Winston, a frequent collaborator with directors James Cameron, Steven Spielberg and Tim Burton, owned several effects studios, including Stan Winston Digital. The established areas of expertise for Winston were in makeup, puppets and practical effects, but he had recently expanded his studio to encompass digital effects as well.
In 1972, Winston established his own company, Stan Winston Studio, and in 1973, he won an Emmy Award for his effects work on the 1972 telefilm Gargoyles. Over the next seven years, Winston continued to receive Emmy Award nominations for work on projects and won another for 1974's The Autobiography of Miss Jane Pittman. Winston also created the Wookiee costumes for the 1978 Star Wars Holiday Special. In 1978, Winston was the Special Make-up Designer for The Wiz.
1980s
In 1982, Winston received his first Oscar nomination for Heartbeeps, by which time he had set up his own studio. However, it was his ground-breaking work with Rob Bottin on his update of the science fiction horror classic The Thing that year that brought him to prominence in Hollywood. He also worked on supervised vision work on The Entity. Between then, he contributed some visual effects to Friday the 13th Part III, in which he made a slightly different head sculpt of Jason in an unused ending.
In 1983, Winston designed the Mr. Roboto facemask for the American rock group Styx.[7]
In 1983 he also worked on the short-lived television series Manimal, for which he created the panther and hawk transformation effects.
Winston reached a new level of fame in 1984 when James Cameron's The Terminator premiered. The movie was a surprise hit, and Winston's work in bringing the titular metallic killing machine to life led to many new projects and additional collaborations with Cameron. In fact, Winston won his first Academy Award for Best Visual Effects in 1986 on James Cameron's next movie, Aliens.[8]
In 1988, Winston made his directorial debut with the horror movie Pumpkinhead, and won Best First Time Director at the Paris Film Festival. His next directing project was the child-friendly A Gnome Named Gnorm (1990), starring Anthony Michael Hall.
In 1992, he was nominated for another Tim Burton film, the superhero sequel Batman Returns, where he designed the makeup prosthetics for Danny DeVito's Penguin. Additionally, his studio was commissioned to create robotic penguin puppets that were used throughout the film.
In 1993, Winston, Cameron and ex-ILM General Manager Scott Ross co-founded Digital Domain, one of the foremost digital and visual effects studios in the world. In 1998, after the box office success of Titanic, Cameron and Winston severed their working relationship with the company and resigned from its board of directors.
In 1996, Winston directed and co-produced the longest music video of all time, Ghosts, which was based on an original concept of Michael Jackson and Stephen King. The long-form music video presented a number of never before seen visual effects, and promoted music from Blood on the Dance Floor: HIStory in the Mix, which went on to become the biggest selling remix album of all time (13 million).
In 2002 Winston helped to launch a new comic line, Stan Winston's Realm Of The Claw / Mutant Earth which was a flip book and ran for 4 issues. Stan Winston's Trakk Monster Hunter came out in 2003 and ran for 2 issues. These were published by Image Comics.
In 2003, Winston was invited by the Smithsonian Institution to speak about his life and career in a public presentation sponsored by The Lemelson Center for the Study of Invention and Innovation. The presentation took place on November 15, 2003, at the Smithsonian's National Museum of American History.[10]
By April 2003, Winston was working on his next project, Jurassic Park IV.[11]
By April 2005, Winston said the film was on hold.[12] The film would eventually be released in 2015 titled Jurassic World.
Stan Winston died on June 15, 2008, in Malibu, California, after suffering for seven years from multiple myeloma.[2] A spokeswoman reported that he "died peacefully at home surrounded by family."[3] Winston was with his wife and two children, actor Matt Winston and Debbie Winston. Arnold Schwarzenegger made a public speech about his death, and Jon Favreau dedicated his Spike TV Scream Award to him upon receiving the award for Best Sci-Fi Movie for Iron Man. Terminator Salvation is dedicated to both Winston and Joseph R. Kubicek Sr, with the dedication appearing at both the beginning and end of the film. After his death, his four supervisors (Shane Mahan, John Rosengrant, Alan Scott, Lindsay Macgowan) founded and built their own studio, Legacy Effects, named to honor his memory.[15]
Stan Winston School
In 2009, the year after his passing, the Winston family founded the Stan Winston School of Character Arts to "preserve Stan's legacy by inspiring and fostering creativity in a new generation of character creators.”[16] The school, which is 100% online, currently offers hundreds of in-depth, on-demand educational video courses by Hollywood's leading special effects artists and creators. Topics covered include design, sculpture, mold making, lab work, animatronics, makeup effects, puppet making, painting, and fabrication.
Collaborators
Winston worked with the following directors on more than one film:
