April 16 (1978-04-16) – April 19, 1978 (1978-04-19)
Holocaust (full title: Holocaust: The Story of the Family Weiss) (1978) is an American television miniseries which aired on NBC over four nights, from April 16 — April 19, 1978.
Holocaust highlights numerous events which occurred both up to and during World War II, such as Kristallnacht, the construction of Jewish ghettos, the Nazi T4 Euthanasia Program, and, later, the construction of death camps and the use of gas chambers.
The miniseries won several awards and received positive reviews, but was also criticized. In The New York Times, Holocaust survivor and political activist Elie Wiesel wrote that it was: "Untrue, offensive, cheap: As a TV production, the film is an insult to those who perished and to those who survived."[1] However, the series played a major role in public debates on the Holocaust in West Germany after its showing in 1979, and its impact has been described as "enormous".
The series has been widely credited with bringing the term "Holocaust" into popular usage to describe the extermination of the European Jews.[2][3][4]
Plot Summary
Part 1: The Gathering Darkness
1935 — Karl and Inga celebrate their wedding in Berlin. Erik Dorf gets a job in the SS as right-hand man to top-level Nazi Reinhard Heydrich (David Warner).
1938 — Dorf warns Dr. Weiss to leave Germany. Berta is adamant about staying. During Kristallnacht, Berta's father is attacked. Dorf impresses Heydrich by orchestrating the pogrom and gets promoted. Karl is arrested and sent to Buchenwald concentration camp. As a Polish citizen, Dr. Weiss is deported to Warsaw. The Weiss home is seized by a Nazi. Berta and the children move in with Inga's Nazi-supporting family. Rudi runs away.
1939 — Dorf rises within Nazi society as he helps Heydrich plan the transport of Jews to occupied Poland. In Warsaw, Dr. Weiss serves as an Elder in the Judenrat (Jewish council) and works as a doctor serving the Jewish community.
1940 — On New Year's Eve, a distraught Anna runs away and is soon raped by SA stormtroopers in the street. Catatonic afterwards, she is committed to the Hadamar killing centre, where she and others suffering mental illness are gassed under the Nazi Action T4. Rudi reaches German-occupied Prague. He falls in love with Helena (Tovah Feldshuh). They decide to run away together.
Part 2: The Road to Babi Yar
1941 — Berta is transported to the Warsaw Ghetto. Reunited with Dr. Weiss, she becomes a schoolteacher. Inga travels to Buchenwald, where family friend Müller (Tony Haygarth) is an officer. In exchange for transferring Karl from the quarry, where he is being worked to death, Müller forces Inga to submit to sex. Heydrich and Dorf order the commanders of the Einsatzgruppen to Russia to begin massacring Jews. Dorf finds himself forced to participate in an execution. After one of Dr. Weiss's nurses is executed for smuggling food for the ghetto's children, his brother Moses joins a Zionist resistance group. In occupied Kiev, Rudi and Helena witness the Babi Yar massacre, along with Dorf. Dr. Weiss and the ghetto elders learn from a spy that the Nazis are exterminating the Jews. Dorf and family enjoy Christmas around Berta's stolen piano. They find Weiss family photos hidden in it. Dorf tells his daughter to burn them. Müller torments Karl with the knowledge that he extorts sex from Inga once a month, in exchange for passing her letters to Karl.
1942 — Karl is transferred to the propaganda art studio at Theresienstadt, the paradise ghetto in Czechoslovakia, maintained by the Nazis to fool Red Cross and neutral observers. Karl and the other artists secretly sketch the brutal reality of the camp. While living among the partisans, Rudi marries Helena. Dorf and Heydrich accompany Himmler to a mass shooting. Disgusted by how grisly it is, Himmler demands a more efficient murder method be found. Dorf attends a demonstration of a gas van. The partisans ambush a group of Ukrainian Trawnikis. Rudi is traumatized when he must kill one. Moses smuggles guns into the Warsaw ghetto. Himmler, Heydrich and Dorf plan the expansion of Auschwitz into a mass killing center. Inga convinces Müller, who has fallen in love with her, to denounce her and have her sent to Theresienstadt, where she joins Karl. After Heydrich's assassination, Dorf oversees construction of the death camps, choosing the pesticide Zyklon B for mass extermination. Some of Karl's sketches are discovered by the Nazis. Dorf has Karl and the other artists tortured, but they refuse to reveal where the rest of their sketches are. Dr. Weiss and the ghetto elders are ordered to select 6000 Jews a day for transport to Treblinka for extermination.
Part 4: The Saving Remnant
1942 — Dorf asks for a transfer back to Berlin, which is denied. His wife reassures him that what he is doing is right. Dorf tours Auschwitz and observes the murder of Jews in the gas chambers. Dr. Weiss is caught saving Jews from the transport trains by falsely claiming they have contagious illnesses. He and Berta are sent to Auschwitz. Rudi is injured when the partisans attack a German barracks. Karl learns Inga is pregnant, just before he is sent to Auschwitz.
1943 — Moses and the Zionists start the Warsaw Ghetto Uprising. Berta and the women of her barracks are gassed. After three weeks of resistance, the Uprising is suppressed. Moses and the survivors are shot to death. Dorf learns his uncle is protecting Jews on a road construction project. Dorf has them all, including Dr. Weiss, sent to the gas chamber. Most of the partisans, including Helena, are killed during a botched attack on German troops. Rudi is sent to Sobibór death camp. He escapes during the Sobibór uprising.
1945 — As Auschwitz is evacuated, Karl is found dead in his barracks, slumped over one final sketch. Dorf is captured by the United States Army. Told he will be tried for war crimes, he says he was only following orders. Confronted by photographic evidence of the atrocities, he commits suicide by taking a cyanide pill. Rudi finds Inga in Theresienstadt after its liberation. She introduces him to her baby with Karl. She has named him Josef, after Dr. Weiss. She shows Rudi Karl's drawings, which she hid from the SS. They are to be given to a museum in Prague as a record of the Holocaust for future generations. Rudi joins a group smuggling Jewish orphans into Palestine.
Holocaust was produced by Robert Berger and filmed on location in Austria and West Berlin. It was broadcast in four parts, from April 16 to April 19, 1978. The series earned a 49% market share. It was also well received in Europe.[citation needed]
The miniseries was rebroadcast on NBC from September 10 to September 13, 1979.
Home media
In the U.S., Holocaust was released as a Region 1 DVD by Paramount Pictures and CBS Home Entertainment on May 27, 2008. The release of the Region 2 DVD followed on 15 August 2010. A disclaimer on the DVD packaging states that it may be edited from the original network broadcast version, and it is shorter at 446 mins. The Region 4 DVD is unusually in native NTSC format, not having been converted to PAL. No information about the cut in footage has been released.
In the U.S. and Canada, a 452-minute version was released as a 2-disc Blu-ray set on September 24, 2019.[7]
Reception
Some critics accused the miniseries of trivializing the Holocaust. The television format was believed to limit how realistic the portrayal could be. In addition, the fact that NBC made a financial gain as a result of advertising resulted in charges that it had commercialized a vast tragedy.[citation needed] The producers of the series rebutted these charges by stating that it educated the public by raising its awareness of the Holocaust. With the exception of films such as The Diary of Anne Frank (1959), Judgment at Nuremberg (1961), and The Hiding Place (1975), this was the first time in which many Americans had seen a lengthy dramatization of the Holocaust.
The German Jews were the most assimilated in Europe. They were vital to Germany's culture—which, indeed, has never recovered from their extinction. They couldn't see they were hated in direct proportion to their learning, vitality and success. The aridity of the Nazi mind was the biggest poser the authors had to face. In creating Erik Dorf they went some way towards overcoming it. Played with spellbinding creepiness by Michael Moriarty, Erik spoke his murderous euphemisms in a voice as juiceless as Hitler's prose or Speer's architecture. Hitler's dream of the racially pure future was of an abstract landscape tended by chain-gangs of shadows and crisscrossed with highways bearing truckloads of Aryans endlessly speeding to somewhere undefined. Dorf sounded just like that: his dead mackerel eyes were dully alight with a limitless vision of banality.[8]
The historian Tony Judt described the series as "the purest product of American commercial television — its story simple, its characters mostly two-dimensional, its narrative structured for maximum emotional impact" and he also wrote that, when it is shown in Continental Europe, it was "execrated and abominated by European cinéastes from Edgar Reitz to Claude Lanzmann" and he responded to these negative reviews of the miniseries by noting that "these very limitations account for the show's impact", especially in West Germany, where it was aired over four consecutive nights in January 1979 and coincided with public interest in the Majdanek trials.[9] The viewership was estimated to consist of up to 15 million households or 20 million people, approximately 50% of West Germany's entire adult population. Judt describes the public interest as "enormous".[9]
After each part of Holocaust was aired, a companion show was aired in which a panel of historians answered viewers' questions by telephone. Thousands of shocked and outraged Germans called the panels. The German historian Alf Lüdtke wrote that the historians "could not cope" because thousands of angry viewers asked how such acts had happened.[10] Subsequently, the Gesellschaft für deutsche Sprache ranked the term "Holocaust" as the German Word of the Year for the publicity associated with it.[11]
During an introductory documentary that preceded the first broadcast of the series in Germany, Peter Naumann, then a right-wing terrorist with two accomplices, tried to blow up the transmission towers of the ARD transmitters at Koblenz and near Münster (station Nottuln), to prevent the broadcast. At the Koblenz transmitter, the supply cables were damaged, and the transmitter failed for one hour. Several hundred thousand television viewers could not see the program during this time.[12] Naumann later became a politician with the NPD.
The Polish community in the United States found the miniseries controversial and inaccurate. It argued against the portrayal of soldiers as Polish military who supervised transports of Jews and killed them during the Warsaw Ghetto Uprising. It noted that many Poles were also killed in the concentration and death camps.[13] Around the world, various unrepentant Nazis also raged against the miniseries: Ernst Zundel led a fierce and unsuccessful attempt to have the show banned from airing in Canada, and a group of American Nazis who were aligned with James K. Warner tried and failed to have NBC grant them a "right of response" which would have granted them equal prime-time coverage to present their "alternate" view of World War II events.
Commenting on what he saw as the sentimentality and low production values of the series, Dr Jonathan Miller said “I suppose it’s only fitting we should turn the Nazis into a soap.”
Holocaust was watched by an estimated 120 million viewers in the United States when it was first broadcast in 1978.[15]
The series has been widely credited with bringing the term "Holocaust" into popular usage to describe the extermination of the European Jews.[2][3][4]
In 1979, Holocaust was broadcast in West Germany, where it was watched by an estimated 20 million people, then 36% of the nation's television-owning population. Later that same year, the West German parliament removed the statute of limitations on war crimes.[4] The series is credited with educating many Germans, particularly what was then the younger generation, about the scale of common people's participation in the Holocaust.[15]Der Spiegel stated that Holocaust "managed to do what hundreds of books, plays, films and TV broadcasts, thousands of documents and all concentration camp trials in three decades of postwar history had failed to do: to inform Germans about the crimes committed against the Jews in their name in such a way that millions were shaken."[4]
On its fortieth anniversary, in January 2019, the series was rebroadcast on German television, in connection with Alice Agneskirchner's documentary, How the Holocaust Came To TV, which described the impact of the broadcast on the original German audience.[16] A survey at the time showed that fewer than half of all German school children had any knowledge of the Auschwitz concentration camp.[15]
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