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Maybe an article what exactly does "308 kbit/s" actually mean. For instance: how many discrete air pressures does a speaker create if user with such a bitrate. How much information is stored within a discrete point and so on... (things about encoding and so on) Zuza777 (talk) 10:30, 27 April 2011 (UTC)
Nearly every sentence in this article has claims which are either unbacked or plain wrong. Please consider deletion of this page, in favour of a complete rewrite. Kohlrabi (talk) 08:42, 21 June 2012 (UTC)
Michaelgaccount (talk) 19:57, 21 June 2012 (UTC)
This reads orders of magnitudes better now, I wonder if a section and some links regarding human auditory perception should be included as well. Kohlrabi (talk) 09:37, 27 June 2012 (UTC)
I don't know how to create a disambiguation page, but one might be needed. This article speaks very generally to the quality or fidelity of sound reproduction. There is an entirely different meaning, common in psychoacoustics and product design, for example to judge the annoyance of the 'clank' resonance of a car door closing versus the same door with some damping material applied. There are national standards for a few of the commonly used sound quality (SQ) metrics, such as harshness, roughness and fluctuation strength. Any modern textbook on psychoacoustics discusses them. Other SQ metrics are commonly defined by reference to textbooks and papers that have advanced the concepts over the past decades. Does anyone want to help expand this? Altaphon (talk) 06:32, 6 August 2019 (UTC)