Street art by Banksy in Bristol.File:Streetart skore183 buy euro bonds.jpgSociopolitical street art mural painting by SKORE183 - "Bu¥ €uro Bond$" in Munich Germany. Street art by WATTTS in ParisStreet art done by Smear in Los Angeles, CA in 2006.File:MorleyDivorcedWheatpaste.jpg"Divorced" by Morley in Los Angeles, CA.Street art by Jacek Tylicki in New York 1982."Painting in the Global Tradition" by Ces53, a Dutch street artistMural by BLU - "Gaza Strip" in PrahaFile:Tejn Lock On Street Art Hacksaw.JPG"Lock On" street art (stencil and chained sculpture) by Danish artist TejnOwl, Mezer, Moss. Venice Beach, CA.Street art in the old city of Prizren, Kosovo.
Artists have challenged art by situating it in non-art contexts. ‘Street’ artists do not aspire to change the definition of an artwork, but rather to question the existing environment with its own language. They attempt to have their work communicate with everyday people about socially relevant themes in ways that are informed by esthetic values without being imprisoned by them.[1]John Fekner defines street art as "all art on the street that’s not graffiti".[2]
Traditional graffiti also has increasingly been adopted as a method for advertising; its trajectory has even in some cases led its artists to work on contract as graphic artists for corporations.[4] Nevertheless, street art is a label often adopted by artists who wish to keep their work unaffiliated and strongly political. Street artists are those whose work is still largely done without official approval in public areas.
For these reasons street art is sometimes considered "post-graffiti" and sometimes even "neo-graffiti."[5] Street art can be found around the world and street artists often travel to other countries foreign to them so they can spread their designs.
The motivations and objectives that drive street artists are as varied as the artists themselves. There is a strong current of activism and subversion in urban art. Street art can be a powerful platform for reaching the public, and frequent themes include adbusting, subvertising and other culture jamming, the abolishment of private property and reclaiming the streets. Some street artists use "smart vandalism" as a way to raise awareness of social and political issues.[6] Other street artists simply see urban space as an untapped format for personal artwork, while others may appreciate the challenges and risks that are associated with installing illicit artwork in public places. However the universal theme in most, if not all street art, is that adapting visual artwork into a format which utilizes public space, allows artists who may otherwise feel disenfranchised, to reach a much broader audience than traditional artwork and galleries normally allow.
Controversy
Some people consider street art a crime; others consider it a form of art. It is a borderline issue.[7] Street artists may be charged with vandalism, malicious mischief, intentional destruction of property, criminal trespass, or antisocial behavior and there different legal restrictions depending on whether it’s private or public property.[8] In some cities, it is unlawful for landowners to allow any graffiti on their property if it’s visible from any other public or private property. A 2012 research paper[9] from Hacettepe University tried to define street art as a type of crime, then examined it using criminological perspective with criminological and deviance theories, in order to understand and explain it better using an example.
Street artists
Many street artist have earned international attention for their work and have shown their works in museums or galleries as well as on the street. It is also not uncommon for street artists to achieve commercial success doing graphics for other companies or starting their own merchandising lines. Other street artists have transitioned away from street art to traditional gallery and museum exhibitions.
In 1981, Washington Project for the Arts held an exhibition entitled Street Works, which included John Fekner, Fab Five Freddy and Lee Quinones working directly on the streets.[10] Fekner, a pioneer in urban art, is included in Cedar Lewisohn’s book Street Art: The Graffiti Revolution, which accompanied the 2008 Street Art exhibition at the Tate Modern in England, of which Lewisohn was the curator.
The 1990 book Soho Walls – Beyond Graffiti by David Robinson[11] documents the paradigm shift in New York from the text-based precedents established by graffiti artists toward art in the streets such as the shadow figures by Richard Hambleton and the group of five young New York artists working collectively under the moniker AVANT.[12]
Key locations
While practically all large cities in the world, and some of the larger regional towns, host some form of urban art or graffiti, there are a few locations that are considered to harbour forerunners of particular mediums or foster a pioneering street art culture in general. Such locations often attract internationally known artists who travel to these locations to exhibit their works. The following is a partial list of the most notable locations.
Africa
South Africa: Johannesburg - Although not as ubiquitous as in European cities, the central Newtown district is a centre for street art in the city.[13] The "City Of Gold International Urban Art Festival" was held in the city's Braamfontein civic and student district in April 2012.[14]
Europe
Bulgaria: Sofia - In the night between the 17th and the 18 June 2011 the monument of the Soviet Army in Sofia was painted by anonymous street artists. The Soviet soldiers depicted in the monument for a few days turned into Superman, Ronald McDonald, Santa Claus and others. It was a controversial subject and there were many supporters of the monument staying painted and many against it. In the early morning of June 21, 2011 the monument was cleaned.
Finland: Helsinki - The street art scene in Finland had its growth spurt from the 1980s onwards, until in 1998 the city of Helsinki began a ten year zero tolerance policy which made all forms of street art illegal, punished with high fines and enforced through private security contractors. The policy ended in 2008, after which legal walls and art collectives have been established.
France: Paris is also a very active street art scene with artists such as Space Invader, Zevs, Mosko et Associés, Mesnager, Zoo Project.[15] It started with the Lettrism and then with a Situationist slogan painted on a wall in Paris.[16] The nouveau realist, including Jacques Villeglé, Yves Klein and Arman interact with public space but stay, like Pop Art in a classic studio/gallery relation. On 1962, The Rideau de Fer (Iron Curtain) By Christo and Jeanne-Claude is an example of early uncommissioned art. The Same year sees the first can spray work by pioneer Gérard Zlotykamien. After the "chienlit" (expression coined by General De Gaulle to qualify the May 1968 mini-revolution, Paris, like New-York has major city works but no Factory as important as Warhol's. In the 1970s, the work of Daniel Buren appeared in the Paris subway. Blek le Rat and the Figuration Libre (including Claude Closky and Pierre Huyghe) became active in the 1980s.
Germany, Berlin: Street art on the Berlin Wall was famous during the time the city was divided; since reunification Berlin has become of Europe's street art strongholds. Bizarre post-communist locations, cheap rents and ramshackle buildings gave rise to a vibrant street art scene. Hotspots include Mitte, Prenzlauer Berg, Kreuzberg and Friedrichshain.
Greece: Athens - The street art scene in Greece has been active since the late 1980s but had a tremendous boost in Athens right before the beginning of the financial crisis with a number of artists raising voices of resistance, making social commentaries and allegorical works in the historical center and the Exarhia district. On 14 October 2011, the New York Times published an extensive story about the crisis in relation to art and especially street art.[17] Some of the well known artists are Alexandros Vasmoulakis,Woozy and more related to artivism Absent and Bleeps.gr.
Italy: The country has been very active in street art since the end of the 1990s; some of the most famous street artists include BLU, 108, and Sten Lex.
Netherlands: Amsterdam's street art hot spots include the Flevopark on the east side, as well as the Red-light District. Artist that have gained recognition include Niels Shoe Meulman, Ottograph, Mickey, DHM, X Streets Collective,[18] Bustart, Mojofoto, Mark Chalmers and collective CFYE. The city is home to the Amsterdam Street Art group which promotes street art in the city and aims to bring it to the same level as that of London, Paris, and Barcelona.[19]
Norway: Bergen is looked upon as the street art capital of Norway.[20] The famous artist Banksy visited the city in 2000[21] and inspired many to start with street art. The street artist Dolk also came from Bergen.[20][22] His art can be seen in several places in the city; in 2009 the city council choose to preserve Dolk's work "Spray" with protective glass.[20] In 2011, the Bergen council launched a plan of action for street art in Bergen from 2011-2015 to ensure that "Bergen will lead the fashion for street art as an expression both in Norway and Scandinavia.[23] JOHN XC, Aram, Argus, Snurre, and La Staa are other street artists who have used Bergen as their base. Stavanger is host to the annual Nuart Festival, one of Europe's leading events dedicated to promoting street art. Oslo, by contrast, has a zero tolerance policy against graffiti and street art; nonetheless, a couple of artists, including DOT DOT DOT and Ikkeno, have created work there.
Poland: In September 2011 in Łódź, under the patronage of Mayor Hanna Zdanowska, a permanent city exhibition was financed called Urban Forms Gallery.[24] The exhibition included work from some of Poland's elite street artists as well as some more globally known artists. Since the 1990s street art has been prevalent in Poland, which is most likely related to the collapse of communism in 1989. Street art is largely, though not exclusively, inspired by the hip-hop music scene. It is mostly accepted by the public, with the authorities occasionally giving licence to artists to decorate public spots. Despite this, public property is still illegally targeted in some cases. Warsaw and Gdansk are among some of the other Polish cities with a vibrant street art culture.[25]
In 2010 the New York Times reported that Moscow was increasingly becoming a stage for local and international graffiti artists. The Street Kit Gallery, opened in 2008 is dedicated to street art organizes nomadic events in galleries, pop-up spaces and streets all over Moscow. The 2009 Moscow International Biennale for Young Art included a section for street art. Active artists include Make, RUS, and Kiev-based Interesni Kazki (also active in Miami and Los Angeles).[26] In February 2012, the BBC did a story on Moscow street artist Pavel 183.[27]
Bristol is part of a street art scene, due in part to the success of Banksy.[29]
London has become one of the most pro-graffiti cities in the world. Although officially condemned and heavily enforced, street art has a huge following and in many ways is embraced by the public, for example, Stik's stick figures.[30]
Egypt: Cairo has emerged as the street art capital of the Middle East in 2011, according to the New York Times. The scene began with slogans calling for the overthrow of the Mubarak regime and has evolved into aesthetic and politically provocative motifs.[31]
Atlanta: (see Street art in Atlanta) small but growing street art scene in the Krog Street Tunnel, Old Fourth Ward and Reynoldstown neighborhoods, and along the 22-mile BeltLine path which circles the inner city along industrial and residential spaces. Host of the Living Walls street art conference. However, in May 2011 Atlanta established a Graffiti Task Force. In October 2011 the police arrested 7 persons that they designated as vandals and some regard as artists. However, city officials assert that they have no intention of stifling the street art scene. The city selected 29 murals which would not be painted over including those commissioned as part of the BeltLine and works created during the Living Walls conferences. But the list did not include the most famous street art space in the city, the Krog Street Tunnel. Many street artists and members of the arts community interviewed by Creative Loafing believe the city's efforts are misdirected or futile.[33][34]
Miami's Wynwood is home to Wynwood Walls, an outdoor mural permanent exhibit featuring some of the world's most renowned street artists. Additionally there are hundreds of other street art and graffiti murals around the district curated yearly by Primary Flight, making it one of the biggest street art districts in in the world.
Philadelphia's Mural Arts Program is the largest street art program in the United States. I began in 1984 as an effort spearheaded by then Mayor Wilson Goode to eradicate the graffiti crisis plaguing the city. Muralist Jane Golden was hired to reach out to graffiti writers and to redirect their energies from destructive graffiti writing to constructive mural painting. Today, over 3,000 murals painted by local artists and artists from all over the world can be found throughout Philadelphia. The award-winning program has earned Philadelphia international praise as the "City of Murals".[39]
Argentina: Buenos Aires has an active street art scene throughout the city. Ever is a Buenos Aires artist whose work has gained an international recognition, including at the Living Walls conference.[43]
Brazil: São Paulo has an internationally recognized street art scene in addition to pichação, rune-like black graffiti, which many creators say expresses feelings of class conflict.[44]
Melbourne (see Street art in Melbourne) is home to one of the world's most active and diverse street art cultures and is home to pioneers in the stencil medium. Street artists such as Blek le Rat and Banksy often exhibited works on Melbourne's streets in the 2000s (decade). Works are supported and preserved by local councils. Key locations within the city include Brunswick, Carlton, Fitzroy, Northcote, and the city centre including the famous Hosier Lane.
Malaysia: A project funded by the Penang State Government to liven up the streets and celebrate the recognition of Georgetown, Penang as a UNESCO site began in 2012. Street art is drawn onto the walls of 18th-century terrace houses and the Clan Jetty located near Weld Quay (Pengkalan Weld). Initially done at the center of Chulia Street, nearby Khoo Kongsi, the increase in the number of visitors wishing to take pictures with the wall paintings has encouraged the government to support the street art culture. Steel rod sculptures have been added to the walls of buildings scattered around Georgetown.
New Zealand: In 2009 in Auckland, street art decorated corners of the city far and wide with sophisticated graphic imagery. Formats and themes include stencil drawings of aerosol-can characters, sharks, and angels; murals of muscle men to intergalactic space settings; and "throw-ups" of artists' signatures in elaborate, bubble-shaped characters. Auckland's city council permitted electrical boxes to be used as canvases for street art. Local crew TMD (The Most Dedicated) won the “Write For Gold” international competition in Germany two years in a row. Surplus Bargains is another local collective.[45]
^Schwartzman, Allan, Street Art, The Dial Press, Doubleday & Co., New York, NY 1985 ISBN 0-385-19950-3
^Lewisohn Cedar, Street Art: The Graffiti Revolution, Tate Gallery, London, England, 2008. ISBN 978-1-85437-767-8.
^For the development of style in the aerosol paint medium, as well as an examination of the political, cultural, and social commentary of its artists, see the anthropological history of New York subway graffiti art, Getting Up: Subway Graffiti in New York, by Craig Castleman, a student of Margaret Mead, The MIT Press, Cambridge, Massachusetts, 1982.
^As just one example of the potential overlap between the worlds of graffiti and advertising, note the Bronx-based group Tats Cru, whose members began as a subway graffiti crew, but whose work covered traditional neighborhood memorial walls, public schools, hospitals, representation at the Smithsonian Institution's 35th Folklife Festival, and included logo and advertising design for such corporations as Snapple and McDonald's. Some of their work can be found on their website, <www.tatscru.com>.
^"Neo-graffiti" is a term coined by Tokion Magazine in the title of its Neo-Graffiti Project 2000, which featured "classic" subway graffiti artists working in new media; others have called this phenomenon "urban art." A discussion by the Wooster Collective on terminology can be found at WoosterCollective.com.
^ abc"Gatekunstens hovedstad" (in Norwegian). Ba.no. Retrieved 24.03.2010. ((cite web)): Check date values in: |accessdate= (help)Cite error: The named reference "Ba.no" was defined multiple times with different content (see the help page).
Le Bijoutier (2008), This Means Nothing, Powerhouse Books, ISBN 978-1-57687-417-2
Bou, Louis (2006), NYC BCN: Street Art Revolution, HarperCollins, ISBN 978-0-06-121004-4
Bou, Louis (2005), Street Art: Graffiti, stencils, stickers & logos, Instituto Monsa de ediciones, S.A., ISBN 978-84-96429-11-6
Chaffee, Lyman (1993). Political Protest and Street Art: Popular Tools for Democratization in Hispanic Cultures. Westport, CT: Greenwood Press. ISBN0-313-28808-9.
Combs, Dave and Holly (2008), PEEL: The Art of the Sticker, Mark Batty Publisher, ISBN 0-9795546-0-8
Fairey, Shepard (2008), Obey: E Pluribus Venom: The Art of Shepard Fairey, Gingko Press, ISBN 978-1-58423-295-7
Fairey, Shepard (2009), Obey: Supply & Demand, The Art of Shepard Fairey, Gingko Press, ISBN 978-1-58423-349-7
Gavin, Francesca (2007), Street Renegades: New Underground Art, Laurence King Publishers, ISBN 978-1-85669-529-9
Goldstein, Jerry (2008), Athens Street Art, Athens: Athens News, ISBN 978-960-89200-6-4
Harrington, Steven P. and Rojo, Jaime (2008), Brooklyn Street Art, Prestel, ISBN 978-3-7913-3963-4
Harrington, Steven P. and Rojo, Jaime (2010), Street Art New York, Prestel, ISBN 978-3-7913-4428-7
Hundertmark, Christian (2005), The Art Of Rebellion: The World Of Street Art, Gingko Press, ISBN 978-1-58423-157-8
Hundertmark, Christian (2006), The Art Of Rebellion 2: World of Urban Art Activism, Gingko Press, ISBN 978-3-9809909-4-3
Jakob, Kai (2009), Street Art in Berlin, Jaron, ISBN 978-3-89773-596-5
Lewisohn, Cedar (2008), Street Art: The Graffiti Revolution, London, England: Tate Publishing, ISBN 978-1-85437-767-8
Longhi, Samantha (2007), Stencil History X, Association C215, ISBN 978-2-9525682-2-7
Manco, Tristan (2002), Stencil Graffiti, Thames and Hudson, ISBN 0-500-28342-7
Manco, Tristan (2004), Street Logos, Thames and Hudson, ISBN 0-500-28469-5
Marziani, Gianluca (2009), Scala Mercalli: The Creative Earthquake of Italian Street Art, Drago Publishing, ISBN 978-88-88493-42-8
Mathieson, Eleanor & A. Tàpies, Xavier (2009): Street Artists, The Complete Guide.Graffito Books, London. ISBN 978-0-9560284-1-9
Palmer, Rod (2008), Street Art Chile, Eight Books, ISBN 978-0-9554322-1-7
Palmer, Gary (1996), Carpet of Dream, RJD Enterprises, ISBN 0-9632862-9-3
Riggle, Nicholas Alden (2010), "Street Art: The Transfiguration of the Commonplaces," Journal of Aesthetics and Art Criticism, Vol. 68, Issue 3 (248-257).
Schwartzman, Allan (1985), Street Art, The Dial Press, ISBN 978-0-385-19950-6
Strike, Christian and Rose, Aaron (August 2005), Beautiful Losers: Contemporary Art and Street Culture, Distributed Art Publishers, ISBN 1-933045-30-2
Walde, Claudia (2007), Sticker City: Paper Graffiti Art (Street Graphics / Street Art Series), Thames & Hudson, ISBN 978-0-500-28668-5
Walde, Claudia (2011), Street Fonts - Graffiti Alphabets From Around The World, Thames & Hudson, ISBN 978-0-500-51559-4
Williams, Sarah Jaye, ed. (2008), Philosophy of Obey (Obey Giant): The Formative Years (1989–2008), Nerve Books UK.
Documentary films
Rock Fresh (2004), a documentary film about the challenging world of the graffiti artist
RASH (2005), a feature length documentary by Mutiny Media exploring the cultural value of Australian street art and graffiti
Bomb It (2008), a documentary film about graffiti and street art around the world