive, picks the kitten up and kisses her, then suddenly realizes that his owner is watching. He vainly tries to disguise the kitten like he did earlier, but then begs at his mistress's feet. To his surprise, she allows him to keep the kitten, sternly telling him that the kitten is completely his responsibility. At this realization, the dog once again wags his finger at her, but melts as the kitten plays with it and purrs at him. She climbs onto his back and settles in for a nap, and he tucks her in using his fur as a blanket.
Animation historian David Gerstein writes that Feed the Kitty is "a story that still resonates fifty-odd years on. What is its secret? Not melodrama, for its melodrama isn't entirely unlike that of mushier animated predecessors. Not conscience, for many earlier shorts also meant well. No, Feed the Kitty's secret is its wonderful mixing of these elements with flawlessly timed humor and awesome character designs: Director Chuck Jones' visuals were simply at the peak of their power when they came together with this story, and they make all the difference."
Feed the Kitty is available on DVD on the Looney Tunes Golden Collection: Volume 1 DVD box set, supplemented with an audio commentary by Greg Ford and a music-only audio track. It is also available as a bonus feature (and was discussed as an example of how Jones used personality in animation) on the DVD release of the PBS documentary entitled Extremes & Inbetweens: A Life In Animation about the life and career of director Chuck Jones. It is also available on the Looney Tunes: Spotlight Collection DVD box set and the Looney Tunes Platinum Collection: Volume 1 Blu-ray box set.