Franklin J. Schaffner | |
|---|---|
 Schaffner in 1977 | |
| Born | Franklin James Schaffner May 30, 1920 Tokyo, Japan |
| Died | July 2, 1989 (aged 69) Santa Monica, California, U.S. |
| Nationality | American |
| Alma mater | Franklin & Marshall College Columbia University Law School |
| Occupation | Film director |
| Title | President of the Directors Guild of America, 1987–89 |
| Spouse | Helen Jean Gilchrist (1948–89) (died 2007) |
| Awards | Academy Award for Best Director; 1971 Patton Primetime Emmy Award for Best Direction; 1955 Studio One, 1955 Ford Star Jubilee, 1962 The Defenders |
| Military career | |
| Allegiance |  United States |
| Service/ |  United States NavyOffice of Strategic Services |
| Rank | Lieutenant |
Franklin James Schaffner (May 30, 1920 – July 2, 1989) was an American film, television, and stage director. He won the Academy Award for Best Director for Patton (1970), and is known for the films Planet of the Apes (1968), Nicholas and Alexandra (1971), Papillon (1973), and The Boys from Brazil (1978). He served as president of the Directors Guild of America between 1987 and 1989.
Schaffner was born in Tokyo, Japan, the son of American missionaries Sarah Horting (née Swords) and Paul Franklin Schaffner,[1][2] and was raised in Japan.
The Schaffners returned to the United States and settled in Lancaster, Pennsylvania when Franklin Schaffner was 5 years old.[3][4] Franklin Schaffner attended J.P. McCaskey High School, where he appeared as Mr. Darcy in the school's production of Pride and Prejudice.[3] In 1938, he graduated as valedictorian of McCaskey High School's first graduating class.[3][4]
Schaffner graduated from Franklin & Marshall College (F&M) in Lancaster.[3] As a student, Schaffner was active in the drama program at F&M's Green Room Theatre, where he appeared in eleven plays and served as president of the Green Room Club.[3] He then studied law at Columbia University in New York City, but his education was interrupted by service with the U.S. Navy in World War II during which he served with amphibious forces in Europe and North Africa. In the latter stages of the war, he was sent to the Pacific Far East to serve with the Office of Strategic Services.[5]
Schaffner returned to the United States after the war. He worked for a world peace organization, then as an assistant director for the documentary film series The March of Time. He became a director in the news and public affairs department of CBS television, where his jobs including covering sports, beauty pageants and public-service programs.[6]
In 1950 he directed "The Traitor", the first episode of Ford Theatre.[7] He also did adaptations of Alice in Wonderland[8] and Treasure Island.[9]
He directed "Thunder on Sycamore Street" by Reginald Rose for Studio One.[10] He and Rose reunited on Twelve Angry Men which won Schaffner an Emmy for Best Director.
The following year Schaffner earned another Emmy for his work on the 1955 TV adaptation of the Broadway play The Caine Mutiny Court-Martial, shown on the anthology series Ford Star Jubilee.[11]
Schaffner became one of three regular directors on the Kaiser Aluminium Hour; the others were George Roy Hill and Fielder Cook.[12] He was also a regular director on Playhouse 90.[13]
He was the original director on the series, The Defenders, created by Rose. Schaffner's work earned him another Emmy.[14]
In 1960, he directed Allen Drury's stage play Advise and Consent. This earned him the Best Director recognition in the Variety Critics Poll.[15]
In the realm of network television, Schaffner also received widespread critical acclaim in 1962 for his groundbreaking collaboration with the First Lady of the United States Jacqueline Kennedy and CBS television's Musical Director Alfredo Antonini in the production of A Tour of the White House with Mrs. John F. Kennedy, a television special broadcast to over 80 million viewers worldwide.[16]
Schaffner's contributions in this production earned him a nomination in 1963 by the Directors Guild of America, for its award in the category of Outstanding Directorial Achievement in Television.[17]
In January 1960 Schaffner signed a multi picture deal with Columbia Pictures.[18]
In May 1961 he signed to make A Summer Place at 20th Century Fox with Fabian and Dolores Hart.[19] The film was not made. Schaffner directed The Good Years (1962) for TV with Henry Fonda and Lucille Ball.[20] Other TV work included The Great American Robbery.[21]
Instead Schaffner's first motion picture was The Stripper (1963), made at Fox from a play by William Inge, starring Richard Beymer and Joanne Woodward. The film was well-received critically, but not a commercial success.
He continued to work for TV including The Legend of Lylah Clare.[22]
Schaffner later made The Best Man (1964) based on a play by Gore Vidal and The War Lord (1965), based on a play by Leslie Stevens, with Charlton Heston. In a 1966 interview he said "as you mature you learn that the story is the most important thing."[23] He announced various films for Columbia - The Day Lincoln Was Shot, The Whistle Blows for Victory and The Green Beret - but they were not made.[24]
He went to Britain to make The Double Man (1967) with Yul Brynner, a film Schaffner admitted he did for the money.[25]
Schaffner had a huge critical and commercial hit in Planet of the Apes (1968) starring Heston at 20th Century Fox.
In December 1968 Schaffner signed a non-exclusive three-picture deal with Columbia.[26]
His next film was for 20th Century Fox, however: Patton (1970), a biopic of General Patton starring George C. Scott. It was a major success for which Schaffner won the Academy Award for Best Director and the Directors Guild of America Award for Best Director.
He made Nicholas and Alexandra (1971) for producer Sam Spiegel. It was an expensive box-office failure. Schaffner followed it with Papillon (1973) a $14 million epic with Steve McQueen and Dustin Hoffman that was a considerable financial success.[27] In 1971 he said his films "are almost always about people who are out of their time and place."[28]
Schaffner intended to follow Papillon with Dynasty of Western Outlaws, about outlaws over the years in Missouri from a script by John Gay, and an adaptation of The French Lieutenant's Woman.[28] He ended up making neither: Dynasty was never made, and French Lieutenant was made a decade later by another director.
Schaffner reunited with George C. Scott in Islands in the Stream (1977), based on the novel by Ernest Hemingway.[29] He then did The Boys from Brazil (1978) based on a novel by Ira Levin with Gregory Peck.
His later films included Sphinx (1981), a $10 million thriller about Egypt based on a novel by Robin Cook and produced by Stanley O'Toole, who had made Boys from Brazil with Schaffner.[30] It was a commercial and critical failure, as was Yes, Giorgio (1982), a musical comedy starring Luciano Pavarotti.
Schaffner's last films were the critically well-received Lionheart (1987) and Welcome Home (1989).
Schaffner was president of the Directors Guild of America from 1987 until his death in 1989.
Jerry Goldsmith composed the music for seven of his films: The Stripper, Planet of the Apes, Patton, Papillon, Islands in the Stream, The Boys from Brazil and Lionheart. Four of them were nominated for the Academy Award for Best Original Score.[31]
Schaffner twice worked with actors Charlton Heston and Maurice Evans (The War Lord; Planet of the Apes), George C. Scott (Patton; Islands in the Stream) and Laurence Olivier (Nicholas and Alexandra; The Boys from Brazil).[32][33][34]
Schaffner married Helen Jean Gilchrist in 1948. The couple had two children, Jennie and Kate. She died in 2007.
Schaffner died on July 2, 1989, at the age of 69.[35] He was released 10 days before his death from a hospital where he was being treated for lung cancer.
Screenwriter William Goldman identified Schaffner in 1981 as being one of the three best directors (then living) at handling "scope" (a gift for screen epics) in films. The other two were David Lean and Richard Attenborough.[36]
In 1991, Schaffner's widow, Jean Schaffner, established the Franklin J. Schaffner Alumni Medal (colloquially known as the Franklin J. Schaffner Award), which is awarded by the American Film Institute at its annual ceremony to an alumnus of either the AFI Conservatory or the AFI Conservatory Directing Workshop for Women who best embodies the qualities of the late director: talent, taste, dedication and commitment to quality filmmaking.[3] Notable recipients include David Lynch, Amy Heckerling, Terence Malick, Darren Aronofsky, Patty Jenkins and Paul Schrader, among others.[37]
The Directors Guild of America also began presenting a Franklin J. Schaffner Achievement Award to associate directors or stage managers in 1991.[38]
The moving image collection of Franklin J. Schaffner is held at the Academy Film Archive.[39]
In May 2020, the mayor of Lancaster, Pennsylvania, proclaimed Franklin Schaffner Week (May 23–30, 2020) to mark the centennial of his birth.[3][4]
| Year | Title | Academy Awards | Golden Globe Awards | BAFTA Awards | Notes | |||
|---|---|---|---|---|---|---|---|---|
| Noms. | Wins | Noms. | Wins | Noms. | Wins | |||
| 1952 | The Wings of the Dove | |||||||
| 1963 | The Stripper | 1 | ||||||
| 1964 | The Best Man | 1 | 2 | |||||
| 1965 | The War Lord | |||||||
| 1967 | The Double Man | |||||||
| 1968 | Planet of the Apes | 2 | 1 | |||||
| 1970 | Patton | 10 | 7 | 2 | 1 | 2 | Also producer | |
| 1971 | Nicholas and Alexandra | 6 | 2 | 3 | 3 | |||
| 1973 | Papillon | 1 | 1 | Also producer | ||||
| 1976 | Islands in the Stream | 1 | ||||||
| 1978 | The Boys from Brazil | 3 | 1 | |||||
| 1981 | Sphinx | Also executive producer | ||||||
| 1982 | Yes, Giorgio | 1 | 1 | |||||
| 1987 | Lionheart | |||||||
| 1989 | Welcome Home | Posthumous release | ||||||
| Total | 26 | 10 | 10 | 1 | 5 | 0 | ||
| Year | Title | Emmy Awards | Golden Globe Awards | Notes | ||
|---|---|---|---|---|---|---|
| Noms. | Wins | Noms. | Wins | |||
| 1948-51 | The Ford Theatre Hour | 22 episodes | ||||
| 1949 | Wesley | 13 episodes | ||||
| 1949-56 | Studio One | 12 | 5 | 110 episodes | ||
| 1951 | Tales of Tomorrow | 5 episodes | ||||
| 1953-59 | Person to Person | 6 | 248 episodes | |||
| 1955 | The Best of Broadway | 1 | 1 episode | |||
| 1955-56 | Ford Star Jubilee | 4 | 3 | 2 episodes | ||
| 1956-57 | The Kaiser Aluminum Hour | 1 | 6 episodes | |||
| 1957 | Producers' Showcase | 13 | 7 | 1 episode | ||
| 1957-60 | Playhouse 90 | 34 | 13 | 1 | 19 episodes | |
| 1959 | Startime | 5 | 1 | 1 episode | ||
| 1961 | Cry Vengeance! | Television film | ||||
| 1961-62 | The Defenders | 8 | 14 | 2 | 1 | 6 episodes |
| 1962 | The Good Years | Television film | ||||
| A Tour of the White House with Mrs. John F. Kennedy | Documentary special | |||||
| 1962-64 | The DuPont Show of the Week | 8 | 10 episodes | |||
| 1964 | Ambassador at Large | Television film | ||||
| 1966 | One-Eyed Jacks Are Wild | |||||
| 1967 | ABC Stage 67 | 4 | 2 | 1 episode | ||
| Total | 96 | 45 | 2 | 2 | ||
