.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}@media all and (max-width:500px){.mw-parser-output .hidden-begin{width:auto!important;clear:none!important;float:none!important))You can help expand this article with text translated from the corresponding article in Danish. (June 2023) Click [show] for important translation instructions. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Danish Wikipedia article at [[:da:Om Begrebet Ironi med stadigt Hensyn til Socrates]]; see its history for attribution. You should also add the template ((Translated|da|Om Begrebet Ironi med stadigt Hensyn til Socrates)) to the talk page. For more guidance, see Wikipedia:Translation.
The cover page to Søren Kierkegaard's master's thesis

On the Concept of Irony with Continual Reference to Socrates (Danish: Om Begrebet Ironi med stadigt Hensyn til Socrates) is Søren Kierkegaard's 1841 master's thesis under Frederik Christian Sibbern [da].[1] This thesis is the culmination of three years of extensive study on Socrates, as seen from the view point of Xenophon, Aristophanes, and Plato.[2]

His thesis dealt with irony, and in particular, Socratic irony. In Part One, Kierkegaard regards Aristophanes' portrayal of Socrates, in Aristophanes' The Clouds to be the most accurate representation of the man. Whereas Xenophon and Plato portrayed Socrates seriously, Kierkegaard felt that Aristophanes best understood the intricacies of Socratic irony.

In the shorter Part Two of the dissertation, Kierkegaard compares Socratic irony with contemporary interpretations of irony. Here, he offers analysis of major 19th century writers and philosophers including Fichte, Schlegel, and Hegel. One English translation of the book also contains his notes on Schelling's Berlin Lectures of 1841, which Kierkegaard attended shortly after finishing his dissertation.

References

  1. ^ Jon Stewart, "Kierkegaard's Phenomenology of Despair in The Sickness Unto Death", Kierkegaard Studies Yearbook 1997:117–143.
  2. ^ "Reflections on Kierkegaard's Socrates" by H. Sarf, Journal of the History of Ideas, 1983.

Further reading