|Sound change and alternation|
In historical linguistics, phonological change is any sound change that alters the distribution of phonemes in a language. In other words, a language develops a new system of oppositions among its phonemes. Old contrasts may disappear, new ones may emerge, or they may simply be rearranged. Sound change may be an impetus for changes in the phonological structures of a language (and likewise, phonological change may sway the process of sound change). One process of phonological change is rephonemicization, in which the distribution of phonemes changes by either addition of new phonemes or a reorganization of existing phonemes. Mergers and splits are types of rephonemicization and are discussed further below.
In a typological scheme first systematized by Henry M. Hoenigswald in 1965, a historical sound law can only affect a phonological system in one of three ways:
This classification does not consider mere changes in pronunciation, that is, phonetic change, even chain shifts, in which neither the number nor the distribution of phonemes is affected.
Phonetic change can occur without any modification to the phoneme inventory or phonemic correspondences. This change is purely allophonic or subphonemic. This can entail one of two changes: either the phoneme turns into a new allophone—meaning the phonetic form changes—or the distribution of allophones of the phoneme changes.
For the most part, phonetic changes are examples of allophonic differentiation or assimilation; i.e., sounds in specific environments acquire new phonetic features or perhaps lose phonetic features they originally had. For example, the devoicing of the vowels /i/ and /ɯ/ in certain environments in Japanese, the nasalization of vowels before nasals (common but not universal), changes in point of articulation of stops and nasals under the influence of adjacent vowels.
Phonetic change in this context refers to the lack of phonological restructuring, not a small degree of sound change. For example, chain shifts such as the Great Vowel Shift in which nearly all of the vowels of the English language changed or the allophonic differentiation of /s/, originally *[s], into [s z ʃ ʒ ʂ ʐ θ χ χʷ h], do not qualify as phonological change as long as all of the phones remain in complementary distribution.
Many phonetic changes provide the raw ingredients for later phonemic innovations. In Proto-Italic, for example, intervocalic */s/ became *[z]. It was a phonetic change, merely a mild and superficial complication in the phonological system, but when *[z] merged with */r/, the effect on the phonological system was greater. (The example will be discussed below, under conditioned merger.)
Similarly, in the prehistory of Indo-Iranian, the velars */k/ and */g/ acquired distinctively palatal articulation before front vowels (*/e/, */i/, */ē/ */ī/), so that */ke/ came to be pronounced *[t͡ʃe] and */ge/ *[d͡ʒe], but the phones *[t͡ʃ] and *[d͡ʒ] occurred only in that environment. However, when */e/, */o/, */a/ later fell together as Proto-Indo-Iranian */a/ (and */ē/ */ō/ */ā/ likewise fell together as */ā/), the result was that the allophonic palatal and velar stops now contrasted in identical environments: */ka/ and /ča/, /ga/ and /ǰa/, and so on. The difference became phonemic. (The "law of palatals" is an example of phonemic split.)
Sound changes generally operate for a limited period of time, and once established, new phonemic contrasts rarely remain tied to their ancestral environments. For example, Sanskrit acquired "new" /ki/ and /gi/ sequences via analogy and borrowing, and likewise /ču/, /ǰu/, /čm/, and similar novelties; and the reduction of the diphthong */ay/ to Sanskrit /ē/ had no effect at all on preceding velar stops.
Phonemic merger is a loss of distinction between phonemes. Occasionally, the term reduction refers to phonemic merger. It is not to be confused with the meaning of the word "reduction" in phonetics, such as vowel reduction, but phonetic changes may contribute to phonemic mergers.
Conditioned merger, or primary split, takes place when some, but not all, allophones of a phoneme, say A, merge with some other phoneme, B. The immediate results are these:
For a simple example, without alternation, early Middle English /d/ after stressed syllables followed by /r/ became /ð/: módor, fæder > mother, father /ðr/, weder > weather, and so on. Since /ð/ was already a structure-point in the language, the innovation resulted merely in more /ð/ and less /d/ and a gap in the distribution of /d/ (though not a very conspicuous one).
A trivial (if all-pervasive) example of conditioned merger is the devoicing of voiced stops in German when in word-final position or immediately before a compound boundary (see: Help:IPA/Standard German):
There were, of course, also many cases of original voiceless stops in final position: Bett "bed", bunt "colorful", Stock "(walking) stick, cane". To sum up: there are the same number of structure points as before, /p t k b d g/, but there are more cases of /p t k/ than before and fewer of /b d g/, and there is a gap in the distribution of /b d g/ (they are never found in word-final position or before a compound boundary).
More typical of the aftermath of a conditioned merger is the famous case of rhotacism in Latin (also seen in some Sabellian language spoken in the same area): Proto-Italic *s > Latin /r/ between vowels: *gesō "I do, act" > Lat. gerō (but perfect gessi < *ges-s- and participle gestus < *ges-to-, etc., with unchanged *s in all other environments, even in the same paradigm).
This sound law is quite complete and regular, and in its immediate wake there were no examples of /s/ between vowels except for a few words with a special condition (miser "wretched", caesariēs "bushy hair", diser(c)tus "eloquent": that is, rhotacism did not take place when an /r/ followed the *s). However, a new crop of /s/ between vowels soon arose from three sources. (1) a shortening of /ss/ after a diphthong or long vowel: causa "lawsuit" < *kawssā, cāsa "house' < *kāssā, fūsus "poured, melted" < *χewssos. (2) univerbation: nisi (nisī) "unless" < the phrase *ne sei, quasi (quasī) "as if" < the phrase *kʷam sei. (3) borrowings, such as rosa "rose" /rosa/, from a Sabellian source (the word is clearly somehow from Proto-Italic *ruθ- "red" but equally clearly not native Latin), and many words taken from or through Greek (philosōphia, basis, casia, Mesopotamia, etc., etc.).
A particular example of a conditioned merger in Latin is the rule whereby syllable-final stops, when followed by a nasal consonant, assimilated with it in nasality, while preserving their original point of articulation:
In some cases, the underlying (pre-assimilation) root can be retrieved from related lexical items in the language: e.g. superior "higher"; Sabīni "Samnites"; sopor "(deep) sleep". For some words, only comparative evidence can help retrieve the original consonant: for example, the etymology of annus “year” (as *atnos) is revealed by comparison with Gothic aþna “year”.
According to this rule of nasal assimilation, the sequences *-g-n and *-k-n would become [ŋn], with a velar nasal [ŋ]:
The sound [ŋ] was not a phoneme of Latin, but an allophone of /g/ before /n/.
The sequence [ŋn] was regularly rendered in the orthography as |gn|. Some epigraphic inscriptions also feature non-standard spellings, e.g. SINNU for signum "sign, insigne", INGNEM for ignem "fire". These are witness to the speakers' hesitancy on how to best transcribe the sound [ŋ] in the sequence [ŋn].
The regular nasal assimilation of Latin can be seen as a form of "merger", insofar as it resulted in the contrast between oral stops (p, b, t, d) and nasal stops (m, n) being regularly neutralized.
One of the traits of conditioned merger, as outlined above, is that the total number of contrasts remains the same, but it is possible for such splits to reduce the number of contrasts. It happens if all of the conditioned merger products merge with one or another phoneme.
For example, in Latin, the Pre-Latin phoneme *θ (from Proto-Italic *tʰ < PIE *dh) disappears as such by merging with three other sounds: *f (from PIE *bh and *gʷh), *d, and *b:
Initially *θ > f:
Medially adjacent to *l, *r, or *u, *θ becomes b:
Elsewhere, *θ becomes d:
There is no alternation to give away the historical story, there, via internal reconstruction; the evidence for these changes is almost entirely from comparative reconstruction. That reconstruction makes it easy to unriddle the story behind the weird forms of the Latin paradigm jubeō "order", jussī perfect, jussus participle. If the root is inherited, it would have to have been PIE *yewdh-.
Unconditioned merger, that is, complete loss of a contrast between two or more phonemes, is not very common. Most mergers are conditioned. That is, most apparent mergers of A and B have an environment or two in which A did something else, such as drop or merge with C.
Typical is the unconditioned merger seen in the Celtic conflation of the PIE plain voiced series of stops with the breathy-voiced series: *bh, *dh, *ǵh, *gh are indistinguishable in Celtic etymology from the reflexes of *b *d *ǵ *g. The collapse of the contrast cannot be stated in whole-series terms because the labiovelars do not co-operate. PIE *gʷ everywhere falls together with the reflexes of *b and *bh as Proto-Celtic *b, but *gʷh seems to have become PCelt. *gʷ, lining up with PCelt. *kʷ < PIE *kʷ.
Another example is provided by Japonic languages. Proto-Japanese had 8 vowels; it has been reduced to 5 in modern Japanese, but in Yaeyama, the vowel mergers progressed further, to 3 vowels.
In a split (Hoenigswald's "secondary split"), a new contrast arises when allophones of a phoneme cease being in complementary distribution and are therefore necessarily independent structure points, i.e. contrastive. This mostly comes about because of some loss of distinctiveness in the environment of one or more allophones of a phoneme.
A simple example is the rise of the contrast between nasal and oral vowels in French. A full account of this history is complicated by the subsequent changes in the phonetics of the nasal vowels, but the development can be compendiously illustrated via the present-day French phonemes /a/ and /ã/:
Phonemic split was a major factor in the creation of the contrast between voiced and voiceless fricatives in English. Originally, to oversimplify a bit, Old English fricatives were voiced between voiced sounds and voiceless elsewhere. Thus /f/ was [f] in fisc [fiʃ] "fish", fyllen "to fill" [fyllen], hæft "prisoner", ofþyrsted [ofθyrsted] "athirst", líf "life", wulf "wolf". But in say the dative singular of "life", that is lífe, the form was [li:ve] (as in English alive, being an old prepositional phrase on lífe); the plural of wulf, wulfas, was [wulvas], as still seen in wolves. The voiced fricative is typically seen in verbs, too (often with variations in vowel length of diverse sources): gift but give, shelf but shelve. Such alternations are to be seen even in loan words, as proof vs prove (though not as a rule in borrowed plurals, thus proofs, uses, with voiceless fricatives).
In Hoenigswald's original scheme, loss, the disappearance of a segment, or even of a whole phoneme, was treated as a form of merger, depending on whether the loss was conditioned or unconditioned. The "element" that a vanished segment or phoneme merged with was "zero".
The situation in which a highly inflected language has formations without any affix at all (Latin alter "(the) other", for example) is quite common, but it is the only one (nominative singular masculine: altera nominative singular feminine, alterum accusative singular masculine, etc.) of the 30 forms that make up the paradigm that is not explicitly marked with endings for gender, number, and case.
From a historical perspective, there is no problem since alter is from *alteros (overtly nominative singular and masculine), with the regular loss of the short vowel after *-r- and the truncation of the resulting word-final cluster *-rs. Descriptively, however, it is problematic to say that the "nominative singular masculine" is signaled by the absence of any affix. It is simpler to view alter as more than what it looks like, /alterØ/, "marked" for case, number, and gender by an affix, like the other 29 forms in the paradigm. It is merely that the "marker" in question is not a phoneme or sequence of phonemes but the element /Ø/.
Along the way, it is hard to know when to stop positing zeros and whether to regard one zero as different from another. For example, if the zero not-marking can (as in he can) as "third person singular" is the same zero that not-marks deer as "plural", or if are both basically a single morphological placeholder. If it is determined that there is a zero on the end of deer in three deer, it is uncertain whether English adjectives agree with the number of the noun they modify, using the same zero affix. (Deictics do so: compare this deer, these deer.) In some theories of syntax it is useful to have an overt marker on a singular noun in a sentence such as My head hurts because the syntactic mechanism needs something explicit to generate the singular suffix on the verb. Thus, all English singular nouns may be marked with yet another zero.
It seems possible to avoid all those issues by considering loss as a separate basic category of phonological change, and leave zero out of it.
As stated above, one can regard loss as both a kind of conditioned merger (when only some expressions of a phoneme are lost) and a disappearance of a whole structure point. The former is much more common than the latter.
The ends of words often have sound laws that apply there only, and many such special developments consist of the loss of a segment. The early history and prehistory of English has seen several waves of loss of elements, vowels and consonants alike, from the ends of words, first in Proto-Germanic, then to Proto-West-Germanic, then to Old and Middle and Modern English, shedding bits from the ends of words at every step of the way. There is in Modern English next to nothing left of the elaborate inflectional and derivational apparatus of PIE or of Proto-Germanic because of the successive ablation of the phonemes making up these suffixes.
Total unconditional loss is, as mentioned, not very common. Latin /h/ appears to have been lost everywhere in all varieties of Proto-Romance except Romanian. Proto-Indo-European laryngeals survived as consonants only in Anatolian languages but left plenty of traces of their former presence (see laryngeal theory).
Phonemic differentiation is the phenomenon of a language maximizing the acoustic distance between its phonemes.
For example, in many languages, including English, most front vowels are unrounded, while most back vowels are rounded. There are no languages in which all front vowels are rounded and all back vowels are unrounded. The most likely explanation for this is that front vowels have a higher second formant (F2) than back vowels, and unrounded vowels have a higher F2 than rounded vowels. Thus unrounded front vowels and rounded back vowels have maximally different F2s, enhancing their phonemic differentiation.
Phonemic differentiation can have an effect on diachronic sound change. In chain shifts, phonemic differentiation is maintained, while in phonemic mergers it is lost. Phonemic splits involve the creation of two phonemes out of one, which then tend to diverge because of phonemic differentiation.
Main article: Chain shift
In a chain shift, one phoneme moves in acoustic space, causing other phonemes to move as well to maintain optimal phonemic differentiation. An example from American English is the Northern cities vowel shift , where the raising of /æ/ has triggered a fronting of /ɑ/, which in turn has triggered a lowering of /ɔ/, and so forth.
If a phoneme moves in acoustic space, but its neighbors do not move in a chain shift, a phonemic merger may occur. In that case, a single phoneme results where an earlier stage of the language had two phonemes (that is also called phonetic neutralization). A well known example of a phonemic merger in American English is the cot–caught merger by which the vowel phonemes /ɑ/ and /ɔ/ (illustrated by the words cot and caught respectively) have merged into a single phoneme in some accents.
In a phonemic split, a phoneme at an earlier stage of the language is divided into two phonemes over time. Usually, it happens when a phoneme has two allophones appearing in different environments, but sound change eliminates the distinction between the two environments. For example, in umlaut in the Germanic languages, the back vowels /u, o/ originally had front rounded allophones [y, ø] before the vowel /i/ in a following syllable. When sound change caused the syllables containing /i/ to be lost, a phonemic split resulted, making /y, ø/ distinct phonemes.
It is sometimes difficult to determine whether a split or a merger has happened if one dialect has two phonemes corresponding to a single phoneme in another dialect; diachronic research is usually required to determine the dialect that is conservative and the one that is innovative.
When phonemic change occurs differently in the standard language and in dialects, the dialect pronunciation is considered nonstandard and may be stigmatized. In descriptive linguistics, however, the question of which splits and mergers are prestigious and which are stigmatized is irrelevant. However, such stigmatization can lead to hypercorrection, when the dialect speakers attempt to imitate the standard language but overshoot, as with the foot–strut split, where failing to make the split is stigmatized in Northern England, and speakers of non-splitting accents often try to introduce it into their speech, sometimes resulting in hypercorrections such as pronouncing pudding /pʌdɪŋ/.
Occasionally, speakers of one accent may believe the speakers of another accent to have undergone a merger, when there has really been a chain shift.